Jacques Boudet Movies

A suicidal police detective travels from La Havre to Deauville at the behest of a mysterious femme fatale in the suspenseful sophomore feature from actress-turned-director Sophie Marceau. For Lt. Jacques Renard (Christopher Lambert), every night is a struggle. Rendered sleepless following the untimely death of his beloved wife, Lt. Renard finds his curiosity taking over after he is approached by an enigmatic beauty (Marceau) and implored to visit room 401 of the extravagant Hotel Riviera. Upon arriving at the hotel Lt. Renard discovers that Antoine Berangere (Robert Hossein), who has been the director of the establishment at the Riviera for nearly four decades, vanished forty-eight hours ago under suspicious circumstances. In his father's absence, Antoine's thirty-nine year old son Camille (Nicolas Briancon) has assumed control of the hotel. While Camille insists that the Hotel Riviera has no room 401, the suspicious actions of Antoine's wheelchair-bound second wife (Marie-Christine Barrault) leads Lt. Renard to suspect that foul play is afoot. Shortly after Lt. Renard discovers that Camille's famous mother Victoria (again Marceau) died precisely thirty-six years ago, a mangled body presumed to be that of Antoine Berangere turns up in the city morgue. While his loyal partner Pierre (Simon Abkarian) is convinced that this is an open and shut case, Lt. Renard himself discovers a series of well-concealed clues that lead him to believe that something far more sinister is afoot. ~ Jason Buchanan, All Movie Guide

With a conceit that suggests a contemporary, female-centered reprise of Melvin Van Peebles's offbeat Watermelon Man, the satirical fantasy Agathe Clery stars French comedienne Valerie Lemercier as the title character, a severely bigoted, obnoxious cosmetics employee. The lily-white Agathe particularly loathes blacks, which makes it that much more ironic when, on the eve of the launch of her new line of beauty products for fair complexions ("Scandinavia"), her own skin suddenly takes on a much darker tone - making her the object of scorn, derision and prejudice for dozens of others around her and effectively giving her a taste of her own medicine. The experience quickly strong-arms Agathe into a reconsideration of her warped values and standards, but also robs the downtrodden woman of her job and prized beau. ~ Nathan Southern, All Movie Guide

Claude Chabrol's Comedy of Power stars Isabelle Huppert as a French judge who attempts to bring down the very powerful but corrupt CEO of a large corporation. As she digs deeper into the case, she uncovers criminal activity that stretches into the highest levels of government, and her life is turned upside down by death threats as well as her sudden celebrity. The film follows as her career affects her family. Loosely based on real events, Comedy of Power had its North American debut at the 2006 Tribeca Film Festival. ~ Perry Seibert, All Movie Guide

Robert Guediguian's Marie-Jo and Her 2 Loves is an intimate, straightforward look at a woman having an affair. Marie-Jo (Ariane Ascaride) is married to Danielle (Jean-Pierre Darroussin). They have a teenage daughter, Julie (Julie-Marie Parmentier). For the last year, Marie-Jo has been involved with Marco (Gérard Meylan). Eventually, Danielle learns of his wife's indiscretions, although he says nothing to her. Although she loves both men equally, she eventually leaves her husband and moves in with Marco, causing Danielle to abandon his once stoic approach to the situation. Marie-Jo et ses 2 amours was screened in competition at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

Racism, violence, and drug abuse run rampant in this ensemble drama set in the southern French city of Marseilles. Michele (Ariane Ascaride) spends her days working in a fish factory, where she earns a living to support her unemployed husband and her teenage daughter Fiona (Christine Brucher). In addition to being the mother of a three-month-old, Fiona is also a heroin addict and a prostitute. Thanks to her habit, Fiona is increasingly unable to work, and Michele helps her daughter by exchanging sexual favors for money with Paul (Jean-Pierre Darroussin), an ex-dock worker with more than a few problems of his own. Michele gets drugs for Fiona from Gerard (Gerard Meylan), the sullen proprietor of a small bar who engages in such shady pastimes as political assassination. Meanwhile, Abderramