George Woodbridge Movies

During the 1970s, British TV fans were treated to two different sitcoms bearing the title You're Only Young Twice, both of which used a retirement home as a comedy backdrop. The first of these series was set at the Twilight Lodge Home, where in typical TV fashion the elderly occupants ruled the roost whether the authorities liked it or not. Of interest to Stanley Kubrick fans was the presence in the cast of Adrienne Corri, who played the rape victim in 1970's Clockwork Orange, but was here cast as the imperious Lottie Orchard, head matron at Twilight Lodge. This version of You're Only Young Twice was created by Jack Trevor Story; its six half-hour episodes were telecast in the U.K. from July 5 to August 9, 1971. ~ Hal Erickson, All Movie Guide

Warren Mitchell stars in All the Way Up as a dimwitted British salesman. Though a bit shy in the brains department, Mitchell has hopes of climbing the corporate ladder. To do this, he tries to whip his addled family into a semblance of social acceptability. This being a comedy, Mitchell soon learns that his high-society aspirations are not only beyond his reach, but also not worth all the bother. All the Way Up was based on Semi-Detached, a play by David Turner. ~ Hal Erickson, All Movie Guide

This 1970 British sex farce stars Hayley Mills as Jenny Bunn, a naïve young schoolteacher from the north of England who comes to swinging London to teach. She moves into a suburb and becomes friends with Anna (Geraldine Sherman). Anna is dating Patrick Standish (Oliver Reed), but when Anna introduces them, Patrick becomes smitten with Jenny. Patrick keeps trying to get Jenny to return his affections, but she is prim and resists. At a party at the home of Julian Ormerod (oel Harrison), she meets Patrick again. They talk, and he convinces her that his intentions are honorable. They agree to have a rendezvous a few days later. But in the meantime, Julian tells Jenny that Patrick really isn't sincere and only wants to see if he can be the one to conquer her virginity. The romantic comedy is based on a play by Louis S. Peterson. ~ Michael Betzold, All Movie Guide

This chilling monster film metaphorically examines the horrors brought home by British colonialism. Harry and Valerie (Ray Barrett, Jennifer Daniel) inherit the Cornwall home of Harry's brother, who died under mysterious circumstances. The local villagers are tight-lipped and afraid, and the couple's neighbor, the hostile Dr. Franklin (Noel Willman), hides in a large mansion with his frightened daughter Anna (Jacqueline Pearce) and a strange foreign man (Marne Maitland). The truth is that Franklin had been investigating a secret tribe of snake-people on his last trip to Borneo, and they had reacted to his intrusion by making Anna one of them. As a result, the girl turns into a hideous cobra-woman every winter, with bulging eyes, a scaly face, and large, venomous fangs. Other than the unusual monster, The Reptile may as well be a direct remake of Hammer's The Mummy, a film which this one apes in many of its contrivances. Director John Gilling does manage some effective setpieces, such as the sulfur-spring below the mansion, which keeps Anna warm as she writhes beneath a blanket to shed her skin. Underrated character-actor Michael Ripper appears in one of his more substantial roles as Tom, the local pub-owner, who goes from avoidance to digging up graves and risking his life to save the couple. There are some inconsistencies in Anthony Hinds' script, but the film is handsomely mounted and delivers its share of shocks. ~ Robert Firsching, All Movie Guide

In this British comedy, a new nurse comes to replace her predecessor, the town pump, in an English country town. Soon, she herself becomes grist for the nasty town rumor mill. Fortunately, she becomes friends with the town doctor, his son, and shop owner. As the nurse is a dreadful driver, she gets into an accident with a wealthy farmer who falls in love with her. Later he attempts to evict a young couple staying on his property, but the nurse argues for the woman who is almost ready to have a baby. It is she that delivers the babe in a field thereby winning her the affection and respect of the villagers and the wealthy farmer. ~ Sandra Brennan, All Movie Guide

