Carole Bouquet Movies

Simultaneously recalling Richard Curtis's Love Actually (2003), and - on a more culturally proximate note - Cedric Klapisch's seriocomedy Paris (2008), this outing from writer-director Amanda Sthers observes the intersection of six French lonely hearts against a uniform backdrop. As the tale opens, three single men sit waiting in a French airport: psychiatrist Max (Michel Lonsdale), writer Marcel Henri (Pierre Arditi), and editor Olivier (Patrick Mille). As fate would have it, their paths just happen to intersect with three lonely, needy women of varying temperaments and backgrounds: distinguished widow Fanny (Monique Chaumette), man-hungry teacher Lila (Anne Marivin), and the desperately unhappy, suicide-prone cancer patient Julia (Carole Bouquet). As various couplings occur and various substories unfold within the confines of the airport, each of the characters finds his or her life changed in an irrevocable and unforeseeable way. ~ Nathan Southern, Rovi

French director Nicolas Bary's wacky, family-friendly fantasy comedy The Children of Timpelbach concerns the titular village, where the kids act so unruly and disobedient that all of the adults suddenly throw up their hands in disgust and decide to abandon the place. This, of course, leaves the children in charge of governing the community - which leads to a host of messy and wacky complications. ~ Nathan Southern, Rovi

Director Danis Tanovic picks up where the late-Krzysztof Kieslowski left off by taking on the second installment of Kieslowski's "Heaven," "Hell," and "Purgatory" trilogy (the first was adapted by Run Lola Run director Tom Tykwer) with this tale of a family whose dark past returns with a vengeance. Loosely modeled by screenwriter Krzysztof Piesiewicz on the second act of Dante's Inferno, Hell tells the story of sisters Sophie (Emmanuelle Béart), Céline (Karin Viard), and Anne (Marie Gillain), whose lives were turned upside down when their father was imprisoned and their mother was rendered a wheelchair-bound mute. As the estranged sisters are slowly brought back together by a mysterious and handsome stranger who is somehow involved with the tragic events of the past, the questions that had for years gone unanswered slowly begin to drift into focus. ~ Jason Buchanan, Rovi

A couple's marital woes lead to a terrifying ordeal in director Cédric Kahn's Red Lights. Co-written by Gilles Marchand (Who Killed Bambi?) and Kahn's frequent writing partner Laurence Ferreira Barbosa, Red Lights is based on a novel by Georges Simenon. In the film, Antoine (Jean-Pierre Darroussin) seems to be looking forward to taking his wife, Hélène (Carole Bouquet), for a long drive. The plan is to leave Paris and pick up their children at camp that evening, then spend a couple of weeks in the country relaxing. But when Hélène keeps him waiting, Antoine begins to drink. After several beers and a scotch, the couple hit the road, and immediately run into traffic leaving the city. Antoine has been hearing stories of horrible accidents on the road all evening, but that doesn't stop him from driving like a madman. When Hélène complains about his erratic driving, things just get worse. When they're not bickering, they're glaring silently out at the dark road. Eventually, Antoine decides to pull over for another drink, and when Hélène threatens to take the car and continue on without him, he takes the keys with him into the bar. When he gets out, he finds that Hélène has gone, leaving a note on the car saying she's continuing on by train. Antoine races to the train station, but he's too late, so he wanders into a nearby bar. There, he buys a drink for a sullen young man (Vincent Deniard), who later approaches him in the parking lot, asking for a ride. The two soon come to a police roadblock, and Antoine begins to suspect that his traveling companion is the escaped fugitive for whom the cops are looking. Red Lights had its U.S. premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, Rovi

