Monty Woolley
- 1956
This highly anticipated and lavishly publicized semi-musical TV adaptation of Kay Thompson's "Eloise" stories stars 7-year-old Evelyn Rudie as the titular 6-year-old heroine. As devotees of the books written by Thompson and illustrated by Hilary Knight already know, Eloise is a precocious little girl who lives with her Nanny, her dog Weenie (actually a cat) and her turtle Skipperdee at New York's posh Plaza Hotel. Forever sticking her nose into other people's business, Eloise tries to promote a "storybook" romance between a visiting Prince (Louis Jourdan) and a hotel chambermaid (Inger Stevens). Despite the presence of several venerable guest stars playing themselves--including Ethel Barrymore, Monty Woolley, hotelier Conrad Hilton and Kay Thompson herself--"Eloise" was one of the biggest flops in the history of the CBS anthology Playhouse 90. What seemed cute and whimsical in print came off as loud and obnoxious, largely due to the overbearing personality of child actress Evelyn Rudie. Incredibly, several subsequent attempts were made to foist Rudie on the public, including a not-bad episode of Alfred Hitchcock Presents, but the kid never quite became another Shirley Temple, and faded from view after a few years. ~ Hal Erickson, All Movie Guide
This fourth film version of the warhorse Edward Knoblock theatrical piece Kismet was based on the Broadway musical version of the same property. Howard Keel stars as Hadji, the poet of old Baghdad, who goes from beggar to millionaire in a single day. Hadji's daughter Marsinah (Ann Blyth) falls in love with the young Caliph (Vic Damone), while Lalume (Dolores Gray), the sexy wife of the despotic Wazir (Sebastian Cabot), sets her sights on Hadji. Meanwhile, the Wazir plots and plans to topple the Caliph from the throne and to add Marsinah to his own harem. Making periodic appearances is Omar Khayyam, played as a doddering old meddler by Monty Woolley. The Robert Wright-George Forrest musical score, based on themes by Borodin, includes such standards as "Baubles, Bangles and Beads", "This is My Beloved", "Stranger in Paradise" and "Not Since Ninevah". Though the dancing girls in the film are more modestly dressed than their stage counterparts, they are put through some fairly sensuous paces by choreographer Jack Cole. Kismet was good for another go-round in 1967, when it was adapted for television with Jose Ferrer, Barbara Eden, Anna Maria Alberghetti, George Chakiris and Hans Conried in the cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Howard Keel, Ann Blyth, (more)
Based on a story by Paddy Chayefsky, this is the tale of a man who is being forced to retire from his job, at the age of 65, and decides to fight back. Impersonating the head of the company, he sets out to convince them to get rid of their outmoded retirement policy and gives a creditable speech on the dignity of man, gaining national attention. This movie features good performances, but it will probably be remembered more for the bit part played by a young Marilyn Monroe as the boss' secretary. ~ Tana Hobart, All Movie Guide
- Starring:
- Monty Woolley, Thelma Ritter, (more)
- 1948
A woman stands to inherit a fortune if she can get all her brothers and sisters in one place...which is far more complicated than it might sound. When the Tatlocks, a very wealthy couple, suddenly and unexpectedly die, the executor of the estate informs Nan Tatlock (Wanda Hendrix) that their will stipulates that all members of the immediate family must be present at the reading in order for it to be valid. Nan immediately smells trouble, as the Tatlocks are a notoriously eccentric group of people, and as the sole "normal" member of the family, she's generally the only one who can be counted upon to arrive on schedule. As it turns out, Nan's greatest problem is rounding up her brother Skylar, who is so dizzy that he requires a full-time caregiver, Denno (Barry Fitzgerald). However, Skylar got away from Denno during a trip to Hawaii, and no one is sure where he is -- or even if he's still alive. When Nan learns that she could inherit several million dollars if she can bring her relatives together, and Skylar stubbornly refuses to materialize, the caretaker hires Burke (John Lund), a Hollywood stuntman who bears a striking resemblance to the missing man, to pose as Skylar at the reading of the will. Miss Tatlock's Millions was the first film directed by veteran British comic actor Richard Haydn, who appears in a small role under the pseudonym "Richard Rancyd." Ray Milland and noted director Mitchell Leisen also make cameo appearances. ~ Mark Deming, All Movie Guide
- Starring:
- John Lund, Wanda Hendrix, (more)
