Edward Woodward Movies

Regarded by many as England's finest actor, Edward Woodward started out in the workaday world as a sanitation engineer. At 15, Woodward enrolled at the Royal Academy of Dramatic Art, and at 16 he made his theatrical bow with the Farnham Repertory. His first significant West End stage success was the 1954 comedy Where There's a Will, which also served as his film debut that same year. He was elevated to star status with his flawless performance in the 1961 production Rattle of a Simple Man. This led to his Broadway debut in High Spirits, a musical adaptation of Noel Coward's Blithe Spirit. He went on to spend several seasons with Olivier's National Theatre, scoring an enormous hit in the title role of Cyrano de Bergerac. The TV-idol phase of Woodward's career began in 1967, when he was cast as two-fisted detective Callan in the weekly series A Magnum for Schneider, later retitled Callan in deference to Woodward's popularity. He continued playing Callan until 1973, then extended his newfound celebrity to the big screen, starring in such films as The Wicker Man (1973) and Breaker Morant (1980). His post-Callan TV work included 1977's The Secret Army, the role of Simon Legree in the 1987 TV-movie Uncle Tom's Cabin, the part of Sherlock Holmes in 1990's Hands of a Murderer, and, of course, his four-season (1985-1989) run as soldier-of-fortune Robert McCall in The Equalizer. He also starred in a number of British TV musical specials, exhibiting his superbly trained singing voice. In addition, Woodward recorded several "talking records," for which he won two Gold Disc awards (the British equivalent of the Grammys). Though plagued by serious health problems, Woodward seldom stopped working during the later years of his life, and in 1997 returned to star in the third season of the British situation comedy Common as Muck. He died at age 79 in November 2009, ~ Hal Erickson, All Movie Guide
1974  
R  
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A righteous police officer investigating the disappearance of a young girl comes into conflict with the unusual residents of a secluded Scottish isle in this unsettling, intelligent chiller. Brought to the island of Summerisle by an anonymous letter, Edward Woodward's constable is surprised to discover that the island's population suspiciously denies the missing girl's very existence. Even more shocking, at least to the traditionally pious law office, the island is ruled by a libertarian society organized around pagan rituals. Repelled by the open acceptance of sexuality, nature worship, and even witchcraft, the officer takes an antagonistic attitude towards the people and their leader, an eccentric but charming English lord (Christopher Lee). The officer's unease intensifies as he continues his investigation, slowly coming to fear that the girl's disappearance may be linked in a particularly horrifying manner to an upcoming public festival. Anthony Shaffer's meticulously crafted screenplay creates a thoroughly convincing alternative society, building tension through slow discovery and indirect suggestion and making the terrifying climax all the more effective. Performances are also perfectly tuned, with Woodward suitably priggish as the investigator and horror icon Lee delivering one of his most accomplished performances as Lord Summerisle. Little noticed during its original theatrical run due to studio edits and a limited release, the film's intelligence and uncanny tone has since attracted a devoted cult following. ~ Judd Blaise, All Movie Guide

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Starring:
Edward WoodwardBritt Ekland, (more)
1973  
R  
In this western two misfits, a black man AWOL from the union army, and a crippled Indian hide in a Mexican church following the murder of two people. A bounty hunter is hot on their trail. Violence ensues when he catches up to them. The one that killed the people is stoned to death. ~ Sandra Brennan, All Movie Guide

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1972  
R  
In between gigs writing two of the first films from director John Boorman and the sequel to The French Connection (1971), writer Alexander Jacobs adapted this bloody, violent drama from a pulp crime novel. Oliver Reed stars as Harry Lomart, a dangerous convict who's been planning a breakout with a fellow inmate, Birdy Williams (Ian McShane). Before the two men can abscond, word comes that Harry's wife Pat (Jill St. John) has been having an affair with another man and has become pregnant with the man's child. That brings the total number of scores that Harry's got to settle once he's on the outside up to two. After a spectacular escape, the pair of hardened criminals are supposed to lie low until it's safe for them to leave the country, but a furious Harry won't allow his wife to get away with her betrayal, and he sets out to find and kill her, as well as her lover. ~ Karl Williams, All Movie Guide

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Starring:
Oliver ReedJill St. John, (more)
1972  
 
