Largo Woodruff Movies

This made for cable movie premiered over the Lifetime network on August 21, 1996, barely one year after the court case which inspired it. Though they have adopted a son, infertile couple John and Debbie Challender (Randle Mell, Marilu Henner) still feel unfulfilled. Desperate to have a child of her own, Debbie submits to experimental fertility treatments conducted by the brilliant and arrogant Dr. Ash (Castullo Guerra), the self-proclaimed miracle man of Irving University. The treatment, involving "hyperstimulated" ovaries, nearly kills Debbie, but it all seems worth it when she gives birth to a healthy son. But this is not the end of the story by a long shot: As Debbie discovers to her outrage that her own eggs have been implanted in other women without her permission, Marilyn Killane (Linda Lavin), office manager for Dr. Ash, unearths evidence that the doctor's staff has been regularly mishandling embryos--and that several of his nurses aren't even certified. Ultimately, Dr. Ash ends up in court, facing charges that, in so many words, he has been illegally "Playing God" with unwary women for the sole purpose of elevating his own reputation. ~ Hal Erickson, Rovi

A yuppie couple find themselves marooned on a desert isle with only the company of two others--a native girl and her American boyfriend. Stripped of their accustomed world of gadgetry as well as most of their clothes, they find the situation prompts them toward a more introspective mode, and they examine the nuts and bolts of their relationship. ~ Rovi

Bill: On His Own is the laudable made-for-TV sequel to the Emmy-winning 1981 film Bill. Mickey Rooney once more shines as Bill Sackter, a mentally-retarded adult struggling to survive in the mainstream. The owner of a coffee kiosk at the University of Iowa, Bill becomes disoriented when his friend and mentor Dennis Quaid moves to Los Angeles. Taking over Bill's case is idealistic young social worker Helen Hunt. While studying towards his Bar Mitzvah (which he was denied at the age of 13 because of his "incompetence"), Bill suffers a severe personal blow that threatens to send him spiralling back into helplessness. Bill: On His Own was originally telecast November 9, 1983, some four months after the death at age 70 of the real-life Bill Sackter. ~ Hal Erickson, Rovi

This Emmy-winning made-for-TV movie, based on a book by Oscar-winning screenwriter Barry Morrow (from his true story), stars Mickey Rooney in the title role of a mentally-challenged adult who has spent his life holed up in a bleak institution. When documentary filmmaker Morrow (Dennis Quaid) and his family invite him into their home to stay with them, Bill is given his first taste of independence in the real world. Together, Bill and the Morrows unexpectedly teach each other valuable lessons about life and themselves. The film was so popular that it spawned a sequel two years later called Bill: On His Own. ~ Matthew Tobey, Rovi

Alex Karras and Susan Clark produced but did not star in the TV movie Word of Honor. Karl Malden plays a small-town newspaper reporter who receives a tip from a woman about the kidnap-murder of a teenaged girl. The woman implicates local banker Don Crane, but only on Malden's promise that he will never divulge the woman's identity. When it looks as though Crane will beat the rap, Malden steadfastly refuses to go back on his word, which earns him the enmity of everyone except his wife (Rue McClanahan) and a visiting "liberal" Manhattan journalist. The stack-the-cards setup of Word of Honor is just on the verge of credibility when the film blows the works with a too-convenient ending. ~ Hal Erickson, Rovi

This low-budget horror film about teenagers trapped in a carnival funhouse with a freakish monster is pretty standard stuff. Director Tobe Hooper manages a few shocks and includes some typically peculiar supporting characters, but this film is less entertaining than either of his previous excursions into such territory. Not as scary as The Texas Chainsaw Massacre (1974) nor as bizarre as Eaten Alive (1976), The Funhouse may as well have been directed by an anonymous hack as one of the foremost names in the genre. The movie tie-in novel, penned by Dean R. Koontz under the pseudonym "Owen West," is actually far more frightening than the film on which it was based. ~ Robert Firsching, Rovi