Harry Worth Movies

Fred Harmon's popular comic strip and radio hero Red Ryder came to the screen in this above-average Republic serial directed by the team of William Witney and John English. Don Barry, until this film mainly playing villains, was cast in the title-role, a rancher organizing the local land owners in opposition to crooked banker Calvin Drake (Harry Woods) and his chief henchman Ace Hanlon (Noah Beery, Sr.). Having learned that the Santa Fe Railroad is planning to build a line through the town of Mesquite, Drake and Hanlon are attempting to buy all the surrounding land by any means possible, including murder. When Colonel Ryder (William Farnum), Red's father, is murdered by Drake's hired killers, Red teams of with his young Native American pal Little Beaver (Tommy Cook) and lovely Beth Andrews (Vivian Coe) aka Vivian Austin), the daughter of another murder victim, Sheriff Andrews (Lloyd Ingraham). With the new sheriff (Carleton Young) in the employ of Drake and Hanlon, it takes the combined efforts of Red, Little Beaver, Cherokee (Hal Taliaferro, formerly Wally Wales) and "The Duchess" (Maude Pierce Allen), Red's indomitable aunt, to bring the villains to justice in the 12th and final chapter, "Frontier Justice." According to co-director Witney, a staged fire went out of control during the filming of this serial, almost burning the soundstage to the ground. Although highly praised by reviewers and audiences alike, Don Barry, whom some observers compared favorably to James Cagney, hated the role and balked at playing it again. Consequently, when Republic inaugurated a regular series in 1944, William Elliot played Ryder. But so popular was Barry's original rendition of the role that he would henceforth be known as Don "Red" Barry. ~ Hans J. Wollstein, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

In this tearful crime melodrama, a waitress becomes so taken with her dream of living in posh luxury and comfort that she leaves her honest boyfriend the district attorney to take up with a notorious gangster who lavishes her with stolen furs and fabulous diamonds. She has no idea that the crook is only using her as a pawn in his scheme to learn the DA's secrets. When she finally does learn the truth, she gives up her life for truth, justice and love. ~ Sandra Brennan, All Movie Guide

Veteran burlesque comic Lee "Lasses" White replaced Emmett Lynn as comic sidekick "Whopper" in this fine Tim Holt Western for RKO. Whopper, Stan Bradford (Holt), and Smokey (Ray Whitley) are delivering a herd of pack horses to telegraph lineman Jeff Corbin (Dennis Moore) when intercepted by smooth-talking Cobb Wayne (Harry Worth), who is in a deadly competition with Corbin. There is a deadline to connect Valley City with Red Rock, and Mary (Marjorie Reynolds), Jeff's sister, cons Stan and his men into helping when Jeff is wounded by one of Wayne's thugs. Ray Whitley performs his own and Fred Rose's "Bangtail," "Tumbleweed Cowboy," and "Blue Nightfall." ~ Hans J. Wollstein, All Movie Guide

Donald Barry plays the legendary outlaw of the title in this Roy Rogers Western which, needless to say, plays fast and loose with history. Returning to Missouri from the gold fields of California, Gabby Whittaker (George "Gabby" Hayes) is persuaded by his granddaughter, Mary (Pauline Moore), to deposit his earnings in the Northfield bank, which is then promptly robbed. Assigned by the Bankers' Association to track down the presumed culprits, Jesse James and his brother Frank (Harry Worth), Roy Rogers soon learns that the Jameses are innocent in this particular crime, which was instead committed by the bank's greedy president, Sam Wyatt (Arthur Loft). Before Rogers can capture the wily banker, he must contend with the interference of Captain Worthington (Harry Woods), a railroad detective more interested in pocketing the 50,000-dollar reward than see justice done. ~ Hans J. Wollstein, All Movie Guide

Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, All Movie Guide

The marvelous rapport between stars Clark Gable and Lana Turner makes MGM's Honky Tonk seem far more substatianal than it really is. About to be tarred and featherd by an angry mob, frontier con artists Candy Johnson (Gable) and his pal Sniper (Chill Wills) manage to make a quick getaway via train. While on board, Candy strikes up a friendship with Boston-bred Lucy Cotton (Turner), whose "respectable" daddy Judge Cotton (Frank Morgan) turns out to be as big of a sharpster as Candy. For Lucy's sake, Candy decides to use his huckstering skill to good use by helping to build a small-town church, but soon he's up to his old tricks, managing a dance hall and gambling emporium. Growing more ambitious by the minute, Candy intends to take over the whole town with the covert assistance of Judge Cotton. But when Candy marries Lucy (who still doesn't know that he's really a crook at heart!), the enraged Judge exposes Candy's takeover scheme, only to be shot down by the gambling hall's straw boss Hearn (Albert Dekker). In his efforts to set things right and atone for past misdeeds, Candy is separated from Lucy time and time again, but there's never any doubt that a happy ending awaits them both. A TV remake of Honky Tonk surfaced in 1974, with Richard Crenna in the Gable role. ~ Hal Erickson, All Movie Guide

