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Arthur Wontner Movies

Tall, commanding British actor Arthur Wontner made his first stage appearance in 1897 and his first film 18 years later. Wontner is best known today for his characterization of Sherlock Holmes in five films produced between 1931 and 1938. Some Holmes aficionados prefers Wontner's studious interpretation of "the master" to the more aggressive, energetic portrayals of Basil Rathbone. Ironically, Wontner landed the role on the strength of his performance in the 1930 stage production Sexton Blake, based on a pulp fiction character who'd been created as a Sherlock Holmes imitation. In later years, Arthur Wontner played several small but memorable character roles, most poignantly as the elderly automobile fancier in Genevieve (1953). ~ Hal Erickson, Rovi
1955  
 
The British omnibus thriller, Three Cases of Murder includes two supernatural tales and a straight whodunit. The first segment, "The Picture," was directed by Wendy Toye, based on a short story by Roderick Wilkinson. A museum tour guide, Jarvis (Hugh Pryse), is plagued by artworks going missing, and by the mysterious repeated breaking of the protective glass over a gloomy landscape painting. Jarvis is fascinated by the dark, foreboding house in the painting. One day while he's admiring it, he bumps into a stranger (Alan Badel, who appears in all three segments). Jarvis ends up following the stranger into the world of the painting with terrifying consequences. Eddie Byrne (General Willard in Star Wars) plays the demented taxidermist, Snyder. In the second segment, "You Killed Elizabeth," written by Sidney Carroll (who co-wrote The Hustler), and directed by David Eady, lifelong friends fall in love with the same woman. George (Emrys Jones) has always stood in Edgar's (John Gregson) shadow. The two have a falling out when they realize they both love Elizabeth (Elizabeth Sellars), and when she later turns up dead, it affects the friendship in a surprising way. Badel plays the friendly bartender, Harry. The final story, "Lord Mountdrago," was based on a story by W. Somerset Maugham. Directed by George More O'Ferrall, the segment stars Orson Welles as Lord Mountdrago, the officious secretary of state for foreign affairs. Mountdrago uses his oratory powers to destroy the career of a charismatic political opponent, Owen (Badel again). Mountdrago then finds himself tormented by the vengeful Owen, who seems to have found a way to enter his dreams. Andre Morrell (Bridge on the River Kwai) plays Mountdrago's baffled psychiatrist. ~ Josh Ralske, Rovi

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Starring:
Alan BadelHugh Pryse, (more)
 
1953  
 
Victor Hugo's Toilers of the Sea was none too faithfully adapted for the screen as Sea Devils. The hero is Guernsey-Island smuggler Gilliat (Rock Hudson); the heroine is glamorous British spy Drouette (Yvonne de Carlo). Set during the Napoleonic wars, the plot finds Gilliat and Drouette trying to outsmart one another for the first few reels. Gilliat even kidnaps Drouette at one point, believing her to be in league with the hated French. Eventually, of course, Gilliat must rescue Drouette from the French, thereby preventing Napoleon's planned invasion of England. Shot on location, Sea Devils was directed with verve by Raoul Walsh. ~ Hal Erickson, Rovi

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Starring:
Yvonne De CarloRock Hudson, (more)
 
1953  
 
The plot of the thoroughly captivating British comedy Genevieve can be summed up in a sentence: Two young couples participate in the Vintage Car Rally, a yearly race from London to Brighton. The title "character" is the 1904 Darracq auto owned by John Gregson and Dinah Sheridan. The couple's friendly rivals are Kenneth More and Kay Kendall, the latter graduating to stardom on the basis of this film. At first treating the race as a lark, the two couples become increasingly--and hilariously--competitive as they near the finishing line. Among the film's plethora of small pleasures are Joyce Grenfell as a wry hotel proprietress and Arthur Wontner as an elderly car fancier. Despite the many technical gaffes and continuity errors overlooked by director Henry Cornelius, Genevieve is a uniquely British delight from beginning to end, its charm enhanced by the uncredited harmonica score of American expatriate Larry Adler. The film was a moneymaker in every country that it played, and a multi-award winner in England and abroad. ~ Hal Erickson, Rovi

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Starring:
John GregsonDinah Sheridan, (more)
 
1952  
 
Brandy for the Parson is a wafer-thin comedy with plenty of maritime humor. James Donald and Jean Lodge play a young couple on a yachting vacation. They agree to share a ride with a few seemingly benign fellow landlubbers. What they don't know (but we do) is that their "harmless" yacht-mates are actually running a slick brandy-smuggling operation. With a few alterations here and there, the basic premise of Brandy for the Parson bobbed to the surface again in 1969 for Disney's The Boatniks, which like the earlier film, benefitted from a strong cast of supporting comic players. ~ Hal Erickson, Rovi

