Wilson Wood Movies
Let's Make It Legal begins at the end--the end of the long marriage between beautiful grandmother Miriam (Claudette Colbert) and her chronic-gambler husband Hugh (Macdonald Carey). Barbara (Barbara Bates), the daughter of the couple, hopes to bring her parents back together, which proves to be a difficult proposition when Miriam's old flame Victor (Zachary Scott), now a millionaire, arrives in town. Hugh tries all sorts of comic strategies to win his ex-wife back, but to no avail. Ultimately, Miriam must choose between the financially solvent Victor and the impishly irresponsible Hugh. This being a comedy, it isn't hard to figure who's going to be headed to the altar at fade-out time. Let's Make It Legal was partly designed to showcase two of Fox's up-and-coming contract players: Robert Wagner and Marilyn Monroe. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, MacDonald Carey, (more)
- 1950
Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Ray Milland, (more)
The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Louis Calhern, (more)
The Barkleys of Broadway became Fred Astaire and Ginger Rogers' "reunion" picture purely by accident. Originally conceived as a follow-up to the successful Astaire-Judy Garland vehicle Easter Parade, Barkleys was to have starred Fred and Judy as a successful musical comedy team that breaks up when the female half decides to become a "serious" artist. Just before shooting started, Garland fell ill, Rogers replaced her, and the rest, as they say, is history. The script is as thin as a spider's web, a mere coat-rack upon which to hang several topnotch musical numbers. Fred and Ginger aren't quite as footloose and fancy-free as they were in their RKO heyday, but they still work together seamlessly. The film's highlights include "My One and Only Highland Fling," "You'd Be Hard to Replace," a reprise of "They Can't Take That Away From Me" (originally performed by Astaire and Rogers in Shall We Dance?), and Oscar Levant's keyboard rendition of "The Sabre Dance." The film's least memorable moment is the play-within-a-play wherein Rogers, cast as the young Sarah Bernhardt, passionately recites "The Marseillaise" as an audition piece! ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1949
In this drama, an embittered widow, a former concert singer, can't help but blame Lassie for her son's death. Needing help with her chores, she hires an orphan from the local home. At first she remains aloof towards the charming lad who quickly bonds with the collie dog, but as time passes she can't help but develop feelings for the boy. Later Lassie redeems herself when she saves the boy from a terrible fire in the orphanage. After that, the widow suddenly realizes that she does indeed love the boy and adopts him and puts Lassie back in her good graces. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jeanette MacDonald, Lloyd Nolan, (more)
- 1949
Though one might have expected friction between MGM's resident "nice lady" Greer Garson and Warner Bros. notorious "bad boy" Errol Flynn, the two got along splendidly during the filming of That Forsyte Woman. Based loosely on The Man of Property, book one of John Galsworthy's Forsyte Saga, the film casts Garson as Irene Forsyte, the independently-minded wife of tradition-bound Victorian "man of property" Soames Forsyte (Flynn). Rebelling against her husband's repressed nature and preoccupation with material possessions, Irene falls in love with unconventional architect Philip Bossiney (Robert Young). When he proves to be too free-spirited even for her, Irene moves on to the Forsyte clan's black sheep, Young Jolyon (Walter Pidgeon). Soames makes a belated attempt to win his wife back, but once again proves incapable of warmth, compassion or understanding. The casting-against-type of Garson and Flynn was fascinating, even when the film itself dragged (Flynn in fact was slated to play either Bossiney or Young Jolyon, but insisted upon taking the less characteristic role of Soames). That Forstye Woman was lavishly photographed in color on MGM's standing "British" sets. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Greer Garson, (more)
Director Mervyn Leroy lends a burnished MGM gloss to this sordid tale of infidelity among rich New York East Siders. Barbara Stanwyck stars as Jessie Bourne, a charming society woman whose finds out that her husband Brandon (James Mason) is guiltily indulging in an illicit affair with the earthy Isobel Lorrison (Ava Gardner). Jessie bears her husband's indiscretion with a gallant dignity, and when Isabelle is killed, Jesse realizes that she doesn't care for Brandon anyway. Van Heflin is also on hand as ex-cop Mark Dwyer, who admires Jessie's stoic dignity. ~ Paul Brenner, All Movie Guide
- Starring:
- Barbara Stanwyck, James Mason, (more)
- 1949
- NR
