Ernest Wood Movies

Marked Woman was the most famous of the late-1930s films based on New York DA Thomas Dewey's attack on vice lord Lucky Luciano; Paid to Dance was among the least famous. All-purpose Columbia leading lady Jacqueline Wells plays Joan Bradley, a long-suffering hoofer in the seedy dime-a-dance joint controlled by racketeer Jack Miranda (Arthur Loft). Like her fellow "hostesses," Joan is expected to clip the customers for their bankrolls -- and, it is implied, offer their bodies as well as their terpsichorean skills (though we're assured that Joan is still pure of heart and every other portion of her anatomy). Crusading detective William Dennis (Don Terry) vows to save Joan and her ilk from Miranda's clutches, but it takes plenty of brains and muscle to topple the villain's criminal empire. Billed last, Ralph "Dick Tracy" Byrd has a marvelous moment when he takes on two hoodlums at once -- and wins! ~ Hal Erickson, All Movie Guide

In this outdoor drama, a plucky young woman inherits her father's logging business and decides to try running it, even though she knows nothing about it. In her innocence, she fires all her trustworthy workers and instead hires a band of slick talking hoods who immediately try to cheat her. Fortunately, a handsome logger and his trusty axe come to save her. ~ Sandra Brennan, All Movie Guide

Opera diva Grace Moore plays (what a stretch!) an opera diva in I'll Take Romance. Moore reneges on an agreement to open the opera season in Buenos Aires, opting instead for a better-paying job in Paris. Melvyn Douglas, acting on behalf of the Buenos Aires company, pretends to fall in love with Moore in order to win her back--but soon discovers to his surprise that he's not pretending at all. Ms. Moore sings selections from Manon Lescaut, Madama Butterfly and La Traviata. and also warbles the title song, which became a hit and subsequently popped up as background music in many a future Columbia production. I'll Take Romance barely has a plot at all, though fans of Grace Moore weren't complaining. ~ Hal Erickson, All Movie Guide

Battling Hoofer is the reissue title of the 1936 James Cagney vehicle Something to Sing About. Cagney plays Terry Rooney, a New York bandleader who heads to Hollywood when he is offered a movie contract. The down-to-Earth Rooney resists the "star treatment," an attitude misinterpreted by movie executive Bennett O. Regan (Gene Lockhart) as arrogance. When Terry's first film is a hit, Regan orders everyone involved to keep its success a secret from Terry, lest he develop a swelled head! (We don't believe it either.) The best sequence has Rooney chewing out his Asian houseboy, Ito (Philip Ahn), whereupon he drops his "So solly" pidgin English and begins talking like a Harvard professor! Terry gets to romance newcomer Evelyn Daw, as well as veteran vamp Mona Barrie; he also gets to participate in several lively dance numbers. Something to Sing About was the second of Jimmy Cagney's films for Poverty Row studio Grand National: the production values and snappy script work that he might have enjoyed at Warner Bros. are noticeably lacking, but Cagney is always fun to watch. ~ Hal Erickson, All Movie Guide

In this thriller, a young woman marries a dashing young man who, unbeknownst to her, is a jewel thief. After his latest job, he takes off and leaves her to take the rap. In court she is found guilty. She is riding a train en route to prison when the train crashes. Her identity is confused with that of a wealthy young man's fiancee. The two soon fall in love. They are later confronted by the real fiancee, her thieving husband, the fiancee's brother and the police. Somehow the girl is extricated from the mess with her name and reputation intact. ~ Sandra Brennan, All Movie Guide

Harold Lloyd plays Ezekial Cobb, a missionary's son who has spent his entire life in China. Cobb is sent to his father's home church in California, where it is hoped he will find a wife. A true babe in the woods, Cobb is befriended by politician Jake Mayo (George Barbier). Mayo is a cog in a crooked political machine whose bosses plan to set up a "reform" candidate for mayor, so that they can continue their underhanded activities unmolested. The candidate drops dead, so Mayo sets up the innocent Cobb as the mayor-to-be--a "cat's paw" to deflect attention from the system's corruption. But once elected, Cobb takes his duties quite seriously and begins to clean up the town. The machine frames Cobb with planted evidence of wrongdoing, destroying the lad's political career. Undaunted, Cobb remembers the story of an ancient Chinese leader, who, similarly disgraced, took the law in his own hands and executed all known criminals in his last days of power. Cobb orders that every crook in town be rounded up and brought to a dark cellar. He insists that they confess their crimes or face instant death--and backs up his words by "beheading" two of the crooks on the spot! Actually, these executions are cleverly designed magical illusions, and no one is really killed; but the terrified criminals are so hoodwinked by Cobb's apparent cold-bloodedness that they literally climb over one another to confess. Cobb is exonerated, and honesty is restored to his administration. While not Harold Lloyd's best feature film, The Cat's Paw is definitely his most unorthodox. ~ Hal Erickson, All Movie Guide

This turn-of-the-century tragedy chronicles the sorrowful travails of a woman who endures a series of devastating losses. ~ Sandra Brennan, All Movie Guide