When Episcopalian bishop Henry Brougham (David Niven) prays for divine guidance in his efforts to raise the necessary funds for a new cathedral, his prayers are answered in the form of a handsome, personable guardian angel named Dudley (Cary Grant). Establishing himself as a Yuletide guest in the Brougham home, Dudley arouses the ire of Henry, who, unaware that his visitor is from Up Above, assumes that Dudley has designs on the bishop's wife Julia (Loretta Young). Eventually, the lives of both Henry and Julia are agreeably altered by the presence of the affable angel: He regains the "common touch" he'd almost lost, while she realizes anew how much she truly loves her husband. Adapted by Robert E. Sherwood and Robert Bercovicci from a novel by Robert Nathan, The Bishop's Wife was remade in 1996 as The Preacher's Wife, with Denzel Washington, Whitney Houston and Courtney B. Vance. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Loretta Young, (more)
Faced with the challenge of writing a screenplay based on the life of fabulously wealthy, fabulously successful composer Cole Porter, one Hollywood wag came up with a potential story angle: "How does the S.O.B. make his second million dollars?" By the time the Porter biopic Night and Day was released, the three-person scriptwriting team still hadn't come up with a compelling storyline, though the film had the decided advantages of star Cary Grant and all that great Porter music. Roughly covering the years 1912 to 1946, the story begins during Porter's undergraduate days at Yale University, where he participated in amateur theatricals under the tutelage of waspish professor Monty Woolley (who plays himself). Though Porter's inherited wealth could have kept him out of WWI, he insists upon signing up as an ambulance driver. While serving in France, he meets nurse Linda Lee (Alexis Smith), who will later become his wife. Focusing his attentions on Broadway and the London stage in the postwar years, Porter pens an unbroken string of hit songs, including "Just One of Those Things," "You're the Top," "I Get a Kick Out of You," "Begin the Beguine," and the title number. The composition of this last-named song is one of the film's giddy highlights, as Porter, inspired by the "drip drip drip" of an outsized rainstorm, runs to the piano and cries "I think I've got it!" The film's dramatic conflict arises when Porter is crippled for life in a polo accident. Refusing to have his legs amputated, he makes an inspiring comeback, even prompting a WWI amputee to remark upon his courage! Corny and unreliable as biography, Night and Day is redeemed by the guest appearances of musical luminaries Mary Martin (doing a spirited if disappointingly demure version of her striptease number "My Heart Belongs to Daddy") and Ginny Simms, the latter cast as an ersatz Ethel Merman named Carole Hill. Jane Wyman, seen as Porter's pre-nuptial sweetheart Gracie Harris, also gets to sing and dance, and quite well indeed. Beset with production problems, not least of which was the ongoing animosity between star Grant and director Michael Curtiz, Night and Day managed to finish filming on schedule, and proved to be an audience favorite -- except for those "in the know" Broadwayites who were bemused over the fact that Cole Porter's well-known homosexuality was necessarily weaned from the screenplay. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, John Alvin, (more)
- 1945
A servant with no experience ends up teaching the master of the house a thing or two in this comedy. Molly Barry (Gracie Fields) is a struggling actress who is short on money and needs paying work. When she learns that John Graham (Monty Woolley), a wealthy and respected former politician, needs a housekeeper, Molly figures that being a maid can't be that much different than playing one, and she takes the job. However, the straight-laced and prickly Graham has a habit of rubbing people the wrong way, having driven away his wife and seriously alienated his son Jimmy (Roddy McDowell). Graham's butler Peabody (Reginald Gardiner) is one of the only people willing to stand by him. But Molly tolerates no nonsense from Graham and teaches him how to better get along with people, including his son. Meanwhile, as various members of the staff quit, Molly begins to replace them with old friends from her days in the theater, until Graham's estate is practically a refuge for out-of-work thespians (Molly also makes a surprise discovery about Peabody's work history). Molly and Me also features several songs sung by Gracie Fields, a major musical comedy star in Great Britain. This proved to be her last feature film, though she remained active in television and on the stage. ~ Mark Deming, All Movie Guide
- Starring:
- Gracie Fields, Monty Woolley, (more)
- 1944
This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat. ~ Hal Erickson, All Movie Guide
