Carole Bouquet

Fate brings together two people with seemingly nothing in common in this French romantic comedy. Helene (Carole Bouquet) is a single mother living in an upscale apartment complex in Paris with her teenage son Jeremy (Jean Senejoux). Helene is a successful author and a bit of a control freak who lives a carefully ordered existence. However, the same can't be said for her new next-door neighbor Valentin (Marc Lavoine), an aging slacker has lost both his job and his flat and will be spending the next few months in his uncle's spare home in Paris. Helene is more than a little appalled with Valentin and his lack of ambition and fashion sense, but her cat keeps finding its way into his apartment, and they can't seem to avoid one another. Valentin also strikes up a friendship with Jeremy, who offers the sort of male role model that's been missing in his life. Despite her initial annoyance with Valentin, Helene begins to warm to her new neighbor, but can love stand a chance with this mismatched pair? ~ Mark Deming, All Movie Guide

In Housewarming (the original title of which translates as Remodeling: You Know When It Starts...), Carole Bouquet stars as Chantal Letellier, a wealthy, powerful, and happily divorced Paris attorney who devotes a lot of her time to helping the city's poorly treated immigrants. Chantal literally dances her way through the courtroom, winning over the judges with ease. Her busy life seems to be going swimmingly until she decides to remodel her massive apartment. She hires a brilliant but mercurial former client from Colombia, Eduardo (Marcial Di Fonzo Bo), as her architect. He and his illegal immigrant crew are highly qualified, just not in the jobs they've been hired to do, and they quickly begin to demolish her home. A few other problems arise. Poncin (Jean-Pierre Castaldi), an obnoxious wealthy former client, has fallen in love with Chantal and begun stalking her. Her young daughter, Pulchérie (Giulia Dussolier), apparently has a crush on a worker with a questionable background who speaks no French and calls himself Betamax (Geovanny Tituaña). Chantal's teenaged son, Martin (Ferdinand Chesnais), quickly grows irritated with the destruction, and the workers' devil-may-care attitude. As Eduardo's ambitions grow, and the project's costs mount, Chantal's immense reserve of patience begins to wane. Housewarming, directed by Brigitte Roüan, marks the last filmed appearance by legendary producer Humbert Balsan, who committed suicide in 2005. The film also stars Aldo Maccione, Didier Flamand, Sotigui Kouyaté, Bernard Menez, and Françoise Brion. Housewarming was shown by the Film Society of Lincoln Center as part of their Rendez-Vous with French Cinema in 2006. ~ Josh Ralske, All Movie Guide

A couple's marital woes lead to a terrifying ordeal in director Cédric Kahn's Red Lights. Co-written by Gilles Marchand (Who Killed Bambi?) and Kahn's frequent writing partner Laurence Ferreira Barbosa, Red Lights is based on a novel by Georges Simenon. In the film, Antoine (Jean-Pierre Darroussin) seems to be looking forward to taking his wife, Hélène (Carole Bouquet), for a long drive. The plan is to leave Paris and pick up their children at camp that evening, then spend a couple of weeks in the country relaxing. But when Hélène keeps him waiting, Antoine begins to drink. After several beers and a scotch, the couple hit the road, and immediately run into traffic leaving the city. Antoine has been hearing stories of horrible accidents on the road all evening, but that doesn't stop him from driving like a madman. When Hélène complains about his erratic driving, things just get worse. When they're not bickering, they're glaring silently out at the dark road. Eventually, Antoine decides to pull over for another drink, and when Hélène threatens to take the car and continue on without him, he takes the keys with him into the bar. When he gets out, he finds that Hélène has gone, leaving a note on the car saying she's continuing on by train. Antoine races to the train station, but he's too late, so he wanders into a nearby bar. There, he buys a drink for a sullen young man (Vincent Deniard), who later approaches him in the parking lot, asking for a ride. The two soon come to a police roadblock, and Antoine begins to suspect that his traveling companion is the escaped fugitive for whom the cops are looking. Red Lights had its U.S. premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

A group of friends and mutual acquaintances embark on a number of vacations -- concealed or otherwise -- for relaxation and unexpected romantic hijinks in French actor/director Michel Blanc's fourth directorial effort, the romantic ensemble comedy See How They Run. While hosting a dinner party, the well-to-do Elizabeth (Charlotte Rampling) and Bertrand Lannier (Jacques Dutronc) learn that their neighbors Veronique (Karin Viard) and Jerome (Denis Podalydes) -- who used to be successful but are currently hiding their financial woes -- will be vacationing in the same resort town at the same time. Impulsively, Elizabeth invites her friend, and fellow dinner party guest, Julie (Clotilde Courau), to join them and thus make a party out of the event. However, Bertrand backs out of the trip while claiming to have to work -- only to schedule a rendezvous with his lover, his transsexual secretary (Mickael Dolmen), instead. Meanwhile, the Lannier's teenaged daughter, Emilie (Lou Doillon), has been planning a parentally endorsed vacation to the United States with one of her friends, but is in actuality going on a romantic retreat with one of her father's employees, Kevin (Sami Bouajila). As the separate excursions commence, a number of romantic couplings spring up -- as well as a number of new friendships -- that will have long-lasting effects on all of the vacationers' lives. See How They Run received the honor of being selected for inclusion into the 2002 Montreal World Film Festival. ~ Ryan Shriver, All Movie Guide

