Evelyne Bouix Movies

With this high-concept, all-star French comedy (it features at least sixteen Gallic marquee names including Michel Blanc and Josiane Balasko), director Jean-Michel Ribes sets out to skewer the pretentiousness of the European art world. It's just a typical, ordinary day at a French art museum, but the cast of characters on display here finds the terrain anything but easy to navigate; they include a mother who literally becomes an art exhibit when her body is coated in plastic and put on display, a minister shocked to his core by artistic displays of sexual organs, a curator suffering from acute botanophobia, a stowaway who hides out in the principal art room, and many other idiosyncratic misfits. ~ Nathan Southern, All Movie Guide

This sumptuous French drama offers episodes from the notorious life of 18th century socialite and playwright Pierre-Augustin Caron de Beaumarchais. The story begins in the 1770s with a rehearsal of his "The Barber of Seville." Young friend of Voltaire, Philipp Gudin introduces himself to the great playwright and offers to become his personal secretary. He then becomes the adventurous Beaumarchais' keeper as the author gets involved in a variety of situations including a duel with an angry husband, his battle with the corrupt French government and a serious long-term affair with Marie-Theres de Willer. It all comes to a climax when King Louis XV assigns the playwright a secret mission to London. There he must find and retrieve a damning document from transvestite aristocrat Chevalier D'Eon. Unfortunately, Beaumarchais gets tangled up with supporting American rebels and ends up tossed in jail. Louis XVI sees that he is finally released and then the writer becomes an arms smuggler for American revolutionaries. All of his activities bankrupt him and so Beaumarchais must return to writing plays. ~ Sandra Brennan, All Movie Guide

Unrequited and unhappy love is one of the themes of this romantic drama. In the story, Suzanne (Sandrine Bonnaire) has had an affair which so traumatized her that she is out of the running, romantically. Perhaps that is why she is roommates with her gay best friend, Marc (Marc Fourastier). However, just because one isn't going out on dates doesn't mean never seeing or being seen by anyone, and, one day while swimming in a public pool, Suzanne is caught by surprise by a lovely young man. Her new acquaintance, Lucien (Paul Blain), begins to spend time with her and Marc. Romance blooms among the threesome: Marc falls in love with Lucien, but he is unlucky in that: Lucien and Suzanne have become lovers. ~ Clarke Fountain, All Movie Guide

This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town. Among the suspects for this increasingly damaging activity are a cynical journalist and an unusually honest cop. The story proceeds to a climax in the town's church, while the increasingly vituperative townspeople clash with one another. ~ Clarke Fountain, All Movie Guide

The miseries of alcoholism, both for the alcoholic and anyone close to him, are the focus of this routine story about Mathilde (Evelyne Bouix) a devoted wife, and her husband Pierre (Philippe Leotard) who is addicted to the bottle. The opening scene is at a New Year's party where Pierre disappears, and Mathilde starts remembering their life together in flashbacks that tell the whole story. Mathilde is ever-suffering, and Pierre is on the whole revolting, so why she hung in there for so long is hopefully made clear in these flashbacks. ~ Eleanor Mannikka, All Movie Guide

Through a series of convoluted turns, like a tornado going through Kansas, director Claude Lelouch has managed to keep a vacuum at the center of his film. A corporate executive (Michel Piccoli and a young actress (Evelyne Bouix) suddenly disappear and reappear and disappear, almost as fast as blinking Christmas tree lights. Since neither can remember what is going on, it is likely that they are suffering from the classic "I was kidnapped by an extraterrestrial" syndrome. And in fact, that may be the case because it seems that some ETs wanted to speak through these two people to tell earthlings to quit gearing up their nuclear arsenals. Jean-Louis Trintignant plays an acting teacher and Charles Aznavour plays a restaurant owner in this complex story -- yet both stars cannot carry the film on their own merits. For many viewers the labyrinth that wends its way to the final credits is a bit difficult to follow, and at the center of the labyrinth is a woefully inadequate ending. ~ Eleanor Mannikka, All Movie Guide

This screen version of Victor Hugo's classic novel stars Italian actor Lino Ventura as Jean Valjean, a French peasant who -- driven to desperation by poverty -- steals a loaf of bread only to be caught by the police. After serving a long prison term for this petty theft, Valjean is tempted to return to a life of crime upon his release, but an act of mercy by a kindly Bishop gives him a fresh start. Valjean gains a new determination to build a better life for himself, and in time he becomes a respected citizen, a successful businessman, and the mayor of a small town. However, Javert (Michel Bouquet), who was once a guard at the prison where Valjean was held, is now a police captain and knows the truth about the criminal history Valjean prefers not to discuss. Javert is convinced that Valjean is not as honest as he seems, and he obsessively pursues him, determined to one day put him back behind bars. This was the 16th screen adaptation of Les Miserables, and the 11th to be produced since the introduction of sound. ~ Mark Deming, All Movie Guide

This French comedy stars Laurent Malet as Jacko, an aging delinquent who falls for businessman's fiancee Lise (Evelyne Bouix). ~ Jason Ankeny, All Movie Guide

Rien ne va plus, by director Jean-Michel Ribes, is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe. Some of the skits seem to revolve around a good idea, but when the script and dialogue have to deliver, the idea tends to deflate before being realized. Comics Jacques Villeret and Roland Blanche are among the actors featured here. ~ Eleanor Mannikka, All Movie Guide

Klaus Kinski plays a motorcycle rider whose bike breaks down in a small French village. He is helped by Madeleine (Maria Schneider), a young woman who is a social outcast from having a child out of wedlock. When news spreads that a little girl was run down by a cyclist, locals focus their blame on Kinski. A lynch mob is formed by a truckdriver (Patrice Melennes) who seeks revenge on the stranger accused of the hit-and-run accident. Kinski does well in an uncharacteristic role evoking sympathy from the viewer. ~ Dan Pavlides, All Movie Guide