- Starring:
- Monty Woolley, June Haver, (more)
David O. Selznick's first production since 1940's Rebecca, Since You Went Away, based on Margaret Buell Wilder's bestselling novel, is a long but rewarding paean to the World War 2 "home front". Claudette Colbert plays the wife of a businessman who, though well past draft age, volunteered to serve his country as an officer (though the husband is never seen, he is "played"-via a photograph-by Neil Hamilton). Fighting back her own fears and anxieties, Colbert does her best to maintain a normal, stable household for the sake of her growing daughters Jennifer Jones and Shirley Temple. She is offered moral support by cynical-but-kindly boarder Monty Woolley, by maid Hattie McDaniel (who willing foregoes her salary "for the duration") and by Navy man and friend-of-the-family Joseph Cotten, whose relationship with Claudette remains staunchly platonic. The harsh realities of war hit home several times throughout the film, first when it seems as though Colbert's husband is missing in action, and later when Jennifer's young boyfriend, GI Robert Walker, is killed in combat. From the vantage point of the 1990s, it is easy to see why Since You Went Away scored with its wartime audiences. Though the leading characters are slightly more financially secure than most of the moviegoers of 1944, the various vignettes presented throughout-complaints about rationing and priorities, shoulder-to-shoulder sacrifices, the weekly escape to the local movie house, tender partings, joyous reunions, the returning wounded, the dreaded wire from the war department-all had the ring of truth and topicality. Even today, the film's emotional highlights, particularly the much-imitated farewell scene at the railroad station, are sufficient to bring tears to the eyes of the most jaded viewer. Enhancing the film's heartstring tugging tenfold is Max Steiner's Oscar-winning musical score. If you can remain objective while watching Since You Went Away (it isn't easy), see if you can spot Ruth Roman, Guy Madison and John Derek, making their screen debuts in microscopic roles ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Jennifer Jones, (more)
- 1943
A man trying to leave his fame behind discovers the perils of choosing to be the wrong unknown person in this farcical British comedy. Priam Farli (Monty Woolley) is an eccentric but famous and well-respected artist who prefers to work in total seclusion -- so much so that he's spent the last 20 years creating his paintings while living on an isolated island in the Pacific, with only his valet, Henry Leek (Eric Blore), for company. When word reaches Farli that he is to be knighted by King Edward VII (Edwin Maxwell), the artist reluctantly sails back to Great Britain with Leek, but en route, his devoted servant dies. Seeing a perfect opportunity to once again escape the public eye, Farli poses as Leek and claims that the great painter was the one who passed away. Farli is not allowed to attend his own funeral, but things get more complicated when Alice Challice (Gracie Fields) appears with a letter in which Leek proposes marriage to her. Wanting to maintain his cover, Farli goes through with the wedding, only to find that Leek was already married, and his first wife (Una O'Connor) would like some explanations as to why her Henry has taken another wife, not to mention wondering where he's been for the past two decades. Laird Cregar, Alan Mowbray, and Fritz Feld highlight the supporting cast. ~ Mark Deming, All Movie Guide
- Starring:
- Monty Woolley, Gracie Fields, (more)
- 1942
Monty Woolley plays an irascible Englishman who insists that he dislikes children. While on a vacation in France, the Nazis invade the country. Reluctantly, Woolley agrees to transport several French children into England. As the flight to freedom becomes more treacherous, Woolley grows fonder of his young charges and vows that they'll be kept safe. The group is detained by German officer Otto Preminger, who finally allows Woolley and the children safe passage--provided they take Preminger's niece to England as well. Pied Piper was based on a novel by British author Nevil Shute. ~ Hal Erickson, All Movie Guide
- Starring:
- Monty Woolley, Anne Baxter, (more)
- 1942
In this drama, a has-been stage thespian finds that his alcoholism is ruining his life. When his daughter, a cripple, attempts to show her concern, he rebuffs her with his cruel, razor sharp witticism. His drinking and cynicism continue to increase, but, through it all, his daughter stands steadfastly beside him until her heart is stolen away by a handsome composer. He begins helping her to convince the theatrical community that her father is still a talented actor. Meanwhile, the father, thinking the composer will take his daughter away, remains suspicious of the young man's motives. Finally, after working in a series of odd jobs, the old man lands the lead in King Lear where he is a smash. He then renews a relationship with a wealthy old girlfriend. Meanwhile, the young couple also begin their relationship in earnest. ~ Sandra Brennan, All Movie Guide