A cop from the city of lights finds adventure and romance in the Land of the Rising sun in this thriller. Hubert (Jean Reno) is a detective with the French police force who's the kind of cop who doesn't let little details get in the way of catching crooks -- and isn't afraid to speak with his fists if talking doesn't do the job. When Hubert gets in a dust-up with an innocent bystander while trying to apprehend a group of bank robbers, he learns the passerby was the son of the Chief of Police -- and Hubert is put on suspension for two months. Just as Hubert wonders what to do for the next 60 days, he learns that an old flame has died; 19 years ago, he was sent to Tokyo on assignment, and fell in love with a woman named Miko. Even though Hubert hadn't seen Miko in years, he was the sole beneficiary named in her will, and Hubert goes to Tokyo to sort out her effects. Once in Japan, Hubert meets Miko's daughter Yumi (Ryoko Hirosue), who doesn't think much of Hubert and appears to be unaware that he is her biological father. As Hubert tries to bond with Yumi, he examines the facts behind Miko's death and begins to suspect her death was no accident, and with the help of his buddy Momo (Michel Muller), he tries to find out the truth about her death. ~ Mark Deming, All Movie Guide

Produced for French television, this two-part screen adaptation of the classic novel by Henri Beyle Stendhal concerns two women and the price they pay for loving a man eager to climb the ladder of elite society. ~ Mark Deming, All Movie Guide

French philosopher/semiotician Roland Barthes once asked "Why and how do singers find their emotions in their voices?" This passionate German-French documentary explores and pays tribute to that mystery via a montage of interviews and musical performances by three of the world's greatest opera divas: soprano Martha Modl, mezzo soprano Rita Gorr and soprano Anita Cerquetti. ~ Sandra Brennan, All Movie Guide

A burned out actor begins to question his sanity in this French comedy that stars the writer/director Michel Blanc in a dual role. In the first role Blanc plays himself as an exhausted actor. He has been doing too much TV and too many movies. Odd things begin to happen and Blanc becomes convinced his sanity is slipping away. He is seen going berserk at Cannes with a series of starlets. At Cannes, he meets festival head Gilles Jacob whom he persuades to give the room number of Gerard Depardieu. After Blanc is accused of attempted rape, he goes to a psychiatrist who prescribes peace and quiet in the country. He goes to the Provencial estate of his friend Carole Bouquet. It is there Bouquet and Blanc meet Blanc's devilish double Patrick Olivier. After a lengthy chase the two sit down and decide that Blanc will take only the high quality roles while Olivier will do the rest. ~ Sandra Brennan, All Movie Guide

With a storyline straight out of tragedy, this comedy was wildly popular in its native Italy. In the 1970s, Renzo (Francesco Nuti) was just a naive country boy, and Margherita (Carole Bouquet) was a wildly attractive and urbane hippie. They were much taken with each other, but Margherita disappeared from Renzo's life for several years while she was involved in some dangerous political activities and terrorism. Her return to his life came when she was in great danger of having to spend a long time in prison. Renzo saved her from this, and they got married. Their passion for one another dwindled to the point that they tried some experiments like wife-swapping to spice things up a bit. At the same time, Margherita's career was going very well, while Renzo remained basically a country bumpkin. When Renzo finds out that his wife wants a divorce, he resorts to desperate measures to keep her: he abducts her from her city life and takes her to the country, where he requires her to perform her wifely duties obediently. The film opens as the kidnapping husband is defending his actions in court. ~ Clarke Fountain, All Movie Guide

Bertrand Blier's films have explored the sometimes misogynistic sexuality of younger men, but here he offers an absorbing, funny, and moving take on a middle-aged man's adulterous affair. Gerard Depardieu stars as Bernard, an affluent car dealer who finds himself in the grip of a violent passion for his new secretary, a rather plain-looking, middle-aged woman played by Josiane Balasko. Seemingly a happily married man with a beautiful wife (Carole Bouquet) and children, he can't understand what is happening as his life is turned upside down. While it may seem that Blier simply enjoys tweaking convention, he's clearly after far more than laughs given the tenderness he finds in the scenes between the adulterous lovers. Bernard's age has suddenly made him more vulnerable, a state of emotion that he realizes Colette grasps intuitively. Depardieu and French comedienne Balasko make a completely believable couple, and the photography of the great Philippe Rousselot is stunning. ~ Michael Costello, All Movie Guide