Abel Woolrich Movies

As the foundation of the Mayan civilization begins to crumble, one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic, end-times adventure. The Mayan kingdom is at the absolute height of opulence and power, but leaders are convinced that unless more temples are constructed and more human sacrifices made, the crops, and ultimately the people, will suffer. Jaguar Paw (Rudy Youngblood) is a peaceful hunter from a remote forest tribe whose life is about to be changed forever. When Jaguar Paw's village is raided and he is prepared as a sacrifice that the Mayan deities have demanded, the brave young hunter is forced to navigate a horrific new world of fear and oppression. Fearlessly determined to escape his captors and save his family from a harrowing demise, Jaguar Paw prepares to risk it all in one final, desperate attempt to preserve his dying way of life. However, few who have seen the sacrificial alter of the Mayans have managed to live to see another day. Now, in order to rescue his pregnant wife and young son, Jaguar Paw will have to elude the most powerful warriors of the Mayan kingdom while using his vast knowledge of the forest to turn the tables on those who would rather see him dead than set free. Inspired by such ancient Mayan texts as the Popul Vuh, Apocalypto marks a comprehensive collaboration between director Gibson, Cambridge-educated screenwriter Farhad Safinia, and world-renowned archeologist and Mayan culture expert Dr. Richard D. Hansen -- whose services as a special consultant on the film lent the production an unprecedented degree of historical accuracy. ~ Jason Buchanan, All Movie Guide

A balladeer seeks the truth about the life and death of his outlaw brother in Mexican director Juan Antonio de la Riva's 2002 drama The Mountain Hawk. Musician Rosendo Nevarez (Guillermo Larrea) learns of his brother Gabriel's (Juan Angel Esparza) death in a remote spot in the Durango Mountains and decides to return to his boyhood home to learn more about his brother's untimely end. Gabriel, who was more widely known as The Mountain Hawk, led an outlaw's life which was either that of a lowly criminal or daring do-gooder, as accounts of the man's life vary depending on the point of view of the interviewee. As Rosendo digs deeper for the truth, it becomes apparent that Gabriel was a heroic figure worthy of the song his brother plans to write in his commemoration -- if only Rosendo can overcome his growing envy for his brother's immortal status as a swashbuckling rebel. ~ Ryan Shriver, All Movie Guide

A young man takes a wrong turn down the lost highway of criminal delinquency in this powerful drama from Mexico. Rufino (Luis Fernando Pena) is a boy in his early teens growing up on the mean streets of Mexico City; his father is missing, and he's being raised by an adoptive mother who has little time for him. Instead, Rufino runs with a gang of youthful delinquents who support themselves with petty crime and seek solace in marijuana and sniffing glue, and while the boy is still an innocent deep inside, his circumstances have left him jaded beyond his years. When his guardian's boyfriend beings home a bag of cocaine one night, Rufino steals the drugs and tries to sell them, hoping to use the money to run away with his girlfriend Xochitl (Maya Zapata) who, even though she's not much older than Rufino, is already the mother of a child. As Rufino and Xochitl search for a better life, he also tries to learn what became of his father; Rufino is convinced he's still alive, even though nearly everyone else is certain he's dead. Luis Fernando Pena's performance in De La Calle earned the young thespian the Best Actor trophy at the 2001 Guadalajara Film Festival. ~ Mark Deming, All Movie Guide

Death and the Compass is a loose adaptation of a Jorge Luis Borges short story from eccentric British writer-director Alex Cox (Repo Man). Treviranus (Miguel Sandoval), disheveled and haunted by the past, narrates the story of the last great case of a famous detective, Lonnrot (Peter Boyle). In a vaguely futuristic unnamed metropolis (most of the film was shot in Mexico City), Lonnrot investigates the case of a murdered rabbi, who was a Kabala scholar. Treviranus, Lonnrot's commander, quite rationally believes the murder was a botched robbery, and the work of the insane masked local crime lord Red Scarlach. But Lonnrot finds the last words the rabbi wrote, "The first letter of the name has been spoken," and thinks there was a more complex, kabalistic motive to the crime. Lonnrot asks a journalist, Zunz (Christopher Eccleston), to help him unravel the mystery. Soon, another murder and a disappearance lend credence to Lonnrot's mystical theory, and the clever detective believes he can predict and prevent the next crime. As the disgraced Treviranus tells the story, his jealousy and resentment of Lonnrot's powers of deduction and his popularity with the public become evident. After making El Patrullero (Highway Patrolman), Cox was commissioned by the BBC to do a short Borges adaptation for television. He later got additional funding (partly for directing The Winner, which he later disavowed after the producers made changes without his consent) to expand Death and the Compass into a feature. He added all the scenes of Treviranus' narration, and an elaborate scene in which he himself plays a blind detective cut down by Red Scarlach. ~ Josh Ralske, All Movie Guide

This Mexican drama is a faithful adaptation of Nobel-laureate Naguib Mahfouz's novel, only it is set in contemporary Mexico City instead of 1940s Cairo. The film is comprised of three overlapping "chapters" that come together in the fourth chapter. Each segment, centering on a different character, takes place at the same time in a rundown neighborhood. The disparate characters all have one thing in common--none of them get what they want. Chava, the son of tavern-owner Rutilio, wants to go to the US. The fiercely independent and beautiful Alma is thinking about marrying a wealthy shop keeper. The impoverished young barber Abel is in love with Alma. Then there is the spinster Susanita who owns an apartment house and spends her spare time involved in unhealthy love affairs. After killing his father's mistress in a fit of moral outrage, Chava ends up on the lam for two years. Abel takes off for a long time and Alma ends up becoming a drug-addicted prostitute whom Abel cannot save. Susanita gets married to young Guicho and learns that he is robbing her. She is just about to toss him out when she discovers that her really loves her after all. ~ Sandra Brennan, All Movie Guide

In this comedy, the question is not whether the hero of the film will come to grief over his ill-considered gallantry, but when. Sofia (Cecelia Toussaint) is the unfaithful girlfriend of Bruno (Rafael Sanchez Navarro), a thoroughly besotted novelist. She has been on a jaunt to Veracruz with an elderly lover. When the old businessman dies while they are making love, Sofia calls Bruno to help her make the whole situation disappear. His somewhat improbable solution is to have the dead man's body embalmed and placed in the trunk of his car. After that, every one of his increasingly outrageous adventures carries the risk of the body being discovered. ~ Clarke Fountain, All Movie Guide

With little dialog and exquisite, almost documentary-like images, Cabeza de Vaca offers a fascinating (if not mystical and at times just plain puzzling) foray back to early 16th-century America as it chronicles the exploits of the explorer Alvar Nunez Cabeza de Vaca as he spends eight years traversing the wild lands surrounding the Gulf of Mexico. The story itself is based on the book Naufragio, Cabeza de Vaca's personal account. Cabeza de Vaca was the ship's treasurer on an ill-fated expedition to America. Marooned on the densely jungled Florida coast he becomes the unwilling guest of the Iguase Indians (for added realism and to help audiences understand how Cabeza de Vaca felt, the Native speech is not translated). He is enslaved and much of the story centers on his coming to grips with his strange new life and the people around him. Eventually he is taken to a powerful Iguase shaman who teaches him the healing arts, skills he is able to put to amazing use during his amazing journey. ~ Sandra Brennan, All Movie Guide

In El Salvador in the late '70s, the wealthy few rule the impoverished many. To maintain the status quo against peasant insurgents and labor organizations, the military regime brutalizes the populace, in particular, rebels who espouse Marxism. Assassinations, executions, and disappearances become commonplace. When the Vatican elevates conservative Oscar Arnulfo Romero (Raul Julia) to archbishop, the military rulers believe he will quiet the masses and the activist priests who support them. "Blessed are the peacemakers," he will preach. At first, that is precisely what he does. But when soldiers thwart voters, shoot indiscriminately into crowds, torture dissidents, and kill a dedicated priest and friend of Romero, the archbishop condemns the regime in radio messages, rebukes quisling bishops, and leads a peasant march into a church occupied by soldiers. He also insults and defies the El Salvadoran president (Harold Cannon), an iron-fisted general, who, ironically, has the same last name as the archbishop Romero, but is not related. The country by this time is in the throes of civil war. In 1980, when military death squads continue their reign of terror even though the government institutes so-called reforms, Romero continues to speak out, gaining international attention. The film then builds to its climax, a scene recreating the events of Monday, March 25, 1980, when Romero is saying mass for his recently deceased mother. Attendees include four men who have no intention of reciting mea culpas or receiving the Holy Eucharist. ~ Mike Cummings, All Movie Guide

Lila (Patricia Pereyra) is a teenaged heroin addict who is on the run from some rough customers. It doesn't matter to her that these unpleasant characters were hired by her parents to drag her back to her home. She stumbles into an auto junkyard and is befriended by the manager, Juan (Pedro Armendariz, Jr.), an older man with a daughter about her age who has run away from him and is living in one of the U.S./Mexico border towns. ~ Clarke Fountain, All Movie Guide

Harrison Ford delivers one of his most-acclaimed performances in Peter Weir's adaptation of Paul Theroux's novel (scripted by Paul Schrader). Ford plays Allie Fox, an inventor embittered by the blighted landscape of the contemporary United States. As he tells his oldest son, Charlie (River Phoenix), "Look around you. It's a toilet." He moves his wife (Helen Mirren) and kids -- Charlie, Jerry (Jadrien Steele), April (Hilary Gordon), and Clover (Rebecca Gordon) -- to the rain forests of Central America, where he plans to create a new civilization starting with his own nuclear family. Allie's family compliantly goes along with his scheme to build a free society, but slowly notices that his obsession has turned him into a tyrannical fascist. Rather than create a utopia, Allie's driving egomania demands total subservience from his downtrodden brood. ~ Paul Brenner, All Movie Guide

Academy award-winner Tim Robbins makes his feature film debut in this 1984 thriller concerning a group of seven American college students held ransom by a rogue band of Central America guerillas. Ignoring the advice of their captain while taking a cruise around Central America, Beverly Hills rich girl Amy and her clueless friends unwisely venture off of the beaten path and deep into the vast jungle. Subsequently abducted by guerilla fighters and sentenced to death, the girls await their grim fate as Captain Sarge prepares to stage a daring rescue mission. Against all odds, Captain Sarge does manage to rescue Amy, though as the lucky survivor makes her way back to California she can't help thinking about the rest of her friends. When her efforts in convincing her wealthy father to fund a rescue mission fails, Amy rounds up a group of fearless neighborhood kids and implores Captain Sarge to lead them straight into the lion's den. With time quickly running out for the frightened hostages, seven American students and one hardened soldier of fortune rescue their friends and save the day. ~ Jason Buchanan, All Movie Guide