Carole Bouquet Movies

Amnesty International produced this film, which features more than two dozen greats of French cinema making pleas for the lives of political prisoners around the world. Each filmmaker speaks passionately on behalf of an individual whose life has been warped by political intolerance, imprisonment, torture or murder, as the lives of those prisoners or sufferers are documented onscreen. A variety of directors contributed shorts with this theme, and the ways in which the appeals are dramatized differ markedly from one to the next. ~ Clarke Fountain, All Movie Guide

The French Bunker Palace Hotel is set in the Future. Rebels have taken over the totalitarian government, compelling the officials to flee for safety to the underground hotel of the title. Clara (Carole Bouquet), a spy for the rebels, infiltrates the hotel to observe the last moves of the crumbling regime. ~ Hal Erickson, All Movie Guide

Cristophe (Michel Voita) is a reporter who is assigned to interview the prominent archaeologist Tober (Jean Bouise) in this combination fantasy drama. Tober has uncovered the coffin of the legendary 16t-century killer Jenatsch (Vittorio Mezzogiorno). After the interview, Cristophe begins to experience hallucinations that move from the present to the past with disturbing consequences. Soon his relationship with his sweetheart Nina (Christine Boisson) begins to suffer as Cristophe has visions of Jenatsch's murder. ~ Dan Pavlides, All Movie Guide

In a routine look at what it means to finally leave adolescence behind -- even in one's mature years -- this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light. ~ Eleanor Mannikka, All Movie Guide

The film tells the tale of the adolescent son of two wealthy socialites who have left him home alone while they go out on the town. At home, the boy begins a series of wild daydreams. He finds himself aboard an elevator that takes him through the Earth and onto another planet. There he finds the "Nautilus," Captain Nemo's submarine. He also finds Nemo's ape/man assistant. Together they begin a series of spectacular adventures. They encounter many storybook characters along the way. ~ Sandra Brennan, All Movie Guide

In this low-brow satire, French comedian Coluche exploits his talents for comic vulgarity in his role as the 10th-century King Dagobert I. The king's intestinal and sexual problems loom large as he survives an attack on his royal caravan then barely makes it to Rome to personally give thanks to the Pope. After he arrives at the Vatican, he becomes involved in the battle between two contenders for the papacy (Ugo Tognazzi in both roles) and has to face the machinations of a ruthless Byzantine princess (Carole Bouquet). With humor that consistently hits below the belt, and an ending that clashes with the rest of the film, this satire will not play the same to all audiences. ~ Eleanor Mannikka, All Movie Guide

Like his more famous loin-clothed tree-swinging, yodeling counterpart, Bingo Bongo was raised in the jungle by apes. This Italian comedy follows his lively adventures after he is captured, caged and sent back to civilization. There he begins working with a pretty anthropologist who teaches him all he needs to know about speaking, eating correctly and falling in love. ~ Sandra Brennan, All Movie Guide

For Your Eyes Only eschews the gimmickry and campiness of earlier James Bond films, concentrating instead on telling the story and maintaining suspense. Roger Moore is back as Secret Agent 007, this time on the trail of Soviet spies while he romances the beautiful Melina, played by Carole Bouquet. Richard Maibaum's screenplay has very little to do with the collection of short stories that made up Ian Fleming's For Your Eyes Only, save for the plotline involving Melina's seeking vengeance for the death of her father. The direction is by John Glen, who'd previously done second unit work on other Bond films. ~ Hal Erickson, All Movie Guide

Richard Hell, one of the most important and influential figures in the late-'70s New York punk rock scene, stars in this gritty look at the underground art and music community, directed by German filmmaker Ulli Lommel. Billy (Hell) is an up-and-coming musician and poet who meets Nada (Carole Bouquet), a journalist from Europe who has come to New York to do a story on him. Billy and Nada soon fall into a troubled relationship, and Billy has to choose between his career and his feelings for Nada. Andy Warhol appears as himself (being interviewed by Nada); Richard Hell plays three songs with his band The Voidoids, shot live at the legendary club CBGB's. ~ Mark Deming, All Movie Guide

Adapted from Pierre Louys' 1898 novel La Femme et le Pantin, That Obscure Object of Desire is the 30th and final film from the great Luis Buñuel. Recounted in flashback to a group of railway travellers, the story wryly details the romantic perils of Mathieu (Buñuel favorite Fernando Rey), a wealthy, middle-aged French sophisticate who falls desperately in love with his 19-year-old former chambermaid Conchita. Thus begins a surreal game of sexual cat-and-mouse, with Mathieu obsessively attempting to win the girl's affections as she manipulates his carnal desires, each vying to gain absolute control of the other. Brimming with the subversive wit which characterizes all of Buñuel's finest work, That Obscure Object of Desire takes satiric aim at a decadent, decaying society riddled by political unrest and moral bankruptcy. The picture is absurdist even in its casting -- Rey's dialogue was dubbed by the French actor Michel Piccoli, while the two-faced, hot-and-cold Conchita is played, logically enough, by two different actresses (Carole Bouquet and Angela Molina, respectively), with the character's dialogue spoken by yet a third performer. The same Louys novel was also filmed by Josef von Sternberg in 1935 as the Marlene Dietrich vehicle The Devil Is a Woman, and again in 1959 as Julien Duvivier's La Femme et le Pantin, starring Brigitte Bardot. ~ Jason Ankeny, All Movie Guide