Jaimz Woolvett Movies

A treacherous Louisiana river is the setting where divorced couple Sanders (Lou Diamond Philips) and Kelly (Kristy Swanson) forget their differences long enough to search for a new source of energy. The couple is joined -- and later waylaid -- by a pair of crooks named Ice (Coolio) and Jerry (Jaimz Woolvett), who are convinced that a cache of stolen loot rests somewhere at the bottom of the river. Before long, everyone is in danger of being sliced and diced by a rogue freshwater shark. Another of the several million Jaws derivations glutting the cable TV airwaves, Red Water at the very least boasts excellent animatronic special effects -- not to mention a dead-body count that would shame a Rambo or Terminator. The film debuted August 17, 2003, on TBS. ~ Hal Erickson, Rovi

Veteran hack director Sidney J. Furie directs the silly straight-to-video comedy Rock My World. The aging stuffy English aristocrats Lord and Lady Foxley (Peter O'Toole and Joan Plowright) have fallen on hard times, so they loan out the use of their mansion to the American rock band Global Heresy. When the band's bass player mysteriously disappears, Nat (Alicia Silverstone) shows up to replace him. Then the servants don't show up, and the Foxleys are forced to pose and a maid and a butler in their own mansion. The culture class between the conservative English and the reckless Americans is played for comedy, leading to an ending where the power of rock & roll transforms both cultural groups. ~ Andrea LeVasseur, Rovi

Defense lawyer and all-around sleaze Callum Crane (Bill Pullman) has a nice wife (Joanne Whalley), two daughters by his wife's first marriage, and an obscenely perfect house. He also has a drinking problem and a penchant for sexual assault. The second proclivity is on ample display when Crane meets Sophie (Gabrielle Anwar), the new secretary. After a brief flirtation, they go back to Sophie's apartment, where Crane proceeds to rape her. Within a few days of her rape, Sophie is fired, and Crane is appointed to a federal judgeship. Understandably outraged, Sophie demands that he resign and threatens to go to the police or newspapers with her story. Meanwhile, somewhere on the wrong side of the tracks, car thief Nat (Devon Sawa) has just been released from prison and discovers that his real father is none other than Crane. Deciding that it's high time he met his long-lost father, Nat searches for Crane and finds him just in time to save him from a mugging. Crane believes that his would-be savior is a hardened criminal, and he offers him the contract to kill Sophie. Coincidentally enough, Nat only knows two people in town: Sophie's roommate, Tanya (Angela Featherstone), and Sophie herself. ~ Rebecca Flint Marx, Rovi

A literal interpretation of the oft-produced biography of 15th century historical heroine Joan d'Arc, this four-hour television miniseries version of Joan's story is lavishly produced. In a tiny village during the Hundred Years' War, teenager Joan d'Arc (Leelee Sobieski) has been raised by her parents, flinty Peter (Powers Boothe) and Isabelle (Jacqueline Bisset), amidst the wreckage continually wrought by British incursions into the area. A devout girl, Joan experiences visions of St. Catherine, which lead her to believe that she may be the "Maid of Orleans," a mythical figure who will lead France to victory over its enemies. Counseled by local priest Father Monet (Robert Loggia), Joan pursues her destiny in spite of her father's wishes. At first supported only by lowly commoners, Joan comes to the attention of the Dauphin, King Charles (Neil Patrick Harris). Together with his scheming advisor Bishop Cauchon (Emmy-winner Peter O'Toole), Charles uses Joan to unite his quarreling factions. Skeptical but superstitious, Charles' generals, including La Hire (Peter Strauss) are eventually won over by Joan's startling victories. But awaiting Joan is a disastrous Parisian campaign and Charles' betrayal. ~ Karl Williams, Rovi

