Richard Wordsworth Movies

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel The Case of the Late Pig. The title character is Roland Isidore "Pig" Peters (Mike Charles), a lifelong bully who had been Campion's principal tormentor during his school days in the early 1900s. Although Campion would just as soon never see Peters again, he accepts a curiously poetic invitation to "Pig"'s funeral. Three months later, a former girlfriend of Campion asks him to solve a recent murder -- and the victim is none other than "Pig" Peters, who apparently has died twice! Ingredients essential to the story include the wrong body (and wrong species) in Peters' coffin, a shady information peddler (played by Michael Gough, better known as Alfred the butler in the Batman theatrical films), and a handful of ice cubes. In America, "The Case of the Late Pig" was telecast October 12 and 19, 1989, as the first "Campion" story to appear on the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

This musical biography of Norwegian composer Edvard Grieg (Torval Maurstad) is based on the play of the same name. Living in poverty after graduating from a music conservatory, Grieg scandalizes his family by marrying his cousin Nina (Florence Henderson). Grieg has an affair with a former schoolmate, Therese Berg (Christina Schollin), a wealthy woman who makes a deal with her influential father to end the romance if he'll arrange a concert for Grieg in Stockholm. Grieg eventually travels to Rome, where his significance as an artist begins to find appreciation. His association with Therese is not really finished and Grieg's humble piano, a gift from the self-sacrificing Nina, is overshadowed by Therese's gift of a grand piano. Back to back with the subsequent and equally unsuccessful The Great Waltz (1972), the last two films of writer, producer, and director Andrew Stone ended his nearly 50 year career. ~ Karl Williams, All Movie Guide

After injecting new life into classic movie monsters Dracula and Frankenstein, Hammer Studios apply their Gothic touch to another monster genre with this excellent, stylish piece -- probably the best of the old school (i.e. pre-Rick Baker) man-to-wolf transformation films in the mold of Universal's The Wolf Man. The title curse surfaces when a mute servant girl bears a child on Christmas day after being raped by a bestial madman and first shows itself at the infant's christening, whereupon the holy water begins to boil. Things go downhill from there, as young Leon's development is marred by savage, violent behavior during a full moon. Upon adulthood, Leon's (Oliver Reed) only relief from his murderous impulses comes from the love of Christina (Catherine Feller)... but he soon begins to fear that this cannot contain the beast within. Liberally based on Guy Endore's The Werewolf of Paris (here relocated to Spain), this film represents Hammer at their early best, building tension through mood and character (Reed turns in a bravura performance) and saving the effective monster transformation for the climax. ~ Cavett Binion, All Movie Guide

Time Without Pity carried the name "Joseph Losey" on the credits -- the first time in three years that the blacklisted director was permitted to use his own name on a film. This British-made suspense film was based on a play by Emlyn Williams. Michael Redgrave stars an anguished father whose son (Alec McCowan) is accused of murder. With time running out, Redgrave struggles to prove his son innocent of the charge. The paranoia prevalent in Time Without Pity can be attributed to Losey's own experience at the hands of the HUAC, though this element never gets out of artistic control. ~ Hal Erickson, All Movie Guide

A rocket crash-lands in England after a flight of more than 57 hours into deep space. The design of Professor Bernard Quatermass (Brian Donlevy), a forceful, misanthropic American scientist, the Q-1 had three astronauts aboard when it left Earth, but only one of them, engineer Victor Caroon (Richard Wordsworth), is on board upon landing, and he is in a near-comatose state. Even more baffling, the spacesuits of the other two men are still aboard the wrecked ship and are still interlocked, as though they were in them when whatever transpired. Quatermass's investigation is complicated by the presence of Inspector Lomax (Jack Warner) of Scotland Yard, who is treating the disappearance of the two men as a potential murder case, and by Caroon's wife Judith (Margia Dean), who blames the scientist for what has happened to her husband. An on-board camera, although damaged, shows an encounter with some form of energy that invaded the ship and attacked the crew, seemingly killing the other two astronauts and rendering Caroon unconscious. Caroon's condition keeps worsening -- Quatermass's medical expert, Dr. Gordon Briscoe (David King-Wood), is alarmed by the man's impossible heart- and pulse-rate, his degenerating skin and apparent changes in his bone and facial structure. Judith Caroon tries to spirit her husband out of the hospital where he's being cared for, not knowing that something horrific is happening to him. Quatermass and Briscoe soon realize that Caroon is little more than the shell of a man, masking an invading alien life form that can literally draw the life out of any living thing that it touches. The manhunt turns into a fight for survival as the creature continues to kill and mutate, threatening to release spores into the air and spread itself by the millions throughout the Earth. ~ Bruce Eder, All Movie Guide