The final pairing of Jeanette MacDonald and Nelson Eddy, an adaptation of a Rodgers & Hart musical, stars Eddy as a playboy who fantasizes that he is romancing an angel (MacDonald). ~ Jason Ankeny, All Movie Guide

We never actually see J. Carroll Naish in Alcatraz, but there's no doubt he's the "king" of the title. Most of the action takes place aboard a passenger ship, which Naish has boarded incognito in hopes of escaping prosecution. Naish and his gunmen take over the ship, complicating the lives of passengers and crew alike (in one scene, nurse Gail Patrick is obliged to perform an operation while being guided by an on-shore surgeon via wireless). Seamen Lloyd Nolan and Robert Preston bide their time, then turn the tables on Naish and his henchmen. Packing more action into its 57 minutes than most "A" pictures, King of Alcatraz is a film buff's dream, with a cast filled to the brim with familiar faces, from up-and-coming Anthony Quinn to silent movie vets Monte Blue, Tom Tyler and Gustav von Seyfertitz. ~ Hal Erickson, All Movie Guide

The first of nine Bill Carson Westerns produced by Sigmund Neufeld and starring the stalwart Tim McCoy, Lightnin' Bill Carson was the only entry released by Puritan Pictures. Lightnin' Bill is the marshal of Blue Gap, TX, who resigns to chase down "Breed" Hawkins (John Merton) and the "Pecos" Kid (Rex Lease), a couple of outlaws he earlier ran out of town. During a stagecoach robbery, Pecos witnesses Hawkins murder a deputy (Edmund Cobb) and flees to the house of his brother, "Silent" Tom Rand (Harry Worth). Bill discovers the body of Bates the deputy, and follows the trail to the Rand house where he arrests Pecos. Learning that the killer is really Hawkins, Bill fails to save Pecos from being hanged by the sheriff (Jack Rockwell). Avenging his brother's death, Rand kills both the sheriff and his posse, leaving a playing card on each corpse. Tom has saved the highest card for Bill, but confronted with the lawman, he realizes that vengeance is the sole responsibility of God and secretly empties his own gun before meeting Bill in a final shootout. McCoy made four additional non-Carson Westerns for Puritan before bringing his act to Neufeld's Victory Pictures and resuming the Bill Carson series. ~ Hans J. Wollstein, All Movie Guide

Jack Holt is so tight-jawed in Outlaws in the Orient that one wonders how his bridgework will hold up. Holt plays Chet Eaton, a troubleshooting mail-plane pilot dispatched to the oil fields of the Gobi desert. Here he runs afoul of local bandit Ho-Fang (Harold Huber), who threatens dire consequences if Chet doesn't pay an exorbitant fee for protection. Not that our hero is above a bit of larceny himself; in fact, heroine Joan (Mae Clarke) has quite a time trying to balance Chet's bloated expense account. Outlaws of the Orient was directed by Ernst B. Schoedsack of King Kong fame, who photographed most of the aerial footage himself (some of the desert footage was reportedly lifted from Schoedsack's never-completed film about Lawrence of Arabia). ~ Hal Erickson, All Movie Guide

With Riders of the Rio Grande, Republic's 51-entry "Three Mesquiteers" western series came to an end. Starring as the Mesquiteers on this excursion are Bob Steele as Tucson Smith, Tom Tyler as Stony Brooke and Jimmy Dodd as Lullaby Joslin. It all begins when kindly town banker Pop Owens (Edward Van Sloan) arranges to have himself killed to make up for the financial excesses of his no-good son Tom (Rick Vallin). Pop mistakes our three heroes as the gunmen he's hired for the job, and the boys play along, hoping to dispel Owens' suicidal inclinations and to straighten out the prodigal Tom. Things really get hopping when the genuine "hit men" show up, leading to a no-holds-barred climactic fracas. ~ Hal Erickson, All Movie Guide

The Adventures of Captain Marvel is a 12-episode Republic serial based on the comic book character of the same name. Young Billy Batson (Frank Coghlan Jr.) is part of a scientific expedition in a remote section of Siam. Trapped in an ancient tomb, Billy happens upon an ancient shaman acronymically named Shazam (each letter in his name stands for a famous Greek or Roman god). Because Billy has obeyed the warnings written on the sacred chamber, the old man rewards the boy with the ability to turn into superhero Captain Marvel (Tom Tyler). Billy can make the transformation only by uttering the word "Shazam!"--which explains why the script, for suspense purposes, contrives to have Billy bound and gagged at crucial moments. Young Batson finds that his alter ego comes in handy in determining the identity of "the Scorpion," a member of the expedition who plans to kill his colleagues after learning the secret hiding places of the components of a super-weapon called the Golden Scorpion. A well-above-average Republic entry, The Adventures of Captain Marvel is distinguished by the eye-popping stunt work of David Sharpe and by Captain Marvel's utterly convincing flying scenes, courtesy of special-effects maestros Howard and Theodore Lydecker. ~ Hal Erickson, All Movie Guide