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Peggy Wood Movies

Born in Brooklyn, NY, Peggy Wood was the daughter of a popular Manhattan columnist. Gifted with a lilting soprano voice, she began her stage career in musicals and operettas. Her chief Broadway fame rested in multilayered dramatic roles, though she was also an expert comedienne when the occasion arose. In her heyday, Wood was a member of the New York "intellectual" circuit, making occasional lunchtime stopovers at the Algonquin Round Table. A star on stage, Wood seldom appeared in anything larger than supporting roles in films; for example, she had only one scene as the sympathetic central-casting secretary in David O. Selznick's A Star Is Born (1937). From 1949 through 1957, Wood starred on the popular TV series Mama, reportedly exerting a great deal of script and casting control. Peggy Wood's last screen appearance was as the Mother Abbess in the Oscar-winning musical The Sound of Music (1965); sadly, her once beautiful singing voice was a thing of the past, and she had to be dubbed. ~ Hal Erickson, Rovi
1965  
G  
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One of the most popular movie musicals of all time, The Sound of Music is based on the true story of the Trapp Family Singers. Julie Andrews stars as Maria, a young nun in an Austrian convent who regularly misses her morning prayers because she enjoys going to the hills to sing the title song. Deciding that Maria needs to learn something about the real world before she can take her vows, the Mother Superior (Peggy Wood) sends her off to be governess for the children of the widowed Captain Von Trapp (Christopher Plummer). Arriving at the Trapp home, Maria discovers that her new boss is cold and aloof, and his seven children virtual automatons-at least, whenever the Captain is around. Otherwise, the kids are holy terrors, as evidenced by the fact that Maria is the latest in a long line of governesses. But Maria soon ingratiates herself with the children, especially oldest daughter Liesl (Charmian Carr), who is in love with teenaged messenger boy Rolf. As Maria herself begins to fall in love with the Captain, she rushes back to the Abbey so as not to complicate his impending marriage to a glamorous baroness (Eleanor Parker). But the children insist that Maria return, the Baroness steps out of the picture, and Maria and the Captain confirm their love in the song "Something Good." Unhappily, they return home from their honeymoon shortly after the Nazis march into Austria. Already, swastikas have been hung on the Von Trapp ancestral home, and Liesl's boyfriend Rolf has been indoctrinated in the "glories" of the Third Reich. The biggest blow occurs when Von Trapp is called back to active duty in the service of the Fuhrer. The Captain wants nothing to do with Nazism, and he begins making plans to take himself and his family out of Austria. ~ Hal Erickson, Rovi

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Starring:
Julie AndrewsChristopher Plummer, (more)
 
1960  
 
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This Biblical epic stars Elana Eden as Ruth, who serves in the temple where the High Priestess (Viveca Lindfors) leads the worship of the Pagan idols of the people of Moab. When Ruth falls in love with Mahlon (Tom Tryon), a Hebrew, she must come to terms with his spiritual beliefs, but in time she embraces his faith and converts to Judaism when they marry. Ruth travels with Mahlon and his mother Naomi (Peggy Wood) to their homeland of Bethlehem. Ruth suffers hardship and religious persecution, and when Mahlon dies, Ruth's faith is severely tested. But her belief in God survives this trial by fire, and in time Ruth finds a new love with Boaz (Stuart Whitman). ~ Mark Deming, Rovi

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Starring:
Stuart WhitmanTom Tryon, (more)
 
1948  
 
Elmer Rice's clever stage comedy Dream Girl is Hollywoodized and "dumbed down" almost beyond recognition in this 1948 film version. In place of the original play's Betty Field, Betty Hutton stars Georgina Allerton, who periodically escapes her humdrum existence by retreating into elaborate daydreams. Georgina's fantasy excursions disturb her parents (Walter Abel and Peggy Wood) and her married sister (Virginia Field), who wish that she'd grow up already and stop all this nonsense. Only when she falls truly in love with Clark Redfield (Macdonald Carey) does Georgina abandon her dream world. Like the previous year's Secret Life of Walter Mitty, the film version of Dream Girl substitutes the quiet whimsy of its source with slapstick and overstatement; additionally, Elmer Rice's three-dimensional supporting characters are transformed into cardboard stereotypes. And just so the audience doesn't miss anything, the producers have added a voiceover narration to explain what has just been seen. With all this going against Dream Girl, Betty Hutton emerges unscathed, delivering a lot better performance than her material warrants. ~ Hal Erickson, Rovi

