George Woodbridge Movies

King Shadov (Charles Chaplin), the newly deposed monarch of a small European country, arrives in New York to face a life in exile. No sooner does he get here, however, than he discovers that his prime minister has stolen the entire royal treasury and departed for parts unknown. Stranded in New York in a luxury hotel without any money, the king tries to adjust to life in America and elicit interest in his plan for the peaceful use of nuclear power. He finds America in 1957 to be too noisy for his taste, however -- a run-in with some rock & roll dancers leads to some slapstick antics, and he doesn't take much to modern movies or the blaring entertainment that goes with them. He meets a pretty young lady (Dawn Addams) in a slightly risqué slapstick encounter in which he is trying to "rescue" her, and she maneuvers him into helping to plug a deodorant on television. The king proves so beguiling on the small screen that he is deluged by offers from advertising agencies, which he rejects at first. But the king soon finds that advertising may be the only thing he can do to earn enough money to keep him living like a king in exile, and he tries to work the system to his advantage, his earnings from television enabling him to remain in the country and push his peaceful nuclear plan. He soon finds the true dark side of life in the United States, however, when he crosses paths with an unhappy little boy (Michael Chaplin, the star/director's own son) whose parents are about to be jailed as part of the anti-Communist hysteria of the period. In the end, the king provides a shelter to the boy but compromises himself in the process, and while he does make the Congressional committee investigating him look foolish, he sees that he has done all of the good that he can do for now in the United States and leaves. ~ Bruce Eder, All Movie Guide

In this comedy, an American learns that he is an English earl. He travels to Great Britain to run his estate. Mayhem ensues when he falls in love with a girl there. His girl friend back home is not amused until she finds a new love of her own. ~ Sandra Brennan, All Movie Guide

The comfortable complacency of the British Birling family is upset when Inspector Poole (Alastair Sim) comes calling. An impoverished young working girl named Eva Smith (Jane Wenham) has committed suicide, and Poole hopes that the Birlings will help him find out why. As the evening progresses, a series of flashbacks reveal that each member of the Birling family has in some small way been responsible for Eva's demise. A twist ending adds a mystical, thought-provoking touch to the proceedings. Bryan Forbes, who plays the Birling son, matriculated into the noted director of such films as The L-Shaped Room, King Rat and The Whisperers. An Inspector Calls was based on a play by J.B. Priestley, which recently scored a huge hit when it was revived in London and New York. ~ Hal Erickson, All Movie Guide

Carry on Venus was originally titled Carry On Jack. A parody of seafaring epics, this one takes place in 1805 (give or take a few years). Kenneth Williams stars as Captain Fearless, doing battle against pirates, mutineers and the Spanish Armada (in 1805?) The recently released Marlon Brando version of Mutiny on the Bounty is mercilessly lampooned throughout. Aiding and abetting the usual gang of "Carry On"-ers are newcomers Juliet Mills and Bernard Cribbins. ~ Hal Erickson, All Movie Guide

Teeny-tiny Hammer pictures built its reputation on second-feature melodramas before graduating to gore-encrusted horror epics. Cloudburst is a low-key thriller starring American actor Robert Preston, whose casting assured a certain degree of business in the States. Preston plays a code expert, resettled in England after the war and working at the British Foreign Office. One morning, Preston's wife is struck down and killed by a car driven by escaping criminals. Preston bypasses the efforts of Scotland Yard and pursues the criminals himself, using his codebreaking skills to track down the "big boys" in charge. ~ Hal Erickson, All Movie Guide

The British Conflict of Wings was also released as Fuss over Feathers: Both titles are applicable, but only the second title captures the mood of the proceedings. The story takes plays in a Norfolk-country village, where the populace is up in arms over the announcement that the RAF plans to build a target range. It seems that the village is the site for a bird sanctuary that was allegedly established 400 years earlier by King Henry VIII. Faced with an intractable government and an equally unsympathetic bureaucracy, the villages decide to resolve matters in their own inimitable way. Commendably, the RAF is not cast as the villain of the piece: both sides are well represented in the argument, though audience sympathy understandably leans in the direction of the bird-huggers. Conflict Over Wings was adapted by Don Sharp from his own novel. ~ Hal Erickson, All Movie Guide

Based on the BBC television series, this sci-fi film follows the investigation of a scientist (George Sanders) when he is sent to discover the cause behind the deformities of the residents of a small island. When the scientist discovers that illegal radioactive pollutants are responsible, he must struggle to bring the company at fault to justice. ~ Iotis Erlewine, All Movie Guide

