Hank Worden Movies

Australian star Paul Hogan just couldn't seem to come up with a hit comparable to his 1986 international hit Crocodile Dundee. Hogan's Almost an Angel was a nice try, but no cigar. The star plays a lifelong thief who suffers a potentially fatal accident. While "in limbo", Hogan is visited by God (amusingly played by Charlton Heston-well, why not Charlton Heston?). When he recovers, Hogan is convinced that he'd been returned to the land of the living in order to do God's work. He turns over a new leaf, coming to the assistance of wheelchair-bound Elias Koteas and his pretty sister Linda Kozlowski (the real-life Mrs. Hogan). At first suspicious of Hogan, Kozlowski is finally won over by his new-found sincerity. So lightweight that it threatens to float away at any moment, Almost an Angel is held together exclusively by Paul Hogan's star appeal. Unfortunately, this wasn't enough to insure a box-office success. ~ Hal Erickson, All Movie Guide

The made-for-TV Once Upon a Texas Train offers us the once-in-a-lifetime teaming of Richard Widmark, Willie Nelson and Angie Dickinson. Nelson plays a veteran outlaw who robs a bank less than 6 hours after being paroled from jail. He uses the money to reunite his old gang, then sets about to repeat the train robbery that had gotten him arrested 20 years earlier. This time, however, Nelson is himself targetted for theft by a young, hungrier band of desperadoes. Widmark plays the lawman who caught Nelson before and intends to do so again. Written and directed by the reliable Burt Kennedy, Once Upon a Texas Train premiered January 3, 1988. ~ Hal Erickson, All Movie Guide

Russian director Andrei Konchalovsky's second American film may well be the only existential adventure flick in Hollywood history. Two prisoners, Manny (Jon Voight) and Buck (Eric Roberts), escape from a desolate Alaskan maximum-security facility. They hop aboard a speeding train, making a clean escape. But the engineer has suffered a heart attack, and the train goes out of control. To prevent a disastrous head-on collision, the railroad heads decide to derail the runaway train, killing its occupants to save the lives of hundreds of others. Once Manny catches on to what's happening, he tries to jump off the train, only to be talked out of such a foolhardy act by railroad employee Sara (Rebecca DeMornay). As doom approaches, Manny apparently goes mad, viciously preventing any attempts to stop the train or rescue its passengers: if he's to die, and if the others are to be saved, it will be on his terms, or no terms. Runaway Train was slated as a project for Akira Kurosawa in 1970, but for various creative and scheduling reasons, it remained on the back burner for 15 years. ~ Hal Erickson, All Movie Guide

Set during Prohibition in a tiny Southern town filled with colorful characters, this all-star comedy follows the exploits of a hard-working sheriff who tries his darnedest to keep things peaceful and above board. ~ Sandra Brennan, All Movie Guide

Not to be confused with another Scream -- that of a jubilant Wes Craven when he went to the bank in 1993 with the release of his popular horror film -- this much weaker Scream was never heard at the box office. Like in many a similar film, a most thick-headed group of dullards go hiking for the weekend, this time in a remote Western ghost town. Once there, they end up joining the ghosts, one by one. As they sit waiting for the next victim to be bumped off, a horseback-riding stranger comes into town. He entertains them with a story of his seafaring days nearly a half-century earlier and then rides off -- but not for long. Apparently that was the intermission. ~ Eleanor Mannikka, All Movie Guide

A small California town is gripped by UFO fever in this well-acted, surprisingly rich comedy. At the center of the mania is Arlene, a grocery store clerk and born-again Christian fascinated with flying saucers. This interest soon evolves into a full-blown obsession when Arlene is visited by a visionary dream, which she believes predicts the imminent arrival of a vessel from outer space in the nearby desert. Not even the doubts of her skeptical boyfriend, a good-hearted petty thief named Sheldon, are enough to dissuade her from her new role as prophet of the coming spaceship. At first hesitant and awkward, Arlene soon blossoms into a confident leader, and Sheldon puts aside his disbelief to revel in their sudden fame. Indeed, two have soon attracted enough of a following to pique the interest of Reverend Bud Sanders, the local revivalist preacher. Soon, Reverend Bud has joined in the crusade, and a good portion of the town has gathered to anxiously await the spaceship's arrival. Rather than resorting to easy ridicule, director John Binder creates an unexpectedly sympathetic, yet still comedic, portrait of the UFO believers, neither condemning their faith nor denying the fine line between belief and gullibility. ~ Judd Blaise, All Movie Guide

