Morgan Woodward Movies

Jessica (Angela Lansbury) is summoned to the island retreat of her friend Henry Reynard (Gene Barry), a millionaire lumberman. Someone has threatened Henry's life, and he is convinced that the "someone" is a relative anxious to get his or her hands on the old man's millions. Upon her arrival, Jessica is told that Henry has already been killed--but as she soon finds out, appearances (and first impressions) can be very deceiving! ~ Hal Erickson, Rovi

On her first day at an all-girls Catholic High School in Chicago, shy and reserved Janey Glenn (Sarah Jessica Parker) meets the wild and wacky Lynne Sands (Helen Hunt). Even though her oppressive dad, Col. Glenn (Ed Lauter), won't let her go, Lynne talks her into sneaking out to try out for a spot on the beloved show Dance TV. Janey wows the judges with her gymnastic ability and makes first cuts, conveniently assigned to a cute dance partner: blue-collar bad boy Jeff Malene (Lee H. Montgomery). They compete against the bratty rich girl Natalie Sands (Holly Gagnier), who sabotages them because she wants Jeff and the contest for herself. Janey and Lynne get revenge by inviting punks and street kids to crash her debutante ball. Natalie then resorts to making her wealthy industrialist dad, J.P. Sands (Morgan Woodward), threaten Jeff; If he doesn't let Natalie win, his dad (Biff Yeager) could lose his job at the factory. It all leads up to the live television broadcast of the Dance TV contest, right when Janey's dad races to the studio to stop her. Also starring Shannen Doherty as Jeff's little sister, Maggie. ~ Andrea LeVasseur, Rovi

Given one last chance to capture the A-Team, Col. Lynch (William Lucking, in his final series appearance) makes a beeline to the Wild West show run by Captain Winnetka (Morgan Woodward). It seems that Winnetka's daughter Carrie (D..D. Howard) has lodged a complaint of being victimized by a gang of crooks passing themselves off as the A-Team. Naturally, the real Team can't stand imitations, and decide to thwart the crooks on their own, adopting disguises straight out of the Village People playbook: Hannibal (George Peppard) as a flashy sharpshooter, Face (Dirk Benedict) as a clown, and Murdock (Dwight Schultz)as an Indian. The climax involves another jerry-built weapon, this one shooting wads of taffy! ~ Hal Erickson, Rovi

Produced by Roger Corman and scripted by John Sayles, Battle Beyond the Stars is a cheerfully blatant imitation of The Seven Samurai (or at least the American remake The Magnificent Seven). A peaceloving planet is attacked by malevolent aliens. The powers-that-be hire a group of mercenaries, headed by George Peppard, to protect the planet from harm. Peppard's contingent includes squeaky-clean Richard Thomas Jr. and statuesque Sybil Danning. John Saxon goes through his usual paces as the villain, while the supporting players include such dependables as Sam Jaffe, Jeff Corey, and, from Magnificent Seven itself, Robert Vaughn. Keep an eye out for Julia Duffy as "Mol". A deft blend of standard sci-fi action and knowing "inside" humor, Battle Beyond the Stars was one of Corman's biggest hits of the 1980s-not to mention an endless supply of stock footage for future New World Productions. ~ Hal Erickson, Rovi

A female cop and a male private detective team up to bring car thieves to justice in this actioner. ~ Sandra Brennan, Rovi

The longest (26-1/2 hours), most expensive ($25 million) and most complicated (four directors, five producers, five cinematographers, almost 100 speaking parts, several hundred extras) project made for television up to that time, Centennial was shown in two- and three-hour installments over a period of four months. An adaptation of James Michener's best-selling novel, it told the story of the settling of the American West by looking at the founding of the fictional town of Centennial, Colorado, from the settling of the area in the late 18th century to the present. Emmy-nominated for film editing and art direction, it boasts of sterling performances from Richard Chamberlain as frontiersman Alexander McKeag, Robert Conrad as the French-Canadian trapper Pasquinel, and a surprisingly powerful performance from former football star Alex Karras as compassionate but iron-willed immigrant farmer Hans Brumbaugh. ~ Brian Gusse, Rovi

Twice during the mid-1970s, Andy Griffith unsuccessfully attempted to launch a TV detective series titled Abel Marsh. The first pilot film was The Girl in the Empty Grave; the second was The Deadly Game. Griffith once again stars as resort-town sheriff Abel Marsh, this time wrestling with a sinister conspiracy involving a dangerous chemical spill. Lane Slate produced, directed and wrote the film, while Griffith's longtime manager Richard O. Linke functioned as executive producer. Deadly Game was first telecast December 3, 1977. ~ Hal Erickson, Rovi