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Starring:
James DonaldKenneth More, (more)
 
1950  
 
In this costume adventure set in France during the Reign of Terror, a mysterious man known only as the Scarlet Pimpernel rescues noblemen from the guillotine and leads them to safety across the English Channel. Chauvelin (Cyril Cusack) is determined to unmask the Pimpernel and bring him to justice. When evidence begins to suggest that the hero is actually foppish Sir Percey Blakeney (David Niven), Chauvelin blackmails Percey's wife, Marguerite (Margaret Leighton), into cooperating on the threat that he'll expose the criminal activities of her brother Armand (Edmund Audran). However, Marguerite doesn't much care for her husband, hardly believes he could be the heroic Pimpernel, and is startled when she finds out that he truly is the masked vigilante. The Elusive Pimpernel was originally shot in color as a musical, but the musical numbers were cut before the film was released, and the picture's American distributor chose to make only black-and-white prints (though the current home-video release is in color). ~ Mark Deming, Rovi

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Starring:
David NivenMargaret Leighton, (more)
 
1948  
 
Blanche Fury combined two elements that were surefire moneymakers in postwar Britain: a brooding, Gothic-novel storyline and the dazzlingly handsome Stewart Granger. Heroine Blanche Fury (Valerie Hobson) is an impoverished governess who marries into wealth and sets herself up as the mistress of a vast estate. Enter Heathcliffe-like stable boy Philip Thorn (Granger), who intends to run the estate and eventually claim Blanche as his own. After a torrid, bodice-ripping romance between Blanche and Philip, the story segues into a no-names-please reenactment of the infamous 19th-century "Rush Murder." To "explain" the motives of the characters, the screenwriters deviate from the original Joseph Shearing novel by imposing all sorts of 20th-century "psychological disturbances" upon hero and heroine, with an abruptness and lack of logic that takes the viewer's breath away. Up until the end, however, Blanche Fury is a prime example of high-budget postwar British melodrama. Oddly, despite its $1.5 million price tag, con brio performances and superb Technicolor cinematography, Blanche Fury was a box-office disappointment, bringing an end to the "Gothic cycle" that had begun so promisingly with 1943's The Man in Grey. ~ Hal Erickson, Rovi

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Starring:
Valerie HobsonStewart Granger, (more)
 
1943  
 
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Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers. ~ Sidney Jenkins, Rovi

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Starring:
Roger LiveseyDeborah Kerr, (more)
 
1939  
 
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Previously filmed in 1928, the old Edgar Wallace novel The Terror was dusted off for another cinematic go-round ten years later. A spectacular crime spree, instigated by a mysterious miscreant known only as "The Terror", has galvanized Scotland Yard into action. The trail of clues leads to a ramshackle old castle, owned by retired Army doctor Col. Redmayne (Arthur Wontner). The detective on the scene is one Mr. Goodman (Wilfred Lawson), who has devoted 10 years of his life to bringing The Terror to justice. Among the suspects are such low-lifes as Ferdie Fane (Bernard Lee) and Soapy Marks (Alastair Sim), but the identity of The Terror comes as quite a surprise to all concerned (except for those dyed-in-the-wool mystery fans who pegged the villain's identity as the credits unreeled!) ~ Hal Erickson, Rovi

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Starring:
Wilfred LawsonBernard Lee, (more)
 
1939  
 
American leading lady Gertrude Michael tops the cast of the British Just Like a Woman. Reprising her misbehavior in Hollywood's The Notorious Sophie Lang, Michael plays jewel thief Ann Heston, who purloins a string of valuable pearls right from under the long noses of the law. She is then pursued halfway around the world by insurance investigator Tony Walsh (John Lodge), who doesn't know what the audience does-that Ann is actually the daughter of his boss. Predictably, Ann is revealed to be operating with the best of intentions, allowing for a satisfying romantic finale. Perhaps inspired by the film's "Yankee" leads, the British cast members of Just Like a Women adopt mid-Atlantic accents throughout most of the story. ~ Hal Erickson, Rovi

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Starring:
Gertrude MichaelJohn Lodge, (more)
 
1938  
 
In this crime drama, a police inspector pursues a Lord's secretary suspected of stealing his gold bullion. She is the prime suspect because she is the leader of an infamous gang of thieves. The cops do not realize that the gang acted on their own accord. The secretary and the inspector then team up and board a train to try and stop their getaway cars. ~ Sandra Brennan, Rovi

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1938  
 
When the Russians find and destroy the hidden artillery, the 13 man Austrian gun crew is suspected of harboring a traitor in this World War I drama. Nobody knows which soldier informed, however. The tension mounts as the Austrian high command orders all 13 soldier executed to eliminate the turncoat. The rest of the soldiers must identify the traitor to save their own lives. ~ Rovi

