Victor Wong Movies

No, No, Nanette was the second film version of the popular Otto Harbach-Vincent Youmans Broadway musical. Though slightly updated, the basic plot remains the same, with heroine Nanette (Anna Neagle) entering into a financial arrangement whereby she must answer "No" to every question during a 24-hour period. It's all for the sake of her rogueish uncle (Roland Young), who's heavily in debt thanks to a gaggle of gold-digging chorines. Nanette's task is complicated by her romantic entanglements involving an artist (Richard Carlson) and a flashy theatrical producer (Victor Mature). The songs include "I Want to Be Happy", "Tea for Two" and the title number. Unlike the previous Neagle-RKO Radio-Herbert Wilcox collaboration Irene, No, No, Nanette fizzled at the box office. For many years, the film was withdrawn from circulation because of Warner Bros.' 1950 remake, the Doris Day vehicle Tea for Two. ~ Hal Erickson, All Movie Guide

Cowboy star Bill Elliot makes his first appearance in his familiar guise of "Wild Bill" in Columbia's Taming of the West. When a gang of cattle rustlers knocks off several sheriffs in quick succession, it's up to Wild Bill to get to the bottom of things. The moment he pins on his marshal's badge, our hero is marked for extermination by head villain Rawhide (Dick Curtis). Fortunately, the usually eagle-eyed villains are lousy shots when t comes to bumping off Wild Bill, and justice prevails. Iris Meredith takes a break from Columbia's Charles Starrett series to play Elliot's leading lady, while Dub "Cannonball" Taylor provides dubious comedy relief. ~ Hal Erickson, All Movie Guide

It took British author James Hilton six weeks to write his visionary novel Lost Horizon. It took director Frank Capra two years-and half of his home studio Columbia's annual budget-to bring it to the screen. After a lengthy preamble, inviting audiences to imagine their own ideas of Utopia, the film opens on a chaotic scene at a Chinese airfield. As hordes of bandits approach, hundreds of refugees scramble to board the last plane out. Only five people make it: Mildly disenchanted Far Eastern diplomat Robert Conway (Ronald Colman), his hotheaded younger brother George (John Howard), embezzler Barnard (Thomas Mitchell), dithery fossil expert Lovett (Edward Everett Horton) and consumptive prostitute Gloria Stone (Isabel Jewell). As the plane flies off towards the Himalayas, Robert realizes that he and his fellow passengers are heading in the wrong direction. They are, in fact, being kidnapped-but why? And where to? The plane crash-lands in the snowy Tibetan interior. The pilot is killed, but the passengers are safe. By and by, a strange caravan approaches, led by an enigmatic Chinese named Chang (H. B. Warner). Joining the caravan, Conway and his party are led through a treacherous mountain pass and into a land of temperate weather and dazzling beauty. This is Shangri-La, the idyllic lamasery presided over by the aged, wizened High Lama (Sam Jaffe). In this fertile valley, people are not encumbered by such exigencies as crime, dictators and hatred; instead, everyone is devoted to the pursuit of wisdom and self-improvement-and best of all, the aging process has been slowed to a walk, allowing people to live well past the two-century mark. Though he still does not know why he was brought here, Conway is quicker to adapt to Shangri-La than his wary fellow passengers. He even falls in love with Sondra (Jane Wyatt), an attractive, intelligent young woman. Finally granted an audience with the High Lama, Conway discovers that the old man is actually Father Perrault, the Belgian missionary who founded Shangri-La-over two hundred years earlier. Dying, the High Lama has selected Conway, whose idealism and even-handedness is world famous, to succeed him-and hopefully spread the "love thy neighbor" edict of Shangri-La to the rest of the war-torn world. Conway is willing to assume leadership, but younger brother George, his mind poisoned by spiteful Shangri-La resident Maria (Margo), insists upon escaping to the outside world. The older Conway warns that, despite her youthful appearance, Maria is well past sixty and will surely perish once she leaves Shangri-La; but Maria retorts that the high lama is insane, and that everything he has told Conway is a lie. Disillusioned, Conway agrees to leave with Jack and Maria. The trek back to civilization is a grueling one, especially for Maria, who-true to Conway's prediction-shrivels from age and dies. Appalled that he has been misled, George kills himself. Weeks later, and amnesiac Conway stumbles into a Tibetan mission, where he is rescued and brought back to England. When his memory is restored, however, Conway runs back to Shangri-La, and into the arms of Sondra. When Lost Horizon was shown to preview audiences, it ran nearly three hours-and it was a disaster. In his autobiography, Capra claims to have rescued his pet project by merely burning the first two reels and opening the film with the evacuation scene; In fact, while Capra did remove the film's "flashback" framework, he made most of his cuts in the body of the picture. The release length of Lost Horizon was 132 minutes, pared down to 119 when it when into general distribution. When it was reissued in the 1940s and 1950s, it was rather clumsily pared down to anywhere from 95 to 100 minutes. Only in the mid-1980s was Lost Horizon restored to its original length, with stills used to illustrate certain scenes for which only the soundtrack existed. While not the enormous hit Capra and Columbia had hoped it would be, Lost Horizon was popular enough to allow the name "Shangri-La" enter the household-word category. In 1973, producer Ross Hunter felt the urge to inflict a wretched musical remake onto an unsuspecting public. ~ Hal Erickson, All Movie Guide

