Ian Wolfe Movies

1950's Emergency Wedding is a remake of 1940's You Belong to Me. The later film stars Larry Parks, who'd had a bit role in the original. Parks plays wealthy Peter Kirk, a playboy, while Barbara Hale co-stars as female doctor Helen Hunt. When Peter marries Helen, it is a "given" that he'll stay home while she works. Unfortunately, Peter becomes jealous of the amount of time Helen spends at the hospital with her patients. Out of pique, Peter makes the supreme sacrifice and offers to get a job himself. All sorts of misunderstandings and remonstrations ensue before the title Emergency Wedding is explained at the very end. ~ Hal Erickson, All Movie Guide

Producer Val Lewton abandoned the "psychological horror" efforts of his RKO days when he moved to MGM in 1950. Lewton's Please Believe Me is a simple, sometimes simplistic romantic comedy, designed principally as a showcase for Deborah Kerr. The star plays Alison Kirbe, an English girl who inherits a Texas ranch. Once word gets out that Alison is in town, she is pursued by three bachelors. Terence Keath (Robert Walker) hopes to marry Alison so that he can square his gambling debts. Jeremy Taylor (Peter Lawford) is too wealthy to consider marriage, but he hopes to have a no-strings-attached good time with Alison. And Matthew Kinston (Mark Stevens) is Alison's all-business attorney, ever on the alert for any fortune hunters who might prey on his client. Guess who she winds up with in the end. As it turned out, Please Believe Me was Val Lewton's cinematic swan song; he died not long after the film's release. ~ Hal Erickson, All Movie Guide

After Ray Milland turned down the leading role in Bride of Vengeance, Paramount contractee John Lund stepped into the role of Alfonso D'Este, second husband of the notorious Lucrezia Borgia. The ruthlessly ambitious Lucrezia is played by Paulette Goddard, who seems ill at ease in the role. MacDonald Carey is better suited to his assignment as Cesar Borgia, the real villain of the piece. The plot proper gets under way when Lucrezia seeks revenge for her first husband's murder. The supporting cast is an odd lot, especially Billy Gilbert as Beppo, a wandering minstrel. A far better recreation of the Borgia "regime" was offered in the like-vintage Prince of Foxes. ~ Hal Erickson, All Movie Guide

The never-solved disappearance of Judge Crater in 1930 was the inspiration for RKO's The Judge Steps Out. Alexander Knox (who also co-scripted the film with director Boris Ingster) plays Bailey, a highly respected Boston magistrate who is fed up to the gills with his workload and his troublesome wife (Frieda Inescourt) and daughter (Martha Hyer). Thus, he decides to hit the road, eventually taking a job as a hash-slinger at a roadside diner. Here he is treated with compassion and understanding by his boss Peggy (Ann Sothern), who, unaware of Bailey's true identity, likes him for himself rather than his prestige. This offbeat comedy-drama manages to keep the audience guessing as to how things will turn out for everyone concerned. Filmed in 1947, The Judge Steps Out was withheld from American release for nearly two years; before making the rounds in the U.S., it was shown in Great Britain under the title Indian Summer. ~ Hal Erickson, All Movie Guide

The story of the outlaw Younger Brothers is duly Hollywoodized in this Technicolor western. Wayne Morris, Bruce Bennett, Robert Hutton and James Brown star as Cole, Jim, Johnny and Bob Younger, who as the film begins have just been released from jail. They try hard to follow the straight and narrow path, but when ex-Pinkerton man Ryckman (Fred Clark) launches a campaign of vengeance against the boys, out come the six-guns. One of Ryckman's schemes is to use female bandit Kate (Janis Paige) to lure the Youngers back into a life of crime. The villain very nearly succeeds, but the boys are saved by the beneficence of the screenwriters. Prominent in the cast of The Younger Brothers is Alan Hale, who showed up in practically every Warner Bros. western made between 1939 and 1950. ~ Hal Erickson, All Movie Guide

After suffering nobly in several heavyweight MGM dramas, Greer Garson and Walter Pidgeon begged the studio to cast them together in a comedy. Though not an all-out laff riot, Julia Misbehaves strives hard to please. Garson plays an ever-in-debt British music-hall performer who relies on the largess of her friends to keep the wolf from the door. Pidgeon portrays Garson's ex-husband, who for the past 20 years has lived in Paris with their daughter Elizabeth Taylor. When Taylor becomes engaged, she sends Garson a wedding invitation. Broke again, Garson hastily joins an acrobatic act to earn steerage money, and charms British nobleman Nigel Bruce into giving her enough cash for a wedding present. Once she arrives in Paris, Garson sticks her nose into everyone's affairs, much to the dismay of the uptight Pidgeon. Garson even advises daughter Taylor to marry someone other than her betrothed. Despite her screwball behavior, Pidgeon can't help falling in love with Garson all over again--but it takes a zany sequence in and around a mountain chalet to knot together the many loose plotlines. Julia Misbehaves was adapted from The Nutmeg Tree, a novel by Margery Sharp. ~ Hal Erickson, All Movie Guide