This historical drama is an account of the early life of Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and culminating with his first election to Parliament. ~ Linda Rasmussen, All Movie Guide

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Starring:
Simon WardRobert Shaw, (more)
1971  
PG  
The fourth film to explore Edgar Allan Poe's classic tale, this clever adaptation takes some rather broad liberties with the source material. A flamboyant Jason Robards plays Cesar Charron, owner of a Grand Guignol theatre in 19th-century Paris, who is launching a stage adaptation of "Murders in the Rue Morgue" -- much to the dismay of his young daughter Madeleine (Christine Kaufmann), who is tormented by nightmares filled with images from the play. A spate of gruesome murders among the theatre's regular stable of actors leads Charron to suspect the return of his deranged, disfigured former partner René Marot (Herbert Lom), who had been presumed dead after the murder of Charron's wife. Madeleine's nightmares eventually come true when Marot makes his presence known and reveals his intentions to her on the eve of the production's opening night. Director Gordon Hessler's creative handling of the dreams-vs.reality premise is rendered a bit confusing thanks to AIP's sloppy re-editing, but the overall production is still effectively chilling. ~ Cavett Binion, All Movie Guide

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1970  
 
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This badly-dated but interesting variant on the vampire subgenre is loosely based on the Simon Raven novel Doctors Wear Scarlet. The story details the seduction of an Oxford resident (Patrick Mower) into a satanic vampire society while studying in Greece. The chief twist here is that vampirism is treated not as a supernatural affliction, but as a bizarre form of sexual gratification -- an alternative lifestyle in which Mower is soon immersed, thanks to the manipulations of an exotic Greek siren. After some silly scenes featuring a lot of groovin' hippie orgies and silly psychedelic lighting effects, Mower returns to England to continue his sanguinary obsession in earnest, focusing his bloodthirsty desires on his prudish fiancee -- who is not so willing to embrace this new lifestyle. Despite the aforementioned painful attempts at hipness, this film shapes up to be an effective thriller -- perhaps the first to put a psychological spin on the vampire pantheon. Peter Cushing and Patrick Macnee are on hand in very small but effective supporting roles. Released also under the more "trendy" title Incense for the Damned. ~ Cavett Binion, All Movie Guide

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1969  
PG  
This crime drama finds American agent Novak (Yul Brynner) sent to Scotland Yard to help uncover a gang of forgers, murderers and counterfeiters. Even when the British agent Thompson (Edward Woodward) is assigned to help, Novak still remains suspicious of everyone. From Liverpool, the duo traces the Owl (Charles Gray) to London where they hope to meet up with the mysterious gang leader Mr. Big. Novak eventually trusts Thompson as the two close in on the gang that is raking in millions with their illegal activities. ~ Dan Pavlides, All Movie Guide

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Starring:
Yul BrynnerCharles Gray, (more)
1964  
 
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A high-class costume drama with a substantive historical basis, Becket is the true story of the friendship between King Henry II (Peter O'Toole) and Thomas à Becket (Richard Burton), a royal courtier and confidant whom Henry appoints as Archbishop of Canterbury. As Becket takes his duties with the Church seriously, he finds himself increasingly at odds with the King, who finally orders the death of his once-close companion when he continues to defy the throne. Burton is very good and O'Toole is even better: both men were nominated for the Best Actor Oscar, while Edward Anhalt's screenplay, based on the stageplay by Jean Anouilh, won for Best Adapted Screenplay. The basic theme of separation of church and state still reverberates today, while the top-notch production values ensure Becket's place as one of Britain's better historical epics. ~ Don Kaye, All Movie Guide

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Starring:
Richard BurtonPeter O'Toole, (more)
1960  
 
Based on a British TV comedy, this is the tale of a London couple who inherit a pub in the country, only to find that their troubles are just beginning. Someone doesn't seem to want to make their business a success, but their invention should stop all that nonsense. ~ Tana Hobart, All Movie Guide

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1955  
 
In this corny British comedy, a Cockney family inherits a rundown Devon farm. Not everyone is pleased by the prospect of leaving the city, but the father insists and off they go. With the help of a savvy housekeeper, the family puts the ramshackle farm in order. ~ Sandra Brennan, All Movie Guide

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