As the dawn of the year 2000 rolls around, a nervous military leader (Malcolm McDowell) assembles a team to help him deal with an unforeseen problem. In the early 1960s, the CIA hid a stash of nuclear weapons in a secret base in the Colombian jungle, and the aging computer system that governs it will set things off soon if someone doesn't find a way to let it know the proper date. A high-ranking CIA agent (Ed O'Ross), a decorated military veteran who helped design the facility (Louis Gossett Jr.), a beautiful former agent of the KGB (Sarah Chalke), and a computer expert well versed in debugging systems for Y2K (Jaimz Woolvett) are dispatched to deal with the crisis, but it turns out that one of the party isn't so sure about seeing the system made safe. If you're reading this after Jan. 1, 2000, chances are good that everyone got the millennium bug worked out in time. ~ Mark Deming, Rovi

Wanting to escape a life of violence and bloodshed, an assassin renounces his profession and tries to become a priest. Unfortunately, he discovers his past is not so easily buried. ~ Sandra Brennan, Rovi

John Helliker directed this Canadian comedy. Toronto hustler Cheryl (Megan Follows), artist wannabe from a small town, is in a car with boyfriend Jason (James Gallanders) when they literally bump into drunken Donald (Jaimz Woolvett). Minus Jason, she takes Donald back to his seedy apartment to see if he's okay and stays over. When dawn arrives, a relationship begins -- as Donald proclaims her the angel who has rescued him. Shown at the 1997 Vancouver Film Festival. ~ Bhob Stewart, Rovi

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, Rovi

Albert Hughes and his brother Allen Hughes followed their striking debut Menace II Society with this ambitious look at the social and political lives of the African-American community in the late 1960s and early 1970s. Anthony Curtis (Larenz Tate) is a young man coming of age in the Bronx in 1968. Working two part-time jobs -- one as a milkman's helper and another for local numbers runner Kirby (Keith David) -- Anthony is torn between doing the right thing and trying to get by in a environment that offers few opportunities to young black men. After graduating from high school, Anthony decides to join the Marines, news that is not well-received by his parents, who want him to go to college, or his girlfriend Juanita (Rose Jackson), with whom Anthony recently lost his virginity. After serving a horrific tour of duty in Viet Nam with his friends Skip (Chris Tucker) and Jose (Freddy Rodriguez), Anthony finds himself back home in 1973, where Juanita has been raising the child he fathered before he shipped out, drugs and crime have crippled his community, and honest job prospects are practically nil. Eventually, Anthony falls in with Kirby, Skip, and Jose, who have teamed with Juanita's sister Delilah (N'Bushe Wright), a Black Power activist, and Cleon (Bokeem Woodbine), in a scheme to rob an armored truck taking worn greenbacks ("dead presidents") to a mint to be destroyed. Martin Sheen and Seymour Cassel appear unbilled in small roles. ~ Mark Deming, Rovi

Dedicated to his mentors Sergio Leone and Don Siegel, Clint Eastwood's 1992 Oscar-winner examines the mythic violence of the Western, taking on the ghosts of his own star past. Disgusted by Sheriff "Little Bill" Daggett's decree that several ponies make up for a cowhand's slashing a whore's face, Big Whiskey prostitutes, led by fierce Strawberry Alice (Frances Fisher), take justice into their own hands and put a $1000 bounty on the lives of the perpetrators. Notorious outlaw-turned-hog farmer William Munny (Eastwood) is sought out by neophyte gunslinger the Schofield Kid (Jaimz Woolvett) to go with him to Big Whiskey and collect the bounty. While Munny insists, "I ain't like that no more," he needs the bounty money for his children, and the two men convince Munny's clean-living comrade Ned Logan (Morgan Freeman) to join them in righting a wrong done to a woman. Little Bill (Oscar-winner Gene Hackman), however, has no intention of letting any bounty hunters impinge on his iron-clad authority. When pompous gunman English Bob (Richard Harris) arrives in Big Whiskey with pulp biographer W.W. Beauchamp (Saul Rubinek) in tow, Little Bill beats Bob senseless and promises to tell Beauchamp the real story about violent frontier life and justice. But when Munny, the true unwritten legend, comes to town, everyone soon learns a harsh lesson about the price of vindictive bloodshed and the malleability of ideas like "justice." "I don't deserve this," pleads Little Bill. "Deserve's got nothin' to do with it," growls Munny, simultaneously summing up the insanity of western violence and the legacy of Eastwood's Man With No Name. ~ Lucia Bozzola, Rovi