Pop star Peter Frampton and the Bee Gees star in this musical, loosely based on the popular 1967 Beatles album Sergeant Pepper's Lonely Hearts Club Band. In the story, Billy Shears, who now heads the Lonely Hearts Club Band, is the grandson of the famous Sergeant Pepper. He is confronted by the need to save the magical musical instruments of the band from the bad guys, led by music tycoon B.D. Brockhurst (Donald Pleasance), who want to steal them. If they succeed, the magic which infuses "Heartland U.S.A." will disappear. Among the many Beatles' songs performed in the film by well-known popular artists are: "She's Leaving Home" (Bee Gees, Jay MacIntosh, John Wheeler), "Maxwell's Silver Hammer" (Steve Martin), "Got To Get You into My Life (Earth, Wind & Fire), "When I'm 64" (Sandy Farina), "Come Together" (Aerosmith), "Sgt. Pepper's Lonely Hearts Club Band" (sung by the Bee Gees, Paul Nicholas), "With a Little Help from My Friends" (Peter Frampton, the Bee Gees), "Fixing a Hole" (George Burns), and "Get Back" (Billy Preston). ~ Clarke Fountain, All Movie Guide

In this broad, occasionally slapstick comedy, Dewey and Wallace (Tim Conway and Chuck McCann) are small-town lawmen who are trying to find out where some thieves have hidden their money. With the help of the governor of their state, they are able to enter the prison where the thieves are incarcerated, posing as convicted criminals in the hopes of getting the information from them. When the governor dies without informing anyone of the ruse, they are trapped in prison, as no one else knows their true identity. ~ Clarke Fountain, All Movie Guide

This Americanized remake of Lina Wertmuller's The Seduction of Mimi offered audiences the novelty of seeing Richard Pryor performing three different roles in the same film. Which Way Is Up? tells the tale of Leroy Jones (Pryor), a poor orange picker who gets fired from his job when he accidentally joins a worker's union during a demonstration. He is forced to travel to Los Angeles and abandon his family, which includes his wife, Annie Mae (Margaret Avery), and his perpetually randy father, Rufus (also Pryor). While there, he falls in love with labor organizer Vanetta (Lonette McKee), but is soon rehired by his former employers when they realize he is easily manipulated. Back home, Leroy discovers his new managerial role alienates him from his former friends as he tries to divide his time between Annie Mae and Vanetta. When he discovers Annie Mae has been impregnated by the Reverend Lennox Thomas (Pryor's 3rd role) during his absence, Leroy sets his sights on seducing Lennox's wife. The resulting film had ambition to spare, but was generally panned as an inferior remake by the critics and failed to find a mass audience. However, Which Way Is Up? gained a second lease on life via cable and home video and has become a cult favorite with Pryor's fans. ~ Donald Guarisco, All Movie Guide

"Smokey," aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times. Already in danger of arrest from redneck lawmen like Buford T. Justice, Bandit furthers his chances at a stiff jail term when he offers a ride to Carrie, who hopes to escape her unwanted wedding to Justice's boy. The rest of the film is one long chase; not quite as subtle as a Road Runner/Coyote cartoon, not quite as restrained as a Three Stooges comedy. Universally panned by critics upon its first release, Smokey and the Bandit reportedly pulled in just under $126 million and led to two sequels. ~ Hal Erickson, All Movie Guide

Steve Forrest, in his last starring role before moving permanently to series television with S.W.A.T., plays James Devlin, a once-notorious gunman who is wrongfully convicted of murder and sentenced to death. Through an accident -- though the priest Father Alvaro (Rafael Campos) insists it was divine intervention -- he survives the hanging, barely, and is set free, a death certificate having been duly and lawfully issued by the doctor (William Bryant) who examined the "body." A near walking corpse, with an odd, dark fire in his eyes and a strangely low body temperature and heartbeat, Devlin doesn't know what to do with the rest of his life, however long that may be -- he's got enemies still walking around who would like to finish the job, and neither the doctor nor the priest can tell him how long he might live. Having already reformed before he was convicted, he goes the rest of the way and decides to spend what time he's been given, and use the skills he still has as a gunman and soldier of fortune, on the side of the angels, helping people who need it. He quickly finds himself up to his neck in a deadly land war between an ambitious mining tycoon (Cameron Mitchell) and a young widow (Sharon Acker) for the property she owns. ~ Bruce Eder, All Movie Guide

Dennis Weaver plays a tow-truck driver sent to prison on a trumped-up charges of attempted murder. Out after serving four years, Weaver finds himself a reluctant loner. His wife has died, and his two sons have disappeared. In seeking out his boys, Weaver also keeps an eye out for the man responsible for railroading him into jail. Whenever the script or the character threaten to lapse into cliche, The Rolling Man compensates with attractive camerawork taking full advantage of the Southern California landscape. This TV movie had all the earmarks of a pilot for a series, but there's no evidence to back up this suspicion. ~ Hal Erickson, All Movie Guide

When his grandson (played by real-life son Ethan Wayne) is kidnapped by scurrilous baddie Richard Boone, Big Jake (John Wayne) sets out to deliver the $1 million ransom. On the off-chance that there'll be gunplay, Jake brings along his sons Patrick Wayne and Chris Mitchum. Maureen O'Hara plays Jake's estranged wife and Bruce Cabot provides comedy relief as a scraggly Indian Scout. ~ Hal Erickson, All Movie Guide