Christopher Lee dons the evil Count's cloak once again after an 8-year hiatus for this first "authentic" sequel to Hammer Studios' Horror of Dracula (the literal 1960 follow-up Brides of Dracula did not feature Lee). The story begins when two stuffy vacationing couples make an ill-fated stopover at Castle Karlsbad in the Carpathian mountains -- despite the warnings of the mysterious Fr. Sandor (Andrew Keir) and the near-destruction of their coach when the terrified driver runs for his life. After a slightly tedious stretch, one of the men (Charles Tingwell) is sacrificed in a bloody Satanic ritual, orchestrated by the Count's loyal manservant Klove (Philip Latham) to bring the legendary vampire back to life. The revived Count immediately sets his sights on the man's wife (Barbara Shelley), making her his undead bride; the surviving pair seek refuge in Fr. Sandor's abbey, with the undead bloodsuckers in hot pursuit. This stylish and chilling production is imbued with Gothic atmosphere by director Terence Fisher (one of his last films for the studio) and remains one of the classier entries from Hammer's heyday. Also known as Revenge of Dracula. ~ Cavett Binion, All Movie Guide

In this espionage film, a Danish double-agent is assigned by the Nazis to sneak into to England and abscond with the secret plans for a European invasion. Unbeknownst to the Nazis, the man is really and agent for the Allies. He is pursued by an English agent who exposes him. She then takes part in a plan to trick the German navy into leaving the port with fake documents. The ruse works. Unfortunately, the double-agent dies. ~ Sandra Brennan, All Movie Guide

Who better than the estimable Barbara Payton to play the Bad Blonde in this Lippert release? Actually, the film was originally made in England by Hammer Productions, then released in Great Britain as The Flanagan Boy and This Woman is Trouble, but neither one of these titles had the box-office "sock" of Lippert's cognomen. The story finds the duplicitous Lorna Vecchi (Payton) wrapping boxer Johnny Flanagan (Tony Wright) around her little finger. It seems that Lorna is married to Johnny's manager, Giuseppe (Frederick Valk). But when her husband proves to be a nuisance, the "bad blonde" blackmails Johnny into murdering the man. Astonishingly, until the very, very end it looks like Lorna's going to get away with it! Bad Blonde was based on a novel by Max Catto. ~ Hal Erickson, All Movie Guide

A daring escape from prison whips open this actioner right at the beginning, and though the action continues from that moment onward it does not sustain the same break-neck pace. Matt Kirk (Aldo Ray) is in jail, wrongly accused of a crime, and along with three other inmates he escapes by hiding out in an ambulance. Circumstances then lead Matt and the others to set off in a small boat that ends up drifting toward an island called Pinchgut in Sydney's harbor. As the fugitives hole up on the island, Matt devises a way to call attention to his demand for a retrial that instead calls attention to more police... and a siege of the island begins. ~ Eleanor Mannikka, All Movie Guide

Considered a bit too sacrilegious for general consumption in 1963, the Boulting brothers' Heavens Above was simply ahead of its time, and has since accrued a loyal and vocal following. Peter Sellers plays an idealistic British reverend with a bad habit of telling the truth at all times. He also follows his conscience whenever possible, resulting in several cleric decisions that shock his wealthy, landed-gentry parishioners. By inviting such "undesirables" as gypsies and West Africans to worship freely in his church, Sellers rouses the ire of the rest of his white-bread flock. He does, however, compel the selfish owner (Isabel Jeans) of a laxative firm to "see the light" and to sell off all her holdings on behalf of the poor and downtrodden. Unfortunately, by doing this the woman wrecks her business--which is the principal source of income for the community where Sellers works. Retreating from town with an angry mob on his heels, Sellers relocates on a tiny island in the Pacific. Since the island is the site of a missile base, and since the local astronauts have shown signs of agnosticism, where else is there for Sellers to go...but up? Heavens Above was inspired by a notion cooked up by iconoclastic British satirist Malcolm Muggeridge. ~ Hal Erickson, All Movie Guide

No relation to the 1924 D. W. Griffith film of the same name, Isn't Life Wonderful! is a bucolic British comedy which goes for quiet chuckles rather than bellylaughs. Set in a sleepy rural village in the early 1900s, the film centers around the efforts to transform sorry old sot Uncle Willie (Donald Wolfit) into a gentleman of prestige and property. It is all for the benefit of young Virginia (Dianne Foster), the American fiancee of Willie's prim-and-proper nephew Frank (Robert Urquardt). Set up by friends and relatives in the bicycle business, Uncle Willie continues his wastrelly ways, but somehow manages to make a success of his little shop. Somehow all this leads to a hectic finale at a health spa, replete with an amusing car chase. As a novelty, Isn't Life Wonderful! is told from the point of view of the film's youngest character, played by 6-year-old Peter Asher. ~ Hal Erickson, All Movie Guide