A group of friends and mutual acquaintances embark on a number of vacations -- concealed or otherwise -- for relaxation and unexpected romantic hijinks in French actor/director Michel Blanc's fourth directorial effort, the romantic ensemble comedy See How They Run. While hosting a dinner party, the well-to-do Elizabeth (Charlotte Rampling) and Bertrand Lannier (Jacques Dutronc) learn that their neighbors Veronique (Karin Viard) and Jerome (Denis Podalydes) -- who used to be successful but are currently hiding their financial woes -- will be vacationing in the same resort town at the same time. Impulsively, Elizabeth invites her friend, and fellow dinner party guest, Julie (Clotilde Courau), to join them and thus make a party out of the event. However, Bertrand backs out of the trip while claiming to have to work -- only to schedule a rendezvous with his lover, his transsexual secretary (Mickael Dolmen), instead. Meanwhile, the Lannier's teenaged daughter, Emilie (Lou Doillon), has been planning a parentally endorsed vacation to the United States with one of her friends, but is in actuality going on a romantic retreat with one of her father's employees, Kevin (Sami Bouajila). As the separate excursions commence, a number of romantic couplings spring up -- as well as a number of new friendships -- that will have long-lasting effects on all of the vacationers' lives. See How They Run received the honor of being selected for inclusion into the 2002 Montreal World Film Festival. ~ Ryan Shriver, Rovi

A cop from the city of lights finds adventure and romance in the Land of the Rising sun in this thriller. Hubert (Jean Reno) is a detective with the French police force who's the kind of cop who doesn't let little details get in the way of catching crooks -- and isn't afraid to speak with his fists if talking doesn't do the job. When Hubert gets in a dust-up with an innocent bystander while trying to apprehend a group of bank robbers, he learns the passerby was the son of the Chief of Police -- and Hubert is put on suspension for two months. Just as Hubert wonders what to do for the next 60 days, he learns that an old flame has died; 19 years ago, he was sent to Tokyo on assignment, and fell in love with a woman named Miko. Even though Hubert hadn't seen Miko in years, he was the sole beneficiary named in her will, and Hubert goes to Tokyo to sort out her effects. Once in Japan, Hubert meets Miko's daughter Yumi (Ryoko Hirosue), who doesn't think much of Hubert and appears to be unaware that he is her biological father. As Hubert tries to bond with Yumi, he examines the facts behind Miko's death and begins to suspect her death was no accident, and with the help of his buddy Momo (Michel Muller), he tries to find out the truth about her death. ~ Mark Deming, Rovi

This is a comedy with an edge about a world-famous cellist, Jascha Steg, in love with Ana, a violinist. Jascha's world tour with a Schumann concerto brings him to perform a concert in Evian. His parents, whom he has not seen for a long time, have come with his uncle to see him perform. But Jascha has no peace of mind because Ana is there with her husband. Two days spent by a lake, and a picnic in the mountains when all the characters reveal the most hidden aspects of their personalities, drastically transform his life and consequently his art. The film reflects the difficulties confronted by an artist when he tries to reach people close to his heart. Veterans Philippe Noiret and Carole Bouquet carry their roles with conviction. ~ Gönül Dönmez-Colin, Rovi

Produced for French television, this two-part screen adaptation of the classic novel by Henri Beyle Stendhal concerns two women and the price they pay for loving a man eager to climb the ladder of elite society. ~ Mark Deming, Rovi

French philosopher/semiotician Roland Barthes once asked "Why and how do singers find their emotions in their voices?" This passionate German-French documentary explores and pays tribute to that mystery via a montage of interviews and musical performances by three of the world's greatest opera divas: soprano Martha Modl, mezzo soprano Rita Gorr and soprano Anita Cerquetti. ~ Sandra Brennan, Rovi

This romantic comedy concerns Kate Swallow (Carole Bouquet), who works in a French department store to help support her husband Alec (Jonathan Pryce), an egocentric novelist who insists on peace and quiet when he writes. Kate has literary aspirations herself, but Alec complains that the clacking of the keys on her laptop is too much of a distraction for him (he prefers to write longhand). Alec's editor Vanni Corso (Christopher Walken) has high hopes for his next book, which needs to sell well if his company is to pull itself out of the red. While Vanni is interested in Alec's novel, he also becomes interested in Alec's wife, and Kate becomes quite taken with Vanni as well. In time she leaves Alex to pursue a relationship with Vanni and work on her own book. Kate's novel turns out to do quite well indeed, but there's trouble in paradise when Vanni tells her he's not so sure her second novel is going to go anywhere. Business Affair was loosely based on the real-life literary and romantic travails of author Barbara Skelton. ~ Mark Deming, Rovi