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Starring:
Betty HuttonMacDonald Carey, (more)
 
1946  
 
Director Frank Borzage and star Ginger Rogers both came acropper in the lavish but dull historical biopic Magnificent Doll. The usually ebullient Rogers seems encased in wax as Dolly Madison, first lady of the United States in the early 19th century. The story begins as young Washington socialite Dolly Payne, previously and unhappily wed to one John Todd (Horace McNally), can't make up her mind romantically between idealistic politician James Madison (Burgess Meredith) and firebrand Aaron Burr (David Niven). Burr solves that problem when he flees the country after killing Alexander Hamilton in a duel, leaving the field clear for Madison. What should have been the film's highlight, Dolly's rescue of the Declaration of Independence and the Constitution during the 1812 burning of Washington, is treated as a throwaway. Told in flashback, the film ends just before Madison's ascendancy to the White House, with Dolly chastely charming the current chief executive Thomas Jefferson (Grandon Rhodes). Magnificent Doll is anything but . ~ Hal Erickson, Rovi

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Starring:
Erville AldersonGinger Rogers, (more)
 
1946  
 
Charmless films like The Bride Wore Boots helped to kill the postwar revival of the "screwball comedy" genre almost before it began. Here's the deal: Breeding-farm owner Sally (Barbara Stanwyck) loves horses. Novelist Jeff (Robert Cummings) hates horses, but loves Sally. Jeff and Sally marry, only to break up over their equestrian differences. They spend the rest of the film trying to get back together again, despite such hurdles as flirtatious Southern belle Mary Lou Medford (Diana Lynn) and charming "other man" Lance Gale (Patric Knowles). Is it any surprise that the film ends with a Big Race, and that horse-hating Jeff is astride the winning steed? ~ Hal Erickson, Rovi

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Starring:
Barbara StanwyckRobert Cummings, (more)
 
1939  
 
In this comedy, a gangster's moll gets tired of the mob scene and returns to her mother's house. Her mom is a wealthy family's housekeeper. One of the rich children dreams of being a reporter; he is eager to get his first big scoop. He gets his chance when he stumbles upon a series of clues to a murder that may involve the ex-moll's former lover. He is assisted a seasoned reporter and his photographer who have been hanging around to get a chance to meet the moll. The boy's investigation leads him into a dangerous situation where the mobster begins to shoot at him. ~ Sandra Brennan, Rovi

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Starring:
Joan BennettAdolphe Menjou, (more)
 
1937  
PG  
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A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, Rovi

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Starring:
Janet GaynorFredric March, (more)
 
1937  
 
Call It a Day is a Warner Bros. attempt at British light comedy. Nothing much happens of any consequence in this story of a day in the life of a typical middle-class London family, headed by accountant Ian Hunter. The husband is tempted by a seductress (Marcia Ralston), the wife (Freda Inescourt) tries but fails to have a "fling" herself, the daughter (Olivia De Havilland) throws herself at a married artist (Walter Woolf King), and all is set aright before the sun goes down. The film's funniest moments belong to droll Roland Young and sharp-tongued Alice Brady. Call it a Day was adapted from Dodie Smith's gossamer-thin stage play. ~ Hal Erickson, Rovi

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Starring:
Olivia de HavillandIan Hunter, (more)
 
1935  
 
The title might not mean much now, but in 1935 Jalna was familiar to readers everywhere as the best-selling first novel by Mazo de La Roche. Set in Canada, the story concerns the many members of the Whiteoak family, with special emphasis on Eden Whiteoak (David Manners). Eden is a writer, who marries his Manhattan publisher (Kay Johnson) and takes her back to meet his family. Alas, Eden has also brought back a few big-city vices, and before long he is attempting to seduce Pheasant (Molly Lamont), the illegitimate daughter of the Whiteoaks' next door neighbor (Nigel Bruce) and the wife of Eden's half brother Piers (Theodore Newton). True to form in soap operas such as these, Eden dies, leaving his widow to find comfort in the arms of another Whiteoak, Renny (Ian Hunter). Since all of this takes place in a crowded 75 minutes, it's no wonder that the film version of Jalna didn't completely satisfy fans of the novel. ~ Hal Erickson, Rovi

