Natalie Wood Movies

Director Paul Mazursky's follow-up to his 1978 hit An Unmarried Woman found this filmmaker creating a feature-length homage to the François Truffaut classic Jules and Jim. Willie and Phil begins with Jewish intellectual schoolteacher Willie (Michael Ontkean) meeting gregarious Italian-American fashion photographer Phil (Ray Sharkey) at a screening of Jules and Jim. The two hit it off immediately and soon find their circle of two expanding to three when they meet Jeanette (Margot Kidder), a free-spirited Southerner who has moved to New York City to figure out her life. Jeanette soon moves in Willie, but the three find themselves in a romantic triangle that constantly shifts over the next nine years as each of the three struggles to find their destiny while honoring the love they feel for each other. Mazursky would later remake another foreign classic (Boudu Saved From Drowning) into his hit Down and Out in Beverly Hills ~ Donald Guarisco, All Movie Guide

Natalie Wood and George Segal star in this labored and old-fashioned sex farce, directed by Gilbert Cates. Wood and Segal play Mari and Jeff Thompson, a happily married couple who are thunderstruck when they see all their friends and acquaintances are headed for divorce court. Eventually their own marriage is put in jeopardy by their obsession with staying together. Seeing all the marital discord around them, Mari and Jeff begin to question the stability of their own relationship. Furthering their uneasiness is the arrival of Barbara (Valerie Harper), to whom Jeff is attracted. Barbara and Jeff have an affair and Mari decides to go out and have an affair of her own. ~ Paul Brenner, All Movie Guide

Having previously spawned an Academy Award-winning film, which starred Burt Lancaster, Deborah Kerr, and Frank Sinatra, James Jones' best-selling military novel From Here to Eternity was adapted into a six-hour miniseries in 1979. Set in Honolulu in 1941 in the days prior to the December 7 attack, the film concerns four principal characters: Sergeant Milt Warden (William Devane), who yearns for a promotion; Karen Holmes (Natalie Wood), the restless wife of Warden's CO, who enters into a torrid affair with the sergeant; Private Robert E. Lee Prewitt (Steve Railsback), a sensitive soul who loves the army but instinctively rebels against everyone wearing stripes; and prostitute Lorene Rogers (Kim Basinger), with whom Prewitt falls in love. The TV version is able to sidestep the censorship restrictions of the original movie, which means that the Warden/Holmes affair is conducted in bed as well as on the beach, and that Jones' indictments of military iniquities isn't subject to "official" approval. Originally telecast on three consecutive weeks in February 1979, From Here to Eternity led to a brief weekly series in 1980, with Devane and Basinger carried over from the miniseries, but with Don Johnson as Prewitt (who dies in the original novel) and Barbara Hershey as Karen Holmes. ~ Hal Erickson, All Movie Guide

This TV adaptation of Tennessee Williams' prize-winning play stars Robert Wagner as Brick, a college sports champion who hasn't made it in the real world, and Natalie Wood as Brick's wife Maggie, the sexually frustrated "cat" of the title. Brick and Maggie are staying at the home of Brick's wealthy parents, Big Daddy and Big Mama, as are Brick's successful brother Gooper and Gooper's eternally pregnant wife Mae. Big Daddy (Laurence Olivier) has been seriously ill, thus his offspring are concerned over the size of their inheritance. It has been hinted that Big Daddy will leave his fortune to Brick provided Maggie produces a child, but the marriage has been plagued by Brick's refusal to sleep with his wife, and by a dark secret in Brick's past life that has brought about impotence and alcoholism. The reason for Brick's insecurity is his past friendship with school buddy Skipper, a homosexual who'd committed suicide. Brick believes that Big Daddy is convinced that Brick and Skipper "had sodomy together", and Gooper delights in taunting Brick over this. Big Mama learns that Big Daddy has inoperable cancer, and determines to keep the truth from her husband. She also knows that Brick is Big Daddy's favorite son, thus rejects Gooper's cold-blooded attempts to set up a trusteeship for Big Daddy's estate. In the final scene, Maggie lies to Big Daddy that she is pregnant, and Big Daddy (unaware of his imminent doom) chooses to believe her. Brick will get the estate, and Maggie will hopefully convince her husband to makes theirs a "real" marriage. A made-for-TV production, the 1976 Cat on a Hot Tin Roof is more sexually explicit than the censor-ridden 1958 Hollywood version, but isn't quite as strong dramatically despite its powerhouse cast. ~ Hal Erickson, All Movie Guide

In this documentary, narrated by Stacy Keach, the tragic screen-icon James Dean is remembered. Footage from early television appearances, stills from his life, and clips from his three Warner Brothers films are interwoven with interviews with his co-workers. The soundtrack includes music from Elton John, David Bowie, and the Eagles. ~ Clarke Fountain, All Movie Guide

The made-for-TV movie The Affair (working title: Love Song) marked the return to television of Natalie Wood after an 18-year absence (her last regular small-screen work was on the 1954 sitcom The Pride of the Family). Wood plays a crippled 32-year-old songwriter whose handicap has made her cynical and suspicious of the kindnesses of strangers. Robert Wagner (the real-life husband of Natalie Wood) co-stars as a compassionate lawyer who falls in love with her. By the time she has warmed up to her new beau, she finds that her family opposes the relationship. Written by Barbara Turner, The Affair first aired November 20, 1973. ~ Hal Erickson, All Movie Guide

"Consider the possibilities," read the ads for Paul Mazursky's 1969 satirical comedy about what happens when the sexual revolution hits affluent bourgeois life. After a weekend of "beautiful" emotional honesty at an Esalen-type retreat, married wannabe hipsters Bob (Robert Culp) and Carol (Natalie Wood) return to their well-heeled Los Angeles life determined to apply the principles of free love and complete openness to their marriage. To the respective curiosity and repulsion of their married best friends, Ted (Elliott Gould) and Alice (Dyan Cannon), Bob and Carol have affairs that they happily reveal to everyone. Inspired by all that openness during the quartet's trip to Vegas, Ted admits an affair of his own, provoking the outraged Alice to demand that this new ethos be taken to its obvious conclusion: a mate-sharing foursome. Once they're bedded down and ready to go, however, they start to have second thoughts. Without sacrificing authenticity for comedy, first-time director Mazursky and co-writer/producer Larry Tucker delve into the confusion of the Eisenhower generation when faced with the temptations of the counterculture. Too old to be hippies and too young to be fogies, the would-be California swingers sincerely attempt to try on the lifestyle, but it never looks quite right. A then-controversial example of the New Permissiveness both onscreen and off, Bob & Carol debuted at the New York Film Festival to great praise, particularly for Gould and Cannon. Whether they wanted to laugh at their elders' faux looseness or see what their peers might be doing, audiences turned Bob & Carol into a substantial hit, and its observations about marriage and sex remain humorously sharp even if the encounter group jargon is past its vogue. ~ Lucia Bozzola, All Movie Guide

Sydney Pollack's tawdry potboiler, adapted from a one-act play by Tennessee Williams, was rife with production problems, culminating in Williams' failed attempt to have his name removed from the credits. The story is set by a framing device as thirteen-year-old Willie Starr (Mary Badham) sits on an abandoned railroad track with her friend Tom (Jon Provost) and relates the tale of her deceased older sister Alva (Natalie Wood). Alva is a beautiful woman living in a small Mississippi town in the 1930s with her manipulative mother Hazel (Kate Reid), the owner of a boarding house. Hazel wants Alva to marry the well to do Mr. Johnson (John Harding), but Alva has fallen in love with a good-looking stranger from New Orleans, Owen Legate (Robert Redford), who is in Mississippi to lay off railroad workers. Hazel is opposed to their love affair and when Owen is beaten to a pulp by a gang of workers, he decides to leave town and take Alva with him. But Hazel fools Owen into thinking Alva is engaged to Mr. Johnson. In retaliation, Alva marries Hazel's loutish lover J.J. (Charles Bronson). The next day, she abandons J.J. to meet Owen in New Orleans. Her mother, incensed at Alva's betrayal, sets out to ruin her daughter's reputation by exposing her marriage to J.J. to the world. ~ Paul Brenner, All Movie Guide

