Wilson Wood Movies

In this romantic comedy, a soldier is granted a two-week furlough and returns home to discover that his girlfriend is engaged to someone else. At first, on the advice of her friends, the girl tries to hide her betrothal from the soldier, but it is not long before she recalls why she loved him in the first place. Conflict ensues when he discovers her deception. Eventually, they manage to straighten out the situation and things come out alright. ~ Sandra Brennan, All Movie Guide

Previously filmed in 1926 and 1934, George Kelly's venerable stage comedy The Show-Off was dusted off as a Red Skelton vehicle in 1946. Skelton is well cast as Aubrey Piper, an inveterate braggart who sorely annoys the family of his wife Amy (Marilyn Maxwell). All talk but no action, Piper gets Amy's family involved in one foredoomed get-rich-quick scheme after another. Through a fluke, the show-off actually makes good towards the end, but though he realizes that he could never have done so without his wife's help he insists upon blowing his own horn well past the fadeout and "end" credits. Only Skelton's inherent likeability saves Aubrey Piper from being a thoroughly obnoxious blowhard. Featured in the cast of The Show-Off is Eddie "Rochester" Anderson, who is given surprisingly little to do. ~ Hal Erickson, All Movie Guide

In this mystery, set within the newspaper industry, a detective is hired to protect the editor who believes that someone is out to kill him. The editor is the real villain having killed the publisher, the publisher's detective, and a friend so that he could grab the reigns of the company. The detective was hired to cast suspicion elsewhere. It backfires when the private eye finds out the truth. ~ Sandra Brennan, All Movie Guide

Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, All Movie Guide

George Seaton's 1948 comedy Chicken Every Sunday was based on the play by Julius J. Epstein and Philip G. Epstein as well as the original memoirs of Rosemary Taylor. Set during the turn of the century on the American frontier, Emily Heffernan (eleste Holm) is the practical wife of foolish would-be businessman Jim Heffernan (Dan Dailey). While Emily struggles to keep the household together by renting out rooms to boarders, Jim wastes the family's earnings on get-rich-quick schemes. Told in flashback, Emily recalls her 20-year marriage before filing for divorce. Emily has had enough and wants to leave, but their friends try to get them back together. Also starring Colleen Townsend, Alan Young, and a ten-year-old Natalie Wood. ~ Andrea LeVasseur, All Movie Guide

The beauteous blonde Wilde Twins -- Lynn and Lee -- star in the Republic musical programmer Campus Honeymoon. Richard Crane and Hal Hackett co-star as a pair of GIs who offer to pose as the sisters' husbands so as to qualify for a couple of bungalows in a Veterans' housing project. The relationship is supposed to be platonic, of course, but it doesn't remain that way for long. The laughs really begin to roll in when the ersatz honeymooners are obliged to produce their marriage licenses. Republic contractee Adele Mara contributes a zesty performance as a former WAC sergeant. ~ Hal Erickson, All Movie Guide

In this drama, an embittered widow, a former concert singer, can't help but blame Lassie for her son's death. Needing help with her chores, she hires an orphan from the local home. At first she remains aloof towards the charming lad who quickly bonds with the collie dog, but as time passes she can't help but develop feelings for the boy. Later Lassie redeems herself when she saves the boy from a terrible fire in the orphanage. After that, the widow suddenly realizes that she does indeed love the boy and adopts him and puts Lassie back in her good graces. ~ Sandra Brennan, All Movie Guide

Director Mervyn Leroy lends a burnished MGM gloss to this sordid tale of infidelity among rich New York East Siders. Barbara Stanwyck stars as Jessie Bourne, a charming society woman whose finds out that her husband Brandon (James Mason) is guiltily indulging in an illicit affair with the earthy Isobel Lorrison (Ava Gardner). Jessie bears her husband's indiscretion with a gallant dignity, and when Isabelle is killed, Jesse realizes that she doesn't care for Brandon anyway. Van Heflin is also on hand as ex-cop Mark Dwyer, who admires Jessie's stoic dignity. ~ Paul Brenner, All Movie Guide

