Margo Woode Movies

John Garfield, in the best performance of his career, portrays Joe Morse, an ambitious attorney who has long since abandoned his scruples in favor of monetary reward. Morse now represents the interests of crime boss Ben Tucker (Roy Roberts), who plans to take over the numbers racket in New York. Morse has devised a way of doing this legally and above-board, with no violence: Tucker's people will bring about the collapse of the illegal numbers racket in the city, using a race track-betting scam that will bankrupt the small-time underworld numbers banks; an investigation will ensue, along with a call for a legal numbers operation in the form of a lottery, which Tucker will control through Morse's machinations. The whole plan hinges on Morse's estranged brother, Leo (Thomas Gomez), a small-time numbers banker who is to be shielded from the collapse, and who will serve as the "legitimate" front for Tucker. Leo is the flaw in the plan, however, because not only can't he stand the sight of Joe, but he is also too honest to participate in the plan -- he doesn't want his employees, all decent people just looking to earn a living, forced into the employ of real gangsters. Joe orchestrates a series of police raids that force Leo into his corner, and Joe's plan seems to be working out, but then the whole enterprise is threatened when a rival mob, run by Tucker's former Prohibition-era partner, Fico (Paul Fix), starts pressuring Leo, trying to get to Joe and Tucker. Fico and his men aren't any different from Tucker's mob, except that they're prepared to start shooting sooner to get what they want. Tucker decides to hang tough and expects everyone, including Leo, to do the same, even when Fico starts sending thugs around to frighten everyone. Soon Joe is beset by problems on three fronts -- he wants his brother out of Tucker's combination and safe; he is trying to romance Leo's bookkeeper (Beatrice Pearson), who is too nice a girl for who he is; and his own well-being is threatened by both Fico and Tucker, and a state investigator who has already tapped the phone of Joe's otherwise respectable partner. All of these threads are pulled together in the final section of the film, which is as violent and disturbing, yet poetic and graceful a resolution as any crime film of the 1940s ever delivered. Force of Evil was star-crossed almost from the start, as many of the people involved, including star John Garfield and director Abraham Polonsky (a writer making his debut behind the camera, with help from assistant director Don Weis in doing the camera set-ups and blocking), were suspect at the time for their leftist political views. Indeed, the company that made Force of Evil, Enterprise Productions, was also in trouble for the leftist leanings of its films in the midst of the Red Scare, and went out of business just as the movie was finished -- dropped by United Artists and picked up by MGM, of all studios, Force of Evil made it into theaters during Christmas week of 1948, not the ideal schedule for something as grim (albeit great) as this film was. As it turned out, it was Polonsky's last chance to direct for more than 20 years, and Garfield's last completely successful film. And a movie that should have been a triumph for all concerned ended up a cult favorite. ~ Bruce Eder, All Movie Guide

A man down on his luck runs afoul of a beautiful but dangerous woman in this superior low-budget film noir. Mike Lambert (Glenn Ford), while trained as a mining engineer, has fallen on hard times and is driving a truck when his rig breaks down in a small town. He soon meets the seductive Paula Craig (Janis Carter) at a cafe and is quickly drawn into her web of larceny. Paula encourages her lover, Stephen Price (Barry Sullivan), to rob the bank that he manages, then kills Stephen and takes the ill-gotten money. Paula confesses the killing to Mike and begs him to run away with her, claiming she murdered Price in a fit of passion while she was drunk. Mike considers her offer until he learns that his close friend Jeff Cunningham (Edgar Buchanan) has been accused of killing Stephen -- and that Paula intends to pin the robbery that Stephen committed on Mike. Femme Fatale Janis Carter originally studied to be a classical musician before her career as an actress took off, while Edgar Buchanan's big break would come 16 years down the road, when he was cast as "Uncle Joe" on the television series Petticoat Junction. ~ Mark Deming, All Movie Guide

In this comedy, a spoiled, temperamental and filthy rich aunt is committed to an asylum by her nephew after he learns that she has willed her fortune to her dog. Fortunately, the aunt escapes and is sheltered by the family of a poor barber. It is the barber's daughter that soothes the savage breast of the irritable aunt and turns her into a caring person. The family then helps her to prove her competence. They are richly rewarded for their kindness. ~ Sandra Brennan, All Movie Guide

George Taylor (John Hodiak) is a war veteran suffering from amnesia with only two clues to his past: the bitter letter from a woman who hates him and another mysterious letter signed "Larry Cravat." Taylor goes to Los Angeles to meet Cravat. It turns out that Cravat is wanted for murder and the robbery of $2 million. George becomes involved with a singer, Christy (Nancy Guild) and is chased by mobsters while on a search for the stolen money. There ensue a series of chases, an interesting plot twist and a surprise ending as John learns the true identity of Cravat.Somewhere in the Night is the quintessential "amnesia victim" as protagonist film, somewhat slow, but nevertheless, engrossing and suspenseful. ~ Linda Rasmussen, All Movie Guide

Samurai is an anti-Japanese film made during WW II about a traitorous Japanese orphan boy living in America who conspires to aid an invasion of California. ~ All Movie Guide

Singing, dancing, and ice skating are featured in this musical that focuses on ice-skating sensation Belita. The story begins as she travels to a California resort where she has been hired as a replacement for a dance team. The resort is run by a handsome fellow. As a result of the gig, the skater becomes a national star while the resort manager gets fired and becomes a drifter until he ends up in the Army. The Oscar nominated score includes the following songs: "Silver Shadows and Golden Dreams", "Dream of Dreams", "Rio", "In the Days of Beau Brummel", "Lady, Let's Dance", "Happy Hearts", "Ten Million Men and a Girl", and the rhumba standard "Esperanza". ~ Sandra Brennan, All Movie Guide

In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide