Vincent Wong Movies

Behind the black cowl, Gotham City superhero Batman is really millionaire philanthropist Bruce Wayne (Michael Keaton), who turned to crimefighting after his parents were brutally murdered before his eyes. The only person to share Wayne's secret is faithful butler Alfred (Michael Gough). The principal villain in Batman is The Joker (Jack Nicholson) who'd been mob torpedo Jack Napier before he was horribly disfigured in a vat of acid. The Joker's plan to destroy Batman and gain control of Gotham City is manifold. First he distributes a line of booby-trapped cosmetics, then he goes on a destruction spree in the Gotham Art Museum while the music of Prince blasts away in the background, and finally he orchestrates an all-out campaign to win the hearts and minds of the Gothamites, hoping to turn them against the Cowled One. Meanwhile, reporter Vicki Vale (Kim Basinger) becomes the love of Batman's life-which of course plays right into the Joker's hands. Photographed by Roger Pratt, designed by Anton Furst, and scored by Tim Burton's favorite composer Danny Elfman, Batman was a monstrous box-office hit, making $100 million in the first ten days of release--$82,800,000 in North America alone. Incidentally, Billy Dee Williams' comparatively small role as DA Harvey Dent was originally designed to set up the sequel, wherein Dent was to convert into master criminal Two-Face; but by the time the producers got around to that character in 1995's Batman Forever, Two-Face was played by Tommy Lee Jones. ~ Hal Erickson, All Movie Guide

A trio of agents are summoned by Interpol to trail the villain Harry Pimm (Sylvester McCoy) in this low-budget spy feature. Elliot Cromwell (Robert Ginty), Sergeant Terry O'Shea (Victoria Barrett), and Major Shan (Shakti) combine forces to track down the international crime boss ~ Dan Pavlides, All Movie Guide

Pleasant and unpresumptuous, this modest comedy drama is about Elaine (Lucy Sheen), a young female lawyer in London and how she tries to do her duty by executing the last will and testament of a Chinese VIP. The heirs to the man's fortune argue among themselves, creating more headaches for Elaine as she tries to figure out the will. At the same time, Elaine finds herself attracted to the eldest heir, Mike (David Yip), and eventually Elaine and Mike enter into a romantic liaison. Meanwhile, another problem surfaces; the deceased insisted he be buried in his native village in mainland China, but no one wants to accompany the body. ~ Eleanor Mannikka, All Movie Guide

Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of "the wall." This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include "Another Brick in the Wall" and "Comfortably Numb". ~ Judd Blaise, All Movie Guide

In the conclusion of the six-part Doctor Who adventure "The Talons of Weng-Chiang," 51st century war criminal Magnus Greel (Michael Spice) and the Peking Homonculus (Deep Roy) have infiltrated the London home of 19th century police pathologist Prof. Lightfoot (Trevor Baxter). Now nothing can stop Greel from retrieving his time cabinet, which will enable him to continue wreaking havoc throughout the centuries. Oh, wait, there is something that can stop him -- and that something is, of course, the Doctor (Tom Baker). Written by Robert Holmes, "The Talons of Weng-Chiang, Episode 6" originally aired on April 2, 1977, as the final episode of Doctor Who's 14th season. ~ Hal Erickson, All Movie Guide