Carry on Venus was originally titled Carry On Jack. A parody of seafaring epics, this one takes place in 1805 (give or take a few years). Kenneth Williams stars as Captain Fearless, doing battle against pirates, mutineers and the Spanish Armada (in 1805?) The recently released Marlon Brando version of Mutiny on the Bounty is mercilessly lampooned throughout. Aiding and abetting the usual gang of "Carry On"-ers are newcomers Juliet Mills and Bernard Cribbins. ~ Hal Erickson, All Movie Guide

Also known as Fog of the Killer, Out of the Fog is a characteristically efficient thriller from British workhorse Montgomery Tully. Scotland Yard is thrown into an uproar when a mad killer begins knocking off beautiful young blondes. The killer only strikes during a full moon, enabling the Yard to set an elaborate trap. Policeman David Sumner arranges for the lovely Susan Travers to act as bait....but will he be able to get to her before the maniac finishes the job? Though produced by a company called Eternal Films, Out of the Fog runs but a brisk 68 minutes. ~ Hal Erickson, All Movie Guide

A daring escape from prison whips open this actioner right at the beginning, and though the action continues from that moment onward it does not sustain the same break-neck pace. Matt Kirk (Aldo Ray) is in jail, wrongly accused of a crime, and along with three other inmates he escapes by hiding out in an ambulance. Circumstances then lead Matt and the others to set off in a small boat that ends up drifting toward an island called Pinchgut in Sydney's harbor. As the fugitives hole up on the island, Matt devises a way to call attention to his demand for a retrial that instead calls attention to more police... and a siege of the island begins. ~ Eleanor Mannikka, All Movie Guide

Peter Sellers stars as an inmate in a "model prison" run by Maurice Denham. Though Sellers is disinclined to escape (he's never been as comfortable in his life), he is convinced to do so by phony vicar Wilfred Hyde-White, who breaks into jail to outline a robbery scheme. Hyde-White's plan is to have Sellers and his cellmates David Lodge and Bernard Cribbins take a brief "vacation" from jail, pull off a big-time robbery, then return undetected to prison, thereby establishing a perfect alibi. Within its 87-minute time span, Two-Way Stretch takes satirical potshots at political bleeding hearts, obese Middle Eastern potentates, and regulation-bound British police officials. One cannot be faulted for wishing that Peter Sellers had stuck to engaging small-scale British farces such as this and had never ventured into such unamusing big-budgeters as The Bobo and There's a Girl in My Soup. ~ Hal Erickson, All Movie Guide

Suspenseful, interesting, and macabre, this period piece by Robert S. Baker overcomes a weakness in characterization by sheer dint of storyline and action. Jack the Ripper still remains the unidentified killer of at least three, probably five, and possibly even eight prostitutes living or working in London's East End in 1888. The murders occurred in August, September, and November of that year and were never solved. Because various internal organs of the dead victims (their throats were cut after they were strangled into unconsciousness) were removed rapidly and with an accurate surgical technique, investigators have postulated that the demented serial killer was a surgeon. In this cinematic version, the murders are shown as they happened while Inspector O'Neill (Eddie Byrne), along with an American detective Sam Lowry (Lee Patterson) try to track down suspects and prevent the next killing. The theory put forward here is that Jack the Ripper was looking for one particular woman. As the tension mounts, his suggested identity -- and what happened to him -- is revealed. ~ Eleanor Mannikka, All Movie Guide

This Hammer Studios classic is far closer to the letter (and spirit) of the Bram Stoker novel than the Bela Lugosi version of Dracula. The premise finds the infamous count journeying from his native Transylvania to England, where he takes a headfirst plunge into the London nightlife, and begins to rack up victim after victim. In the process, Dracula also runs into his arch-nemesis, Van Helsing (Peter Cushing), which ignites a battle of wills between the two. Heavily censored in Britain when released (with the goriest moments truncated), this outing was restored by the BFI in the mid-late 2000s. It put Lee and Cushing on the map and paved the way for many sequels starring the two, and for many non-Dracula follow-ups with these actors as well. ~ Hal Erickson, All Movie Guide