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie's great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie's record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie's own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate's long-suffering flunkey Max, Keenan Wynn as Leslie's faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer's The Sweetheart Tree. The Great Race was dedicated to "Mr. Laurel and Mr. Hardy". ~ Hal Erickson, All Movie Guide

Taken for granted by her Italian family, New Yorker Natalie Wood seeks solace in the arms of irresponsible jazz musician Steve McQueen. She becomes pregnant, but doesn't expect McQueen to marry her; all she wants is enough money to pay for an illegal abortion (this is ten years before Roe v. Wade). Not surprisingly, McQueen is refused a loan by his girl friend Edie Adams; meanwhile, Wood is being pressured by her family to marry gormless Tom Bosley. As the abortion appointment approaches, McQueen begins to feel guilty, but still won't propose. Bosley finds out that Wood is pregnant, and is willing to make an honest woman of her. Wood finally makes up her mind what she's going to do and whom she's going to choose when she walks into the seedy abortion clinic. Though very dated, Love With the Proper Stranger is still dramatically viable, thanks to the on-screen rapport between Natalie Wood and Steve McQueen, and to the large and talented New York-based supporting cast. ~ Hal Erickson, All Movie Guide

Romeo and Juliet is updated to the tenements of New York City in this Oscar-winning musical landmark. Adapted by Ernest Lehman from the Broadway production, the movie opens with an overhead shot of Manhattan, an effect that director Robert Wise would repeat over the Alps in The Sound of Music four years later. We are introduced to two rival street gangs: the Jets, second-generation American teens, and the Sharks, Puerto Rican immigrants. When the war between the Jets and Sharks reaches a fever pitch, Jets leader Riff (Russ Tamblyn) decides to challenge the Sharks to one last "winner take all" rumble. He decides to meet Sharks leader Bernardo (George Chakiris) for a war council at a gymnasium dance; to bolster his argument, Riff wants his old pal Tony (Richard Beymer), the cofounder of the Jets, to come along. But Tony has set his sights on vistas beyond the neighborhood and has fallen in love with Bernardo's sister, Maria (Natalie Wood), a love that, as in Romeo and Juliet, will eventually end in tragedy. In contrast to the usual slash-and-burn policy of Hollywood musical adaptations, all the songs written by Leonard Bernstein and Stephen Sondheim for the original Broadway production of West Side Story were retained for the film version, although some alterations were made to appease the Hollywood censors, and the original order of two songs was reversed for stronger dramatic impact. The movie more than retains the original choreography of Jerome Robbins, which is recreated in some of the most startling and balletic dance sequences ever recorded on film. West Side Story won an almost-record ten Oscars, including Best Picture, supporting awards to Chakiris and Rita Moreno as Bernardo's girlfriend, Anita, and Best Director to Robbins and Wise. Richard Beymer's singing was dubbed by Jimmy Bryant, Natalie Wood's by Marni Nixon (who also dubbed Audrey Hepburn in My Fair Lady), and Rita Moreno's by Betty Wand. The film's New York tenement locations were later razed to make room for Lincoln Center. ~ Hal Erickson, All Movie Guide

Robert Wagner plays Chad Bixby, a role reportedly inspired by the life of jazz trumpeter Chet Baker in this romantic drama about two young couples linked by the out-of-wedlock baby spawned by Bixby and Salome Davis (Natalie Wood) before their current marriages. Pearl Bailey appears as a famous blues singer who dies of a broken heart after being jilted by her horn player, and George Hamilton is featured as Wood's current husband. A well-mounted production and potentially interesting idea -- that lives can be irrevoccably changed in one night -- are let down by a soapy and muddled screenplay. The film was suggested by Rosamond Marshall's novel The Bixby Girls. ~ Don Kaye, All Movie Guide