- Starring:
- Monty Woolley, Ida Lupino, (more)
The George S. Kaufman/Moss Hart Broadway hit The Man Who Came to Dinner was inspired by the authors' mutual friend, waspish critic/author Alexander Woollcott. Generously bearded ex-Yale professor Monty Woolley, no mean curmudgeon himself, plays the Woollcott character, here rechristened Sheridan Whiteside. While on a lecture tour in Ohio, Whiteside slips on the ice outside his hosts' home; until his broken leg heals, the hosts (Grant Mitchell and Billie Burke) are forced to put up (and put up with) the imperious Whiteside. This means enduring an unending stream of Whiteside's whims, caprices and vitriolic bon mots, as well as his long-distance phone calls, eccentric guests and a variety of critters, ranging from penguins to octopi. Like the real Woollcott, Whiteside insists upon stage-managing the lives of everyone around him. He is particularly keen on discouraging a romance between his faithful secretary Maggie Cutler (top-billed Bette Davis) and local newspaper editor Bert Jefferson (Richard Travis). Once he realizes he's gone too far in this respect, Whiteside is forced to reunite the lovers. That's only one aspect of a three-ring-circus plotline that accommodates a Lizzie Bordenish axe murderess, takeoffs of Woollcott intimates Harpo Marx, Noel Coward and Gertrude Lawrence, and a general practitioner who's willing to let his patients suffer for a chance to pitch his interminable memoirs to Whiteside. Featured in the cast are Jimmy Durante as "Banjo" (the Harpo clone), Reginald Gardiner as the Noel Coward-like Beverly Carlton, Anne Sheridan as the predatory Gertrude Lawrence counterpart Lorraine Sheldon, and Mary Wickes as the long-suffering Nurse Preen ("You have the touch of a love-starved cobra!") The script, by the Epstein brothers, manages to retain most of the play's best lines and situations, even while expanding Bette Davis' role to justify her start status; it's a shame, though, that we are robbed of Sheridan Whiteside's imperishable opening line, "I may vomit!" ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Ann Sheridan, (more)
- 1939
Jack Benny goes to London in this frothy musical. He plays a Broadway producer and while in London begins pining for the love of glamorous singer Dorothy Lamour. Unfortunately, she finds him unattractive. Wanting to make her jealous, Benny pursues a pair of women who are trying to make their neglectful husbands jealous by pursuing Benny. Their ploy works and creates all kinds of comical mayhem until Benny's butler steps into to save his boss from the husbands' wrath. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Benny, Dorothy Lamour, (more)
- 1939
My Love for Yours is the alternate title for Paramount's Honeymoon in Bali. Madeline Carroll pulls a "Rosalind Russell" as a hard-shelled businesswoman with no time for romance. Fred MacMurray is determined to melt down her resistance, hoping to do so during a vacation to Nassau. Carroll almost capitulates, but backs off when she mistakenly believes that MacMurray loves someone else. Contrary to the film's "other" title, the situation is resolved not in Bali but in cold old New York. Allan Jones, stuck with a standard-issue "other man" role, is at least given a few opportunities to sing. Scandanavian actress Osa Massen makes her American debut in the comparatively thankless role of the gal who doesn't land MacMurray. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Madeleine Carroll, (more)
- 1939
Bob Hope and an all-star cast have great fun in this frothy romantic comedy about a wealthy tycoon who learns that he only has one month left to live. Not realizing that the tests were wrong, he decides to make hay while the sun still shines. He dumps his fiancee and then heads for the lovely Bad Gaswasser Spa in Switzerland. There he meets a young heiress who is being forced to marry a prince rather than the bus driver she loves. Taking pity on her and having nothing to lose, he marries her and plans to leave her his fortune so she will be free to marry anyone she wants. During their honeymoon, on which the bus driver accompanies them, the groom learns that he will live. Unfortunately for the bus driver, true romance has bloomed between the newlyweds. Of course they don't find this out until a little later. ~ Sandra Brennan, All Movie Guide
- Starring:
- Martha Raye, Bob Hope, (more)
- 1939
Lana Turner (a mere 19 years old at the time) stars in this lighthearted musical comedy as Patty Marlow, a dancer fighting her way up the show business ladder. Famous hoofer Freddie Tobin (Lee Bowman) is about to start work on a new movie when his dance partner becomes pregnant and drops out of the project. Press agent Joe Drews (Roscoe Karns) dreams up a publicity stunt to find Freddie's new co-star: he'll stage a contest on college campuses to find a dancer among the student body. However, the contest is merely a ruse, and, when Joe and his cronies spot Patty, they realize she is the perfect girl for the job. Now, they have to pass Patty off as a studious co-ed for the sake of the "contest," which has begun to attract the suspicious attention of student journalist Pug Braddock (Richard Carlson). Artie Shaw and his band perform several numbers (Shaw and Turner would marry two years later), and keep an eye peeled for Veronica Lake in a bit part (she was still known as Constance Keane at the time). ~ Mark Deming, All Movie Guide
- Starring:
- Lana Turner, Richard Carlson, (more)
Paramount's screwball comedy Midnight is the first collaboration between director Mitchell Leisen and screenwriting duo Charles Brackett and Billy Wilder. The film merges Brackett and Wilder's early emphasis on repartee and masquerade with ex-costume designer Leisen's flair for high style and sophistication. American Eve Peabody (Claudette Colbert), a wily ex-showgirl, must impersonate Hungarian royalty in order to infiltrate the Parisian jet set. Midnight begins during a midnight rainstorm as Eve arrives penniless at Paris' Gare de L'Est, owning only the gold lamé gown on her back. She attracts the attention of Hungarian cab driver, Tibor Czerny (Don Ameche), but walks out on their budding romance; Eve will no longer make the mistake of dating for love rather than money. Instead, she finds shelter from the downpour by crashing a socialite's late-night soirée using a pawnticket and a pseudonym, the Baroness Czerny (the cab driver's surname). There, Eve meets aristocrat Georges Flammarion (John Barrymore), who entices her with a place in society if she agrees to remain disguised as the Baroness and seduce his wife's playboy lover. Meanwhile, Tibor Czerny has not given up his search for Eve. When he locates her whereabouts and discovers the fact that she is using his name, Tibor also travels to the Flammarion estate -- to win back Eve, and to pose as her husband, the Baron. What ensues is quintessential screwball comedy, full of deception, love, quadruple entendre, and outright farce. Midnight remains Leisen's most heralded directorial effort, as well as one of Brackett and Wilder's earliest successes. ~ Aubry Anne D'Arminio, All Movie Guide
- Starring:
- Claudette Colbert, Don Ameche, (more)
- 1939
The old David Belasco theatrical warhorse Zaza, which starred Mrs. Leslie Carter way back in 1899, had already been filmed by Pauline Frederick in 1915 and by Gloria Swanson in 1923 when this Claudette Colbert version hit the screens in early 1939. Doing her own singing and dancing, Colbert plays the title character, a saucy fin de siecle Parisian cabaret performer who falls in love with wealthy rogue Dufresne (Herbert Marshall). Quitting show biz to be with Dufresne for all time, Zaza is taken aback to discover that he's already married. Sorrowfully she returns to the stage, singing a farewell to Dufresne before an audience that seems to include everyone in Paris. Bert Lahr steals the show as Zaza's zany but golden-hearted music-hall partner; in fact he's a lot livelier than the near-comatose Herbert Marshall, who seems preoccupied with more important matters throughout the film. Screenwriter Zoe Akins did her best to make the "naughty" Belasco original conform to the stringent censorship standards of 1939. Still, the Hays Office found plenty with which to nitpick: Commenting on Zaza's angry exclamation "Pig! Pig! Pig! Pig! Pig!", the Hays folks demanded "Delete two 'Pigs'." ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Herbert Marshall, (more)
- 1938
MGM's leading musical team of the 30's, Jeanette MacDonald and Nelson Eddy are paired once again in this fourth film version of David Belasco's creaky melodrama, featuring music by Sigmund Romberg and Gus Kahn. Jeanette MacDonald is Mary Robbins, the owner of a bawdy, rough-house saloon in a western mining town, who falls in love with the Mexican bandit Ramerez (Nelson Eddy), who has disguised himself as a cavalry officer. But when local sheriff Jack Rance (Walter Pidgeon) tracks down Ramerez and wounds him, Mary discovers Ramerez's ruse and begs Rance for the outlaw's freedom. The only problem is that Nance is also in love with Mary. Girl of the Golden West was originally tinted in a sepia-tone to create a look as burnished as the MGM production design. ~ Paul Brenner, All Movie Guide