Love leads a man to his most evil deeds and forces him to change his ways in this Western. After being handed a dishonorable discharge during the Civil War, Mike McComb (Errol Flynn) becomes a professional gambler and follows a path of ruthless action to get what he wants. After moving out West and making a killing prospecting silver, McComb becomes a wealthy and powerful man, and he finds himself infatuated with beautiful Georgia Moore (Ann Sheridan). However, Georgia is married to Stanley Moore (Bruce Bennett), who works for McComb, so he arranges for Stanley to be given a dangerous assignment; Stanley is killed, and McComb sweeps the widowed Georgia off her feet. Georgia weds McComb, but in time she finds out the ugly truth about her second husband, leaving him behind. Devastated, McComb sets out to mend his ways and win Georgia back by serving more noble purposes. Silver River was the seventh Flynn vehicle directed by Raoul Walsh; it would also mark the last time they worked together. ~ Mark Deming, All Movie Guide

Fed up with crowded big-city living, advertising executive Mr. Blandings (Cary Grant) decides to seek out a big, roomy house in the country. Armed with more enthusiasm than common sense, Blandings causes many a headache for his lawyer/business manager Melvyn Douglas, who tries to keep the costs within a reasonable amount. Alas, Blandings bulls ahead on his own, first purchasing an estate on the verge of collapse, then opting to build his dream house from scratch. An unpleasant legal squabble over the fact that Blandings purchased his new property without checking with the prior owners throws even more good money after bad. The construction of the new Blandings digs is slowed down to a walk by doors and windows that don't fit, plumbing that fails to function, doorknobs that break upon contact with human flesh, temperamental workmen, and various and sundry other homeowners' nightmares (if all this sounds like the much-later Tom Hanks/Shelley Long comedy The Money Pit, it only shows to go how little has changed in forty years--except, of course, for the costs of things). Attempting to keep a level head throughout the proceedings is Mrs. Blandings (Myrna Loy), though even she is guilty of pretensions and excess, especially in the classic "choice of colors" scene. The humor in Mr. Blandings Builds His Dream House springs so naturally from the central situation that it seems intrusive when the scriptwriters throw in an arbitrary French-farce scene wherein Blandings suspects that his wife and his lawyer are fooling around (a plot point that the original Eric Hodgins novel did just fine without). One of the best bits comes near the end, when Louise Beavers, the Blandings' cook, saves the day for everyone by ad libbing "If you ain't eating Wham, you ain't eating Ham." Why should we spoil your enjoyment by explaining that line? Now you'll have to see the picture. ~ Hal Erickson, All Movie Guide

Alan Ladd and Robert Preston star as Joe Madigan and Jim Davis, rival grain harvesters in the Midwest's wheat country. The animosity between Joe and Jim intensifies upon the arrival of duplicitous Fay Rankin (Dorothy Lamour). Choosing Jim, Fay demands that she be supported in the manner in which she is accustomed, leading Jim inexorably into a life of crime. A cathartic fistfight between Joe and Jim results in their undying friendship and the hasty departure of the troublesome Fay. All this, plus seemingly endless shots of wheat-harvesting teams at work. Alan Ladd and Robert Preston were both better served the following year in Whispering Smith. ~ Hal Erickson, All Movie Guide

Chased by a posse to a remote cabin, Jeb (Robert Mitchum) is joined by his fearful wife Thorley (Teresa Wright), awaiting the arrival of the men tracking them, as they try to reason out what has gone wrong in their lives. Jeb can't remember anything about his early childhood except for a horrible incident in which the people around him were killed by a mysterious stranger, whose flashing spurs were all the boy saw. He was raised by Ma Callum (Judith Anderson), alongside her two children, Thorley and Adam, as one of her own. But every time Jeb seemed poised to find peace, or even simple stability in his life, lurking nearby was Grant (Dean Jagger), a one-armed stranger who seemed bent on tormenting Jeb -- Jeb doesn't know who he really is, much less who Grant is, but Grant knows enough about him and is good enough at manipulating human nature to make Jeb a target for jealousy and murder. Making Jeb's life even more complicated is the fact that he and his adopted sister Thorley fell in love with each other, while Adam (John Rodney), his adopted brother, has come to hate him. The machinations around Jeb and Thorley come home to roost in multiple shootings and murder, a deadly chase and a long-planned lynching. ~ Bruce Eder, All Movie Guide

There's oil in them thar hills in this late entry in the long-running Hopalong Cassidy Western series. Or, rather, there is oil under an abandoned church in the ghost town of Coltsville. On their way back to the Bar 20, Hopalong Cassidy (William Boyd) and his two sidekicks, California Carlson (Andy Clyde) and Lucky Jenkins (Rand Brooks) seek shelter from a storm in that very same church. They are awakened by church organist Susan Crowell (Dorinda Clifton) and her mother (Mary Newton), who explain that both church and town were abandoned after a series of mysterious killings. Along with Deacon Black (Ian Wolfe), the Crowells are the only inhabitants left in Coltsville. The next morning, a wrecking crew headed by Riker (Harry Cording) arrives to tear down the church, which is defended by Hopalong Cassidy and his friends. During a lull in the siege, Hopalong Cassidy does a bit of snooping around and learns the truth about the ghost town. Armed with this new knowledge, our hero returns to Coltsville and unmasks the real culprit behind both the killings and the attack of the church. ~ Hans J. Wollstein, All Movie Guide

In this drama, set in England, an honorable textbook writer in a village becomes friends with a pregnant girl. The friendship costs him his marriage. Later, the girl dies, and the authorities wonder if it is murder. A coroner's inquest is held, and for a while the writer's social and professional standing sets on the brink of ruin. In the end, he is finally cleared and is therefore free to court his true love. ~ Sandra Brennan, All Movie Guide