Novelist Ursula Parrott's biggest best-seller was 1928's Ex-Wife; less successful was her subsequent book Brilliant Marriage, which may be why poverty-row Invincible Pictures was able to afford the movie rights. Ray Walker plays a slimy reporter who dredges up a scandal in the past of a well-to-do family. In pursuit of his story, Walker romances the family's pretty and vulnerable daughter Joan Marsh. Soured on all men, Marsh refuses to believe that her rich sweetheart John Marlowe is sincere. He is, but she's doesn't tumble to this for nearly an hour. ~ Hal Erickson, All Movie Guide

"How would you like to star opposite the tallest, darkest leading man in Hollywood?" Enticed by these words, brunette leading lady Fay Wray dyed her hair blonde and accepted the role of Ann Darrow in King Kong -- and stayed with the project even after learning that her "leading man" was a 50-foot ape. The film introduces us to flamboyant, foolhardy documentary filmmaker Carl Denham (Robert Armstrong), who sails off to parts unknown to film his latest epic with leading lady Darrow in tow. Disembarking at Skull Island, they stumble on a ceremony in which the native dancers circle around a terrified-looking young girl, chanting, "Kong! Kong!" The chief (Noble Johnson) and witch doctor (Steve Clemente) spot Denham and company and order them to leave. But upon seeing Ann, the chief offers to buy the "golden woman" to serve as the "bride of Kong." Denham refuses, and he and the others beat a hasty retreat to their ship. Late that night, a party of native warriors sneak on board the ship and kidnap Ann. They strap her to a huge sacrificial altar just outside the gate, then summon Kong, who winds up saving Ann instead of devouring her. Kong is eventually taken back to New York, where he breaks loose on the night of his Broadway premiere, thinking that his beloved Ann is being hurt by the reporters' flash bulbs. Now at large in New York, Kong searches high and low for Ann (in another long-censored scene, he plucks a woman from her high-rise apartment, then drops her to her death when he realizes she isn't the girl he's looking for). After proving his devotion by wrecking an elevated train, Kong winds up at the top of the Empire State Building, facing off against a fleet of World War I fighter planes. ~ Hal Erickson, All Movie Guide

In this war drama, a brave reporter tries to remain detached while covering the war in Shanghai. While there, he falls for an ex-streetwalker, but must compete with a mercenary pilot for her love. By the end, the correspondent loses his objectivity after he helps the pilot save the woman from the enemy. The rescue costs the pilot his life. ~ Sandra Brennan, All Movie Guide