Lesley Woods Movies

After two acclaimed independent films in which he took a troubling look at male/female relations, director Neil LaBute moves on to less controversial ground in this dark comedy. Betty Sizemore (Renee Zellweger) is a woman from Kansas City who waits tables at a diner and is married to an insensitive thug named Del (Aaron Eckhart). One of Betty's few pleasures in life is the soap opera A Reason to Love. Her favorite character is handsome Dr. David Ravell, played by George McCord (Greg Kinnear). One night, Del gets involved in a drug deal with a pair of gangsters, Charlie (Morgan Freeman) and his sidekick Wesley (Chris Rock). Del's thoughtless racial slurs lead to an arguement, and the short-tempered Wesley attacks him; Charlie is forced to kill Del, as Betty watches. Dazed and in shock, Betty hops into her car, deciding that the time is right for a date with destiny. Betty tracks down George McCord, and soon the soap's producer Lyla (Allison Janney) is considering Betty for a part on A Reason to Love, not realizing that Betty doesn't want to play Dr. Ravell's nurse and fiance, she wants to be her. Betty, meanwhile, has no idea that the drugs that Del was trying to sell are still in her car, and that Charlie and Wesley are hot on her trail, determined to get the dope and silence her once and for all. Nurse Betty also features Kathleen Wilhoite, Crispin Glover, and Pruitt Taylor Vince. The film was shown in competition at the 2000 Cannes Film Festival, where it won the prize for Best Screenplay. ~ Mark Deming, Rovi

Milo O'Shea guest stars as Dr. Schachter, a "couples" specialist. During this particular session, the good doctor is counseling a most odd couple indeed -- namely, sibling psychiatrists Frasier and Niles Crane (Kelsey Grammer and David Hyde Pierce), whose relationship is in danger of collapsing. In flashbacks, Frasier and Niles woefully recall their foredoomed efforts to save money on office space by opening up a joint practice. ~ Hal Erickson, Rovi

A female art dealer who had planned to sell some rare Native American masks is found stabbed to death with a ceremonial Indian dagger. Investigating, Hunter (Fred Dryer) and McCall (Stepfanie Kramer) head to a Zuni reservation, where several self-appointed witnesses--foremost among them a Native American artist--are quick to accuse the victim's husband of committing the crime. But as they delve deeper into the case, the two detectives discover that there is far more "bad blood" flowing on the reservation than they could ever have imagined. This is the final episode of Hunter's fifth season. ~ Hal Erickson, Rovi

Convicted of murdering his father, 17-year-old Eric Stoltz is sentenced to death. While in prison, Stoltz begins a pen-pal correspondence with fortysomething prostitute Monica Carrico. A long distance romance results, culminating in Carrico helping Stoltz escape from death row. When he finally makes it to the outside, it turns out that Stoltz was innocent all along-and a fat lot of good this does him. Best to ignore the haphazard plot of Running Hot and concentrate on the performances and the action highlights. ~ Hal Erickson, Rovi

It's off to Wilson County, Texas for the A-Team, at the behest of young businesswoman Jackie Taylor (Janice Heiden). It seems that Jackie is being forced to marry Calvin Cutter (John Ericson), her late husband's former partner--and the man whom Jackie suspects of murdering her dad. In order to effect the team's traditional last-minute rescue, a flustered Face (Dirk Benedict) is forced to don wig and gown and substitute for the bride (and guess who pops out of the wedding cake)! ~ Hal Erickson, Rovi

In Part One of "Greetings from Earth", the Galactica encounters an "ancient" space shuttle that has seemingly originated on the elusive 13th Colony--namely, the Earth. On board the shuttle, six people are in a state of suspended animation. Once awakened, the six strangers hold out hope to the Colonists that their long and frustrating search for the 13th Colony is at last at an end. Veteran song-and-dance men Ray Bolger and Bobby Van head the guest cast. Originally telecast as a two-hour "special", "Greetings from Earth" has since been reedited as two one-hour episodes for syndication. ~ Hal Erickson, Rovi

A wiseacre, world-wise gumshoe teams up with a greenhorn policewoman and begin investigating the murder of his partner in this crime drama that was a pilot for a TV series. Their search leads them into the darkest corners of the city's thriving porno industry. ~ Sandra Brennan, Rovi

Ranking with Dan Curtis' Trilogy of Terror as one of the spookiest made-for-TV horror films of the 1970's, this atmospheric monster chiller stars Kim Darby and Jim Hutton as a comfortable, reasonably happy young couple who inherit the archetypal "Old Dark House" from the wife Sally's deceased aunt. While renovating the creepy mansion, they enter a previously-sealed room, which features a securely bricked-up fireplace. Despite the insistence of a local contractor (My Three Sons' William Demarest) that they leave the room undisturbed, Sally's husband manages to open the flue, releasing a horde of shriveled mini-monsters imprisoned there for decades. The little demons immediately fixate their malevolent attention on Sally in an effort to claim her soul, a mission which can only be averted by the love of her husband -- which, in light of his self-centered careerism, means poor Sally's pretty much on her own. Director John Newland manages to pull off this one-note premise with some effective, frightening scenes -- especially when he chooses to show as little of the goofy-looking monsters as possible -- but it's hard to sustain this level of suspense for a full 90 minutes. ~ Cavett Binion, Rovi

Two TV films were shown during the 1973-1974 season dealing with the emotional and legal ramifications of rape. While the Elizabeth Montgomery vehicle A Case of Rape was closer to Real Life, Cry Rape! also had a lot going for it. Andrea Marcovicci stars as Betty Jenner, whose world is rent asunder when she falls victim to a rapist. Equally as humiliating as the violation itself is the aftermath; Betty must withstand the adversarial questions of the police on the case, and then must relive her nightmare in court. Filmed in a semidocumentary fashion, Cry Rape! veers dangerously close to discouraging any woman from reporting sexual assault, inasmuch as it demonstrates the step-by-step process by which the accuser often ends up the accused. Only its contrived melodramatic conclusion robs the film of its verisimilitude. ~ Hal Erickson, Rovi

In this romance, a plain, lonely secretary wins three dance lessons. Her handsome instructor tells her that she is quite talented and cons her into signing a long-term contract. She soon finds herself in love with him, and an affair begins. The normally cold-hearted instructor is surprised when he finds himself genuinely returning her affections. Trouble ensues when she dances with another instructor who gives her exactly the same sales pitch. The angered young woman refuses to see her lover; when he proclaims his true feelings, she disregards him and leaves. Loneliness gets the best of her, and she soon returns. ~ Sandra Brennan, Rovi