Eric Woodburn Movies

Kidnapped avoids the Hollywoodized interpolations of previous film versions of the Robert Louis Stevenson novel, choosing instead to adhere to the story as written. Scottish orphan David Balfour (Lawrence Douglas) is betrayed by his wicked uncle Ebeneezer (Donald Pleasance), who arranges for David to be kidnapped and sold into slavery so that Unk can claim his inheritance. The boy is rescued and befriended by Alan Breck (Michael Caine), a Scottish rebel fighting on behalf of his country's independence from the British (did we tell you that the film takes place during late 18th century?) Both David and Alan undergo several exhilarating adventures before Alan comes to realize that the rebellion is doomed from the start, and David foils his uncle's greedy machinations. Kidnapped was one of several "classic" adaptations released by American-International during the early 1970s, and arguably the best of the bunch (try sitting through AIP's Wuthering Heights sometime). ~ Hal Erickson, Rovi

In this romantic comedy, a free-wheeling member of the U.S. Air Force goes AWOL. While traveling, the man and his girlfriend encounter another young couple. Both men are dressed exactly alike and are driving the same kind of bike. When the women climb aboard the wrong bikes, romantic mayhem ensues. ~ Iotis Erlewine, Rovi

Based on Anthony Kimmins' stage success The Amorous Prawn, this British light comedy stars Joan Greenwood as the wife of an Army general (Cecil Parker). Having fallen upon hard times, the wife hits upon a scheme to raise some quick cash. She opens her husband's highland headquarters to visiting salmon fishermen, a circumstance that displeases the general when several of those anglers turn out to be handsome young men. On the assumption that American audiences would think The Amorous Prawn was a film about shrimp instead of salmon, the US distributor added the "Mr." to the original. When filmgoers failed to respond, the picture was re-retitled The Playgirl and the War Minister, a shameless attempt to exploit the then-current Profumo political scandal. ~ Hal Erickson, Rovi

In this 1959 comedy, Robert MacPherson (Robert Morley) inherits his family's textile business in Edinburgh, Scotland, then hires American efficiency expert Angela Barrows (Constance Cummings) to bring the business into the modern age. The House of MacPherson has long been known as a manufacturer of fine Scottish tweed, and the company's mild-mannered head clerk, Mr. Martin (Peter Sellers), worries that the no-nonsense Barrows will ruin everything with her new-fangled ideas and eventually replace him and his co-workers with automatons. So after she installs the latest labor-saving devices, including intercoms and noisy adding machines, he sabotages them in a gradually unfolding scheme to persuade MacPherson that the old Scottish ways are still the best, that true craftsmanship requires a human touch. By this time, however, MacPherson has taken a fancy to Barrows romantically, and she can do no wrong. Then, horror of horrors, Barrows proposes that the company make synthetic tweed -- mass-produced synthetic tweed -- in an all-out effort to Americanize the Scottish firm. That's the last straw for Martin, and he thinks there is only one option left for him: to murder Barrows. Of course, meek Mr. Martin isn't exactly a natural-born killer, and he botches one attempt after another in a sequence of scenes that keep the action moving briskly along. But Martin has pluck and plenty of persistence, and he eventually hatches another plot to undo the meddlesome Barrows. The film, loosely based on a James Thurber story entitled The Catbird Seat, was directed by Charles Crichton, the same man who directed the highly successful Lavender Hill Mob. ~ Mike Cummings, Rovi

The Bridal Path is standard comedy fare about a young man, Ewan McEwan (Bill Travers) sent out from his island home to go bride-hunting. The introverted, taciturn Ewan is reaching marriageable age just when the island's elders come up with a new decree. They have decided that there is too much in-breeding on their fair shores and as a consequence, they forbid first cousins to marry. With his bridal selection almost curtailed at home, Ewan heads off to the mainland with a little book of commandments on what to look for and what to avoid in a potential lifetime mate. Aside from encounters with several charming, winsome young women, Ewan soon discovers that the police are after him -- and he does not know why. The chase is on, though all misunderstandings are eventually cleared up. ~ Eleanor Mannikka, Rovi

In this charming 1954 feature, Harry and Davy are two orphans living with their grandparents in Nova Scotia. Their autocratic grandfather gives them a "spare the rod spoil the child" kind of upbringing. All the boys really want is a dog, all the other kids have them, but their grandfather won't let them have one. As luck would have it, the boys find a baby orphaned as they are, and decide to hide it. They then must conceal it from their grandfather while discovering the love that was missing from their lives. ~ Brian Whitener, Rovi

A small Scottish island has never paid its mandatory road tax. This brings forth an investigating committee of Parliament members, including the formidable Ronald Squire. The committee heads to the delinquent Hebridean isle, where they succumb to the easygoing charm of the residents. Cowritten by director John Eldridge, Laxdale Hall was an adequate imitation of the Ealing farces (notably Tight Little Island), with an overload of whimsy in place of originality. out to the Hebridean isle to check into this breach of law. The film made it to the States under the title Scotch on the Rocks. ~ Hal Erickson, Rovi

A notorious Irish rebel poet disguises his true identity while working as a gatekeeper at a Scottish university. He also moonlights as a bookie and things go well until a pretty young relative shows up and spills the beans. Comedy ensues. ~ Sandra Brennan, Rovi