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1938  
 
In this drama the trouble begins when a young woman marries and her ruthless, but wealthy father, a shipping magnate, cuts her off because he disapproves of the match. When his son marries, the father throws the bride's father off his board of directors. The enraged son, roars off in his car and accidentally hits a man. He is then charged with manslaughter leaving the father to contemplate his actions and reconcile his family. ~ Sandra Brennan, Rovi

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1937  
 
Directed by Ian Dalrymple, this comedy of manners is based on a German play, and is one of the lesser known pieces of Vivien Leigh and Rex Harrison's filmographies. Set in an old-fashioned Scottish town, Storm in a Teacup features Rex Harrison as an English newpaper reporter who has traveled north in order to take a job. Once there, he meets Victoria (Leigh), the daughter of Provost Gow (Cecil Parker), who happens to be one of the wealthiest legal figures in town. It isn't until he come across an an impoverished woman and her beloved dog, however, that life becomes truly complicated. When Mrs. Hegarty (Sara Allgood) can't afford to pay her annual dog licensing fee, Leigh's father orders the dog be destroyed. Frank (Harrison) turns this into a human interest story, which rapidly travels across Scotland. With his political career in shambles, Gow (Parker) retaliates by suing Frank for slander. Victoria, however, has fallen in love with the young journalist, and gives both Frank and her father quite a surprise when she lies for him in her testimony. In doing so, Victoria unwittingly determines the fate for both her lover and the dog, Scruffy. ~ Tracie Cooper, Rovi

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Starring:
Vivien LeighRex Harrison, (more)
 
1937  
 
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Sherlock Holmes and Watson travel to the home of their old friend Baskerville who wants Holmes to figure out who stole his prized race horse Silver Blaze and murdered the groom. The primary suspect is the young rider who loves the daughter of Baskerville, but he is innocent. Holmes finds the horse on a neighboring farm and deduces that his old enemy Moriarity is behind the mayhem. ~ Sandra Brennan, Rovi

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Starring:
Arthur WontnerIan Fleming, (more)
 
1937  
 
In this satire of British-American relations, Edward G. Robinson stars as Dan Armstrong, a hard-sell American saleman whose company sends him to England to learn how to tone down his act. There he meets some distant relatives, the aristocrats Sir Peter and Lady Challoner (Arthur Wontner and Annie Esmond). They invite him to their mansion for the weekend, where among the house guests are the penniless aristocrats the Duke and Duchess of Glenavon (Nigel Bruce and Constance Collier) and their daughter Lady Patricia (Luli Deste), as well as a conniving stockbroker, Henry Graham Manningdale (Ralph Richardson). The Duke and Duchess own only an apparently worthless mine in Rhodesia that supposedly contains a metal called magnelite. Manningdale says that he will develop the mine in exchange for permission to marry Lady Patricia. Armstrong also has designs on Patricia, however, and he engineers a scheme to start a company and sell stock in the mine. ~ Michael Betzold, Rovi

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Starring:
Edward G. RobinsonLuli Deste, (more)
 
1937  
 
In this British comedy, a Yankee con artist hides out in England. Trouble ensues when he follows a pretty girl into a office building and encounters the company president just before he commits suicide. He then learns that the distraught executive has been involved in embezzling scheme. The con man then talks the frazzled fellow into taking a six-month leave and allowing him to run the company. He then begins fixing the books to the company is saved. ~ Sandra Brennan, Rovi

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Starring:
Bernard NedellJean Gillie, (more)
 
1936  
 
Dishonor Bright draws upon the talents of two master farceurs from Britain's Aldwych Theatre, Tom Walls (star-director) and Ben Travers (screenwriter). A correspondent in a bitter divorce case, Stephen Champion (Walls), ends up marrying the defendant, Ivy Lamb (Dinah Churchill), though he still carries a torch for Stella (Betty Stockfield), the wife of the plaintiff's attorney (Cecil Parker). While on an Alpine honeymoon with Ivy, Stephen tries to rescue Stella from the libidinous machinations of rakish Lisle (George Sanders, in one of his earliest major roles). In so doing, Stephen not only nearly messes up Stella's marriage but his own as well. Hollywood's Eugene Pallette offers a well-rounded characterization (in every sense of the word) as a duplicitous American tourist. ~ Hal Erickson, Rovi

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Starring:
Tom WallsEugene Pallette, (more)
 