First came 20th Century-Fox's Mother Was a Freshman; then, a few months later, the same studio's Father Was a Fullback. Fred MacMurray stars as college football coach George Cooper, whose team can't win a game to save its life. George finds some comfort in the arms of his wife Elizabeth (Maureen O'Hara), but his young daughters Connie (Betty Lynn) and Ellen (Natalie Wood) are too concerned with boys to pay their dad any attention. Connie causes no end of trouble for George by printing a highly imaginative article about her various romances. On the verge of losing his job, George is saved by the arrival of football champ Joe Burch (Richard Tyler). Rudy Vallee virtually repeats his stuffy-suitor characterization from Mother is a Freshman in Father Was a Fullback. ~ Hal Erickson, All Movie Guide

The Asphalt Jungle is a brilliantly conceived and executed anatomy of a crime -- or, as director John Huston and scripter Ben Maddow put it, "a left-handed form of human endeavor." Recently paroled master criminal Erwin "Doc" Riedenschneider (Sam Jaffe), with funding from crooked attorney Emmerich (Louis Calhern), gathers several crooks together in Cincinnati for a Big Caper. Among those involved are Dix (Sterling Hayden), an impoverished hood who sees the upcoming jewel heist as a means to finance his dream of owning a horse farm. Hunch-backed cafe owner (James Whitmore) is hired on to be the driver for the heist; professional safecracker Louis Ciavelli (Anthony Caruso) assembles the tools of his trade; and a bookie (Marc Lawrence) acts as Emmerich's go-between. The robbery is pulled off successfully, but an alert night watchman shoots Ciavelli. Corrupt cop (Barry Kelley), angry that his "patsy" (Lawrence) didn't let him in on the caper, beats the bookie into confessing and fingering the other criminals involved. From this point on, the meticulously planned crime falls apart with the inevitability of a Greek tragedy. Way down on the cast list is Marilyn Monroe in her star-making bit as Emmerich's sexy "niece"; whenever The Asphalt Jungle would be reissued, Monroe would figure prominently in the print ads as one of the stars. The Asphalt Jungle was based on a novel by the prolific W.R. Burnett, who also wrote Little Caesar and Saint Johnson (the fictionalized life story of Wyatt Earp). ~ Hal Erickson, All Movie Guide

MGM's new musical screen team of Esther Williams and Howard Keel were given plenty to do in the pleasant if unambitious songfest Texas Carnival. Williams plays Debbie Telford, one-half of a carnival performing team. The other half is Corny Quinnell (Red Skelton), who breaks up the act when he is mistaken for Texas millionaire Dan Sabinas (Keenan Wynn). Living high on the hog in Sabinas' absence, Corny manages to smooth the romantic path for Debbie and ranch foreman Slim Shelby (Keel), while he dallies with the luscious Sunshine Jackson (Ann Miller). Red Skelton is given more opportunity to shine than usual, especially during a riotous poker game (this scene was a particular favorite of screenwriter Dorothy Kingsley, who felt it could have been even funnier had director Charles Walters "punched it up" cinematically). Esther Williams' particular highlight is a swimming sequence in a waterless hotel room, a bit of special-effects wizardry that only the MGM tech staff could have dreamed up. ~ Hal Erickson, All Movie Guide

Allegedly based on a Rudyard Kipling novel, this draws most of its inspiration from the 1939 film made of Kipling's narrative poem Gunga Din. Stewart Granger, Robert Newton and Cyril Cusack play three boisterous English soldiers stationed on the Northern India frontier. Walter Pidgeon and David Niven are the threesome's superior officers, who are aggravated by the soldiers' drunken exploits but who appreciate how valuable they are to the regiment. The soldiers three become heroes once more when they thwart a native uprising. Producer Pandro S. Berman, coincidentally, had been in charge of production at RKO when Gunga Din was filmed. ~ Hal Erickson, All Movie Guide

Republic singing cowboy Rex Allen is once again teamed with bucolic Buddy Ebsen in Thunder in God's Country. This contemporary western casts Ebsen and Harry Lauter as WW II pals who meet for a reunion in a corruption-ridden community. When a murder occurs, the former servicemen immediately fall under suspicion. Coming to the rescue is Allen, a professional artist on assignment in the West. Our Hero soon learns that the key to the mystery is a taped recording of the genuine killer. Well, one can't say that Thunder in God's Country didn't at least try to be different. ~ Hal Erickson, All Movie Guide