The Dore Schary regime at MGM brought a much-needed dose of stark realism to the venerable studio. Van Johnson sheds his boy-next-door image to play L.A. plainclothes lieutenant Mike Conovan. Determined to bring a cop killer to justice, Conovan will let no man stand in his way -- not even his level-headed superiors. The detective's single-purposed pursuit causes a rift in his marriage to wife Gloria (Arlene Dahl). The film comes very close to the Dragnet school of unadorned, unglamorized police procedure: it adheres to standard MGM formula only in the final reconciliation scene. Officially a Harry Rapf production, Scene of the Crime was completed by another producer when Rapf died during filming. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Arlene Dahl, (more)
- 1949
First came 20th Century-Fox's Mother Was a Freshman; then, a few months later, the same studio's Father Was a Fullback. Fred MacMurray stars as college football coach George Cooper, whose team can't win a game to save its life. George finds some comfort in the arms of his wife Elizabeth (Maureen O'Hara), but his young daughters Connie (Betty Lynn) and Ellen (Natalie Wood) are too concerned with boys to pay their dad any attention. Connie causes no end of trouble for George by printing a highly imaginative article about her various romances. On the verge of losing his job, George is saved by the arrival of football champ Joe Burch (Richard Tyler). Rudy Vallee virtually repeats his stuffy-suitor characterization from Mother is a Freshman in Father Was a Fullback. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Maureen O'Hara, (more)
Fred Astaire had announced his retirement before the cameras began to roll on Easter Parade, but he decided to accept the film's leading role when its original star Gene Kelly became incapacitated. The thinnish plot, which finds Astaire trying to turn chorus girl Judy Garland into a star in order to show up his former partner Ann Miller, is hardly what keeps the audience's eyes riveted to the screen. All that truly matters are the 17 musical numbers, all written by Irving Berlin (ten were standards, while seven were new to this film). Among the many highlights are Astaire's slow-motion version of "Steppin' Out," the Astaire/Garland duet "We're a Couple of Swells," the opening rendition of "Happy Easter," and the closing performance of the title number. So successful was Easter Parade that plans were immediately drawn to reteam Fred Astaire and Judy Garland in The Barkeleys of Broadway; this time, however, it was Garland who withdrew, to be replaced by Astaire's most famous vis-à-vis, Ginger Rogers. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Garland, Fred Astaire, (more)
Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, All Movie Guide
- Starring:
- Florence Auer, Spencer Tracy, (more)
- 1948
That Wonderful Urge is the second remake of Love is News (37), and is much closer to the original than the first remake (the Betty Grable musical Sweet Rosie O'Grady). Tyrone Power repeats his role from the 1937 film as a handsome reporter who targets a flighty heiress (Gene Tierney, taking over from Loretta Young) for ridicule. Sick of unwanted public attention, the heiress announces that she has secretly married Power, forcing him to endure the spotlight for a change. Several crosses and double-crosses later, Power and Tierney find that they're really in love after all. Personal item: This writer's favorite version of Love is News is the 1940 radio adaptation, which starred a wildly adlibbing Bob Hope. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Gene Tierney, (more)
- 1948
George Seaton's 1948 comedy Chicken Every Sunday was based on the play by Julius J. Epstein and Philip G. Epstein as well as the original memoirs of Rosemary Taylor. Set during the turn of the century on the American frontier, Emily Heffernan (eleste Holm) is the practical wife of foolish would-be businessman Jim Heffernan (Dan Dailey). While Emily struggles to keep the household together by renting out rooms to boarders, Jim wastes the family's earnings on get-rich-quick schemes. Told in flashback, Emily recalls her 20-year marriage before filing for divorce. Emily has had enough and wants to leave, but their friends try to get them back together. Also starring Colleen Townsend, Alan Young, and a ten-year-old Natalie Wood. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Dan Dailey, Celeste Holm, (more)
- 1948
This third film version of James Hagan's stage play One Sunday Afternoon was directed by Raoul Walsh, who helmed the second adaptation (1941's Strawberry Blonde). This time around, songs have been added to accommodate the talents of Dennis Morgan and Janis Paige. Morgan stars as turn-of-the-century dentist Biff Grimes, who has spent the last ten years regretting that he hadn't married Amy Lind (Dorothy Malone), the girl of his dreams. Biff also harbors a grudge against Amy's husband Hugo Barnstead (Don DeFore), who was instrumental in getting Biff sent to prison on a fraud charge. Unbeknownst to his ever-loving wife Virginia (Janis Paige), who has stood by him through thick and thin, Biff schemes to exact an awful revenge on the two-faced Barnstead-only to discover in the nick of time that he's been better off all along because he didn't wed the avaricious Amy. Though consistently pretty to look at, One Sunday Afternoon pales in comparision to the earlier movie adaptations of the Hagan play, especially Strawberry Blonde, which had the added benefit of Jimmy Cagney in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, Janis Paige, (more)
