Bruce Wong Movies

Al Goddard, (Alan Ladd) special investigator for the U.S. post office, is assigned to collar two criminals who've murdered a postal detective. Goddard must first locate the only witness to the crime, attractive young nun, Sister Augustine (Phyllis Calvert). Posing as a crook, Goddard gains the confidence of the murderers' boss Earl Boettiger (Paul Stewart), who has worked out a scheme to defraud the post office of one million dollars. Once they've tumbled to the deception, the crooks take Goddard and the nun prisoner, leading to a fight to the finish in a lonely industrial district. Appointment with Danger tends to draw chuckles rather than shivers nowadays, thanks to the casting of future Dragnet co-stars Jack Webb and Harry Morgan as the murderers -- and as icing to the cake, viewers are treated to a scene in which Webb bumps off Morgan! As a whole, the film, the last of Alan Ladd's series of film noir, is uneven and generally unsuccessful. However, it contains some crisp, tough dialogue and some terrific action sequences which make it worthwhile. ~ Hal Erickson, Rovi

The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain Dana Andrews speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director Lewis Milestone with the same fervor that he'd expended on his anti-war masterpiece All Quiet on the Western Front (1930). ~ Hal Erickson, Rovi

This patriotic WW II-era bit of anti-Japanese propaganda centers on a white Texas college student who becomes such good friends with Japanese students on campus that he goes to their country after he is wrongfully accused of being a traitor. All this happened before the U.S. declared war on Japan. After the war begins, the fellow willingly makes pro-Japanese radio broadcasts. Fortunately, the fellow turns out to be a red-blooded American boy through and through and thanks to him, the Japanese are rendered helpless by the end of the film. ~ Sandra Brennan, Rovi

Set in Japanese-occupied China shortly before the bombing of Pearl Harbor, this action/drama stars Alan Ladd as Mr. Jones, a cynically materialistic American who has no qualms about selling oil to the enemy; as far as he's concerned, their money spends as well as anyone's. Against the advice of his friend and partner Johnny Sparrow (William Bendix), Jones heads to Shanghai to negotiate a sale with representatives of the Japanese government. En route, Jones and Sparrow are caught in a massive rainstorm that leaves the roads all but impossible to navigate; the yanks are also stopped by Chinese guerilla troops, who force them to take on a group of schoolgirls and their instructor, an American named Carolyn Grant (Loretta Young). Between the patriotic Carolyn, the Chinese schoolgirls, and a baby that Sparrow rescued from the side of the road, Jones has a lot more going on than he's used to dealing with, but the situation forces him to take a long, hard look at his personal politics. When he discovers that one of the girls was brutally raped by Japanese soldiers after she tried to return to her family, Jones decides he can no longer stand alongside the Japanese and kills the three soldiers responsible. This was one of a small number of pro-China films made in the United States during World War II, when the two countries had a mutual enemy in Japan; however, a few years down the line, Hollywood's attitude towards China would be markedly different. ~ Mark Deming, Rovi

This ambitious filmed biography of writer-adventurer Jack London is somewhat compromised by its too-tight budget. Michael O'Shea is well cast as London, whose rugged adventures range from the high seas to the Klondike. London's insatiable wanderlust causes friction in his marriage to the lovely Charmian (Susan Hayward), but she stands nobly by his side in good times and bad (it should be noted that the script is based on Mrs. London's memoirs). In the interests of topicality, the film contrives to have London endeavor to warn America of Japanese military expansion some four decades before Pearl Harbor. It is this story element that makes Jack London a bit difficult to watch today, despite the strong performances of O'Shea, Hayward and a superb supporting cast. ~ Hal Erickson, Rovi

One of the shortest and sweetest of Betty Grable's Technicolor musicals, Song of the Islands casts the Leggy One as Eileen, the daughter of Hawaii-based Irish planter Dennis O'Brien (Thomas Mitchell). For many years, O'Brien has been carrying on a feud with local cattle baron Harper (George Barbier), who covets a patch of beach land that O'Brien owns but won't relinquish. It so happens that Barbier has a handsome son named Jeff (Victor Mature), who upon returning to Hawaii from the Mainland immediately falls in love with Eileen. Before the feud can be patched up, the audience is treated to an endless supply of music and dancing, with both Betty Grable and Victor Mature generously displaying the physical attributes which brought them worldwide fame. Incidentally, some wonderful outtake footage of Song of the Islands exists, featuring Grable and Mature giggling their way through a tender love scene. ~ Hal Erickson, Rovi

The second film in the mystery series about a Chinese sleuth, this one concerns the theft of the "Eye of the Daughter of the Moon," the largest star sapphire in the world, which is stolen from China and turns up in the possession of an unscrupulous gem collector, who receives a death threat containing clues to the potential murderer's identity and calls in Mr. Wong. During a game of charades, the lights mysteriously go out and the collector is shot, and the chase is on. ~ Steve Huey, Rovi

Anna May Wong, who cornered the 1930s market in Eurasian heroines, stars in Daughter of Shanghai. Wong is on the trail of the criminals who murdered her father. The villains are running an illegal-alien operation, smuggling cheap Chinese and Mexican labor into San Francisco and killing those unlucky souls who prove "inconvenient". Wong takes a job as an exotic dancer in a Central American nitery, hoping to trap the murderers in the act. Though J. Carroll Naish and Buster Crabbe are top-billed, the actual hero of Daughter of Shanghai is Chinese actor Philip Ahn, playing an FBI agent protecting Wong from the bad guys. ~ Hal Erickson, Rovi