Hollywood responded to the exigencies of the Depression with such glorious nonsense as International House. The plot is motivated by a revolutionary television device called the Radioscope, which its Chinese inventor (Edmund Breese) is offering to the highest bidder. All interested parties are obliged to converge at International House, an ultra-modern hotel in the bustling Chinese community of Wu Hu. Among those parties is American envoy Stu Erwin, Russian general Bela Lugosi (a hilarious, pratfalling performance), the general's ex-wife Peggy Hopkins Joyce (a much-married showgirl of the era, who like Zsa Zsa Gabor was famous for being famous), and that celebrated aviator Professor Quail, better known as W.C. Fields. The lunacy begins even before Fields arrives, thanks to the antics of the hotel's doctor George Burns and nurse Gracie Allen. When Erwin comes down with the measles (he is always struck down by a childhood disease whenever he's about to marry his fiancee Sari Maritza), the hotel is quarantined. The guests make the most of their enforced stay by watching the many variety acts broadcast over the radioscope device: Rudy Vallee, singing a love song to his megaphone; Baby Rose Marie (the same), belying her 11 years by belting forth a hotcha jazz number; radio humorists Stoopnagle and Budd, showing off their own goofy inventions; and Cab Calloway, singing a paean to marijuana titled "Reefer Man" (only in recent years has this peppy number been seen with any regularity on television). There's also an elaborate production number on the dance floor of the hotel, featuring Sterling Holloway and a bevy of beauties dressed as cups and saucers. Once Fields drops in via his art-deco autogyro, the film is firmly in his pudgy hands. Erwin outbids the others for the radioscope, while Fields escapes in his aircraft with Peggy Hopkins Joyce in tow (she keeps insisting that she's sitting on something, whereupon Fields replies "I lost mine in the stock market"). A truly unique filmgoing experience, International House is a must-see for any aficionado of 1930s musical comedies. PS: The film's now-famous "outtake," showing Fields calmly advising the cast and crew not to panic while the set is rocked by a California earthquake, was actually staged several days after the genuine quake. ~ Hal Erickson, All Movie Guide

Bill Harper (Will Rogers), a cattle baron turned diplomat, is assigned to the middle European country of Sylvania, which is in a nearly constant state of uproar ever since King Lothar (Ray Milland), who is convinced Queen Vania (Marguerite Churchill) was having an affair, left the country. Their young son Paul (Tad Alexander) is supposedly the leader, but it's really ruled by scheming Prince de Polikoff (Gustav Von Seyffertitz), who instantly dislikes the easygoing Bill, who makes friends with Paul and Vania. Lothar, who sneaked back into the country disguised as Bill's pilot, tries to reconcile with Vania, but to no avail. Thanks to de Polikoff's plans, Bill is arrested -- just as Lothar starts a revolution. ~ Bill Warren, All Movie Guide

Three guesses as to the profession of the heroine in Sob Sister. That's right: Jane Ray (Linda Watkins) is a girl reporter, both fearless and foolhardy. Jane's great rival is news-hound Garry Webster (James Dunn), whose love for the girl never gets in the way of his tireless pursuit of "big scoops." Eventually, Jane proves to be too smart for her own good and is captured by the villains. She is rescued not by Garry but by six-year-old kidnap victim Billy Stotesley (future "Our Gang" member Wally Albright), who cuts the ropes which bind our heroine. Naturally, this leads Garry to declare that he wants to marry Jane to keep her from harm's way -- but there's always another hot headline story just around the corner. Leading lady Linda Watkins, a Broadway veteran, returned to the stage shortly after appearing in Sob Sister, only to be "rediscovered" as a TV and movie character actress in the late 1950s. ~ Hal Erickson, All Movie Guide

In this romance, a young woman aspires to have a huge church wedding with all the trimmings, but first she must find the perfect mate. One night the young woman has a nightmare in which she walks naked down a street. Her roommate the amateur fortune teller informs her that it means she will meet a handsome stranger. The girl disbelieves this, as she is already satisfied with her steady. No sooner does the young woman scoff than a good-looking man enters the music store where they work. He is most charming, and she feels inexplicably drawn to him. She accepts his invitation and attends his party where she gets drunk and ends up sleeping in his bed. Fortunately, he is an honorable fellow and sleeps in another room. The next day, he proposes. ~ Sandra Brennan, All Movie Guide

In one of his last silent films, Conrad Nagel stars as Charles H. Cook, a sober-sided young man who is persuaded by his buddies to visit a nightclub. Partaking of spirits for the first time in his life, Cook proceeds to get totally plastered and ends up passing out on the floor. Upon awakening, he is informed that he has sullied the reputation of good-time-girl Miss Scott (Sharon Lynn). It's all a hoax, of course, but Cook doesn't know that -- and even worse, he's got a less-than-understanding wife (June Collyer) at home. Things really get dicey when Mrs. Cook insists the next evening that her husband take her out to dinner -- at the selfsame nightclub where her hubby made a fool of himself the night before. When the title Red Wine failed to click at the box office, Fox Studios changed it to the somewhat less subtle Let's Make Whoopee. ~ Hal Erickson, All Movie Guide