1936  
 
In this espionage romance, a French spy falls in love with a German operative who has been sent to learn how the French were able steal a German invention. Though she is assigned to kill the Frenchman, she instead falls in love and they decide to leave. Unfortunately, the woman knows that the car has been booby trapped and will fire a bullet into the driver when it reaches a certain speed. She saves her lover and dies in his arms. ~ Sandra Brennan, Rovi

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Starring:
Marta LabarrCharles Oliver, (more)
 
1935  
 
In this mystery, a novelist whose latest book details the 'perfect murder,' finds himself accused of murdering the husband of the woman he loves--for real. He is accused by his own father. Later it is discovered that the real killer is the woman's mother. ~ Sandra Brennan, Rovi

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1935  
 
His Hollywood career a thing of the past, director Herbert Brenon returned to his native England in 1934, where he continued making films until his retirement in 1940. Brenon's first project upon his arrival in London was the feature-length documentary Royal Cavalcade. Covering a 25-year period, the film is an encapsulation of the comings and goings of the British empire since the 1910 coronation of King George V. The highlights, drawn from the newsreel files of several English and European archives, include Captain Scott's arrival at the South Pole (and the tragic aftermath), the First World War, the Roaring 20s, and the Depression. Of special interest to show-biz buffs is the footage of the first Royal Command Performance at the Palace in 1911, featuring such matchless performers as Anna Pavlova and George Robey. ~ Hal Erickson, Rovi

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1935  
 
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The fourth of Arthur Wonter's quintet of Sherlock Holmes films, Triumph of Sherlock Holmes was a fairly faithful adaptation of Conan Doyle's The Valley of Fear. This time, Holmes (Wontner) and Dr. Watson (Ian Fleming -- not the James Bond author!) investigate a mysterious murder at Birlstone Castle. The killings seem to be tied in with a secret American society of coal-miners called the Scowlers. The architect of all this skullduggery is that "Napoleon of Crime," Professor Moriarty (the magnificent Lyn Harding), who has conspired with an American gangster (Ben Welden) to assassinate the Pinkerton agent responsible for breaking the back of the Scowlers. There's very little in the way of mystery in Triumph of Sherlock Holmes, but it scores on its full quotient of thrills and chills. Originally 84 minutes, the film was cut to 75 for its American release. ~ Hal Erickson, Rovi

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Starring:
Arthur WontnerIan Fleming, (more)
 
1932  
 
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In this Sherlock Holmes mystery, the great detective and Dr. Watson help a young woman who has received a giant pearl from a mysterious man. The woman, to whom Watson is very attracted, is also searching for her father who has mysteriously disappeared. Holmes and the Dr. first go to the home of a flamboyant fellow in South London. This man too is being harassed by the mysterious stranger. This leads the sleuths to a one-legged criminal and his assistant, a dwarf. The story climaxes with a thrilling motor boat chase down the Thames. ~ Sandra Brennan, Rovi

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Starring:
Arthur WontnerIsla Bevan, (more)
 
1932  
 
On the surface just another quota quickie, Condemned to Death turned out to be quite a gem for those lucky enough to see it back in 1932. Taking a respite from his duties as moviedom's Sherlock Holmes, Arthur Wontner plays an incorruptible judge who sentences a criminal genius to the gallows. The villain then proceeds to hypnotize Wontner into murdering the jurors responsible for his convictions! Unaware of his crimes, Wontner is confronted with the evidence by Scotland Yard inspector Cyril Raymond, who has the decency to permit the good gray judge to commit suicide rather than face public disgrace and humiliation. Condemned to Death was based on Jack o' Lantern, a play by George Goodchild. ~ Hal Erickson, Rovi

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Starring:
Gillian LindJane Welsh, (more)
 
1932  
 
Saturnine Arthur Wontner makes his second screen appearance as Conan Doyle's master sleuth Sherlock Holmes in The Missing Rembrandt. The plot is motivated by the perfidious Baron von Guntermann (Francis L. Sullivan), "the worst man in London." Using blackmail as his principal weapon, the Baron manages to decorate the walls of his townhouse with several stolen works of art, including a priceless Rembrandt recently stolen from the Louvre. When an American detective proves unable to capture the elusive Von Guntermann, Sherlock Holmes (Wontner) takes over. Disguised as a priest, Holmes gains entry to the Baron's lair but is soon found out and forced to flee for his life. Reasoning that it takes a thief to catch a thief, Holmes and Dr. Watson (Ian Fleming) resort to burglary to retrieve valuable evidence, only to be accused of the murder of the American detective. Finally, however, Holmes emerges triumphantly, revealing the diabolically clever hiding place for the Missing Rembrandt. The film is based on the Conan Doyle story The Adventure of Charles Augustus Milverton. ~ Hal Erickson, Rovi

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Starring:
Arthur WontnerIan Fleming, (more)