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1935  
 
In this adaptation of author de la Roche's chronicle of the passionate lives of the strange Whiteoaks of Jalna, their beautiful family estate located in souther Ontario. The story begins as a young Whiteoak, a novelist travels to New York where he encounters a charming woman, marries her, and takes her back to Jalna. There she encounters many difficulties as she attempts to adjust to life with his odd family. It does not help that several soap-operatic events transpired while he was gone when his brother married the illegitimate daughter of a despised neighbor. One day a "sexy dame" suddenly shows up on the family porch. Soon she and the novelist are trysting away, but before he can consummate their affair he is killed during a terrible fall. The new widow then realizes that it is a different brother that she loves. They soon marry. ~ Sandra Brennan, Rovi

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Starring:
Kay JohnsonIan Hunter, (more)
 
1935  
 
The Right to Live was the second film version of Somerset Maugham's The Sacred Flame (the first, produced in 1929, starred Conrad Nagel), which in its original form posed the question "Can there truly be such a thing as a mercy killing?" Put simply, it is the tragic tale of two brothers: Colin Trent (George Brent), strong and virile, and Maurice Trent (Colin Clive), crippled and bedridden. Though there's no hope for Maurice's recovery, his wife Stella (Josephine Hutchinson) has vowed -- publicly at least -- to remain faithfully by his side until the bitter end. When that end finally comes, the family doctor declares that Maurice has died a natural death. But Nurse Weyland (Peggy Wood), who has long suspected that something has been going on between Stella and her healthy brother-in-law Colin, believes that Maurice was murdered. Her insistence upon an autopsy is as much a product of her dedication to duty as to her own silent yearning for Colin. Thanks to the newly-strengthened Production Code, Maugham's powerful ending could not be used, thereby watering down what might have been a truly compelling and controversial film. ~ Hal Erickson, Rovi

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Starring:
Josephine HutchinsonGeorge Brent, (more)
 
1934  
 
In this domestic comedy, a small town druggist is married to a woman with social aspirations. To achieve her goal, she cons him into selling his store to a chain. She then puts on all sorts of phony airs and proceeds to make a pompous fool of herself. Meanwhile he amuses himself with hobbies. The two go on a New Orleans vacation. There a gigolo begins being overly attentive to his wife, who is still putting on the style. This makes her husband so jealous that he dons a Tarzan suit and winds up in jail. Later his wife settles down, he gets his store back, and harmony resumes. ~ Sandra Brennan, Rovi

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Starring:
Will RogersPeggy Wood, (more)
 
1929  
 
Stage favorite Peggy Wood (later the star of the popular TV series Mama) made her screen debut in the MGM part-talkie Wonder of Women. Adapted from a novel by Herman Suderman, the film stars Wood as Brigitte, the wife of brilliant concert pianist Stephen Tromolt (Lewis Stone). Unable to adapt to domestic life, Tromolt deserts Brigitte in favor of his former sweetheart Karen (Leila Hyams). He wises up and returns to Brigitte only upon learning that his wife is at death's door. After completing her duties in Wonder of Women, Peggy Wood rushed to London to star in Noel Coward's Bitter Sweet, a far more successful venture than her first foray into films. ~ Hal Erickson, Rovi

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Starring:
Leila HyamsPeggy Wood, (more)
 
1919  
 
In this romantic comedy, a school teacher moves from his home in the country to a small town. He attends a party and becomes a hit when he suggests the partygoers stage a mock wedding with the loveliest girl in town. Much to his surprise, they are married by a bona fide reverend and the marriage is real. Later the town crook tries to make moves upon the beauteous bride and she begs her "husband" not to anull their union. As a result, the spurned bad guy decides to destroy the bank of the young wife's father. Lucky for her, the former school teacher has just sold his big novel. He uses his advance money to save her and then marry her for real. ~ Sandra Brennan, Rovi

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