- 1948
The beauteous blonde Wilde Twins -- Lynn and Lee -- star in the Republic musical programmer Campus Honeymoon. Richard Crane and Hal Hackett co-star as a pair of GIs who offer to pose as the sisters' husbands so as to qualify for a couple of bungalows in a Veterans' housing project. The relationship is supposed to be platonic, of course, but it doesn't remain that way for long. The laughs really begin to roll in when the ersatz honeymooners are obliged to produce their marriage licenses. Republic contractee Adele Mara contributes a zesty performance as a former WAC sergeant. ~ Hal Erickson, All Movie Guide
- Starring:
- Lynn Wilde, Lee Wilde, (more)
It Happened in Brooklyn was released at a time when the mere mention of the eponymous New York borough elicited loud laughter and extended applause. Frank Sinatra stars as ex-GI Danny Webson Miller, who makes a sentimental journey to the Brooklyn neighborhood where he grew up. Danny moves in with an old pal, high school janitor Nick Lombardi (Jimmy Durante), then inaugurates a romance with music teacher Anne Fielding. He also resolves to turn stuffy uptowner Jamie Shelgrave (Peter Lawford) into a true "son of Flatbush." The plot thickens when Jamie himself falls for Anne and when Danny tries to secure a scholarship for Anne's prize pupil, Nick's granddaughter Rae (Marcy McGuire). Since MGM was giving Peter Lawford the big build-up, it is Jamie who ultimately wins Anne's heart, but Danny finds consolation with an old "goil friend" (Gloria Grahame). Musical highlights include Frank Sinatra and Jimmy Durante's imitations of one another in "The Song's Gotta Come From the Heart" and Sinatra's rendition of the standard-to-be "Time After Time". ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Kathryn Grayson, (more)
- 1947
In this mystery, set within the newspaper industry, a detective is hired to protect the editor who believes that someone is out to kill him. The editor is the real villain having killed the publisher, the publisher's detective, and a friend so that he could grab the reigns of the company. The detective was hired to cast suspicion elsewhere. It backfires when the private eye finds out the truth. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Don Castle, (more)
- 1946
In this romantic comedy, a soldier is granted a two-week furlough and returns home to discover that his girlfriend is engaged to someone else. At first, on the advice of her friends, the girl tries to hide her betrothal from the soldier, but it is not long before she recalls why she loved him in the first place. Conflict ensues when he discovers her deception. Eventually, they manage to straighten out the situation and things come out alright. ~ Sandra Brennan, All Movie Guide
- Starring:
- Donna Reed, Tom Drake, (more)
- 1946
In this WWII musical, a young hero and his buddy decide to celebrate his receiving the Medal of Honor by partying. He is terribly excited about seeing his fiancée again. Unfortunately, she has fallen for another in his absence. He is later consoled by a lovely radio singer. Songs include "All the Time" (Ralph Freed, Sammy Fain, sung by Pat Kirkwood), "Isn't It Wonderful" (Kay Thompson, sung by Kirkwood), "Love on a Greyhound Bus" (Thompson, Ralph Blane, George Stoll), "It'll Be Great to Be Back Home" (Charles Martin), "Old Sad Eyes" (Irving Kahal, Fain), "When It's Love" (Edgar De Lange, Nicholas Kharito), "Oye Negra" (performed by Xavier Cugat and His Orchestra). ~ Sandra Brennan, All Movie Guide
- Starring:
- Van Johnson, Keenan Wynn, (more)
- 1946
Previously filmed in 1926 and 1934, George Kelly's venerable stage comedy The Show-Off was dusted off as a Red Skelton vehicle in 1946. Skelton is well cast as Aubrey Piper, an inveterate braggart who sorely annoys the family of his wife Amy (Marilyn Maxwell). All talk but no action, Piper gets Amy's family involved in one foredoomed get-rich-quick scheme after another. Through a fluke, the show-off actually makes good towards the end, but though he realizes that he could never have done so without his wife's help he insists upon blowing his own horn well past the fadeout and "end" credits. Only Skelton's inherent likeability saves Aubrey Piper from being a thoroughly obnoxious blowhard. Featured in the cast of The Show-Off is Eddie "Rochester" Anderson, who is given surprisingly little to do. ~ Hal Erickson, All Movie Guide
- Starring:
- Leon Ames, Eddie "Rochester" Anderson, (more)