Rated R for violence, this is another of the promises broken to us by the movie industry. When they promise that we won't have to see something again, why can't they make it happen? Although this, like the Jason movies (Friday the 13th ad nauseam), is followed by a made for TV movie and a series, they really have to be prequels to this "final chapter," as dictated by the fiery conclusion of the movie. The story of a sheriff who just isn't going to take it anymore, it is based on a true story but, as with all Hollywood fare, made larger than life. ~ Tana Hobart, Rovi

Banking on his renewed "leading man" status vis-a-vis Enter the Dragon, John Saxon plays J. B. Johnson in Moonshine County Express. The villain is racketeer Starkey (William Conrad), who has bumped off likeable moonshiner Pap Hammer (Fred Foresman). Now Starkey must do away with Hammer's toothsome daughters Dot, Betty and Sissy (Susan Howard, Claudia Jennings and Maureen McCormick). The girls receive unexpected help from Starkey's flunkey J.B. Moonshine County Express represents perhaps the best screen work of the late Playboy model Claudia Jennings, who evinces an intuitive acting ability. ~ Hal Erickson, Rovi

This by-the-numbers action-revenge drama that plays like several other similarly-plotted, good ol' boy pulp flicks of its era, such as Billy Jack (1971) and Walking Tall (1973). Timothy Bottoms stars as Poke Jackson, a convict who's just been released from prison after a stint for drug trafficking. The catch is that Poke was innocent, having been framed for the crime by a corrupt lawman, Sheriff Duke (Bo Hopkins). Poke makes his way home to his beautiful girlfriend Mary Lee (Susan George) and their illegitimate son, only to find that Duke has moved into his place as Mary's lover. Incensed, Poke sets out on a course of vengeance that will pit him against the tough cop and culminate in a lethal car chase. With supporting characters named "Bull," "Cleotus," and "Buford," the redneck pedigree of A Small Town in Texas (1976) is distinct. The film was penned by screenwriter William W. Norton, who wrote several better examples of this high-octane, macho genre, including White Lightning (1973) and Gator (1976). ~ Karl Williams, Rovi

Bob Dalton (Robert Conrad) leads his notorious gang of outlaws into the town of Coffeyville, Kansas, in an attempt to rob two banks simultaneously. The only thing that stands in their way is former gunman Will Spence (Richard Widmark) and the courage of the townspeople, led by town marshal Charles Connelly (Gene Evans), in defending themselves. ~ Bruce Eder, Rovi

One night after finishing his rounds as security chief at Jordan College, Quartz Willinger (Cameron Mitchell) stops by an after-hours club for a drink and walks in on the middle of a robbery, during which he is savagely beaten by three hillbilly thugs. While recovering from his injuries, he needs a replacement and arranges to hire an old friend, Jim Slade (Burt Lancaster), an ex-cop who has just been paroled on a murder conviction, for killing the man he caught with his wife. He finds the job an awkward fit but a welcome relief from prison, especially once he meets his parole officer, Linda Thorpe (Susan Clark). On his first night on the job, there's a break-in at the office of the college's resident psychiatrist (Robert Quarry), and the theft of some tapes made by students, only one of whom -- Natalie Clayborne (Catherine Bach), a pretty yet troubled coed, and daughter of a very powerful politician (Morgan Woodward) -- isn't upset by the incident. The next night, Slade finds her getting drunk in town and gets her back to the campus. When Natalie turns up dead, the county sheriff, Casey (Harris Yulin), glances at him briefly as a suspect before arresting the custodian Ewing (Charles Tyner), who was a religious nut with a collection of pornography and a fixation on Natalie. But Slade isn't convinced of Ewing's guilt and starts to investigate the crime himself with help from Linda. Despite Casey's pressuring him to stay out of it, the ex-cop soon discovers Jordan College, the town, and the surrounding county are a nasty border-state version of Peyton Place, populated by lots of people with skeletons in their closets, including blackmail, incest, and murder, with hardly an institution not corrupted by some part of it. What's more, in a series of twists worthy of The Big Sleep (book or movie), he uncovers a connection between the thugs who beat up Quartz and the stolen tape and the murder, which results in the brutal killing of his witnesses and Slade fighting for his life. And he still has to face the truth about the two people in the midst of this corruption that he trusted. ~ Bruce Eder, Rovi