- Starring:
- Jeanette MacDonald, Nelson Eddy, (more)
- 1938
Though not the first Dr. Kildare film ever made, this is the first entry in MGM's long-running series set at Blair General Hospital. With the ink still wet on his diploma, Dr. Kildare is faced with a difficult decision: should he return home to work in his father's quiet country practice, or work at exciting, New York-set Blair General Hospital? Though his parents and his girlfriend are against it, Kildare chooses the latter and promptly gets into trouble after one of his first patients, a prominent politician dies. All kinds of turmoil follows as Kildare tries to clear his name and treat his other patients. Just as it seems like the strong-willed Kildare's career is to die on the vine, curmudgeonly but always capable Dr. Gillespie becomes his mentor. For trivia buffs, the first Dr. Kildare film was Interns Can't Take Money made in 1937 for Paramount. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lew Ayres, Lionel Barrymore, (more)
- 1938
In this musical sequel to the highly successful Artists and Models, Jack Benny plays Buck Boswell, the leader of a troupe of performers who end up broke and stranded in gay Paris. To rustle up a little cash, he decides to produce a musical fashion show. Boswell hires an American father and daughter to perform because he thinks they too are impoverished. Things happen, and Boswell nearly loses his show until his two Yanks reveal that they are loaded. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Benny, Joan Bennett, (more)
- 1938
This follow-up to MGM's 1932 John Barrymore vehicle Arsene Lupin stars the ineluctable Melvyn Douglas. Reported to be dead, suave gentleman jewel thief Arsene Lupin (Douglas) resurfaces under the assumed name of Rene Farrand. Intending to follow the straight and narrow path, Lupin/Farrand reverts to his old larcenous ways when the opportunity to pilfer $250,000 in gems presents itself. Slowing down our hero somewhat is the presence of hotshot American private eye Steve Emerson (Warren William) and glamorous adventuress Lorraine de Grissac (Virginia Bruce). Ironically, both Melvyn Douglas and Warren William also played thief-turned-sleuth Michael Lanyard, aka "The Lone Wolf", over at Columbia. ~ Hal Erickson, All Movie Guide
- Starring:
- Melvyn Douglas, Virginia Bruce, (more)
- 1938
Everybody Sing is an uncertain blend of screwball comedy and standard MGM musical. Reginald Owen plays Hillary Bellaire, patriarch of a looney theatrical family, while Billie Burke co-stars as his overly dramatic actress wife Diana. What story there is gets under way when the Bellaire's daughters Judy (Judy Garland) and Sylvia (Lynne Carver) are expelled from school because Judy insists upon singing Mendelssohn to a "swing" beat. As it turns out, Judy is the most sensible member of the family! In one of her few film appearances, Fanny Brice is rather wasted as a Russian maidservant, though she does get to perform a musical number based on her "Baby Snooks" radio character. Far better served within the film's framework is MGM's resident tenor Allan Jones as the family's chauffeur and Reginald Gardiner as Diana Bellaire's long-suffering stage leading man. ~ Hal Erickson, All Movie Guide
- Starring:
- Allan Jones, Fanny Brice, (more)
- 1938
- NR
Based on a novel by Erich Maria Remarque, Three Comrades represented one of the few successful screenwriting efforts of F. Scott Fitzgerald. Set in Germany in the years just following World War I, the film stars Robert Taylor, Franchot Tone and Robert Young as three battle-weary, thoroughly disillusioned returning soldiers. The three friends pool their savings and open an auto-repair shop, and it is this that brings them in contact with wealthy motorist Lionel Atwill--and with Atwill's lovely travelling companion Margaret Sullavan. Taylor begins a romance with Sullavan, who soon joins the three comrades, making the group a jovial, fun-seeking foursome (this plot element bears traces of Hemingway's The Sun Also Rises, as well as the 1931 film The Last Flight). Though Sullavan suffers from tuberculosis (her shady past is only alluded to), she is encouraged by her male companions to fully enjoy what is left of her life. This becomes increasingly difficult when one of the comrades, Young, is killed during a political riot (it's a Nazi riot, though not so-labelled by ever-careful MGM). In the end, the four comrades are only two in number, with nothing but memories to see them through the cataclysmic years to come. Despite its Hollywoodized bowdlerization of the Remarque original, Three Comrades remains a poignant, haunting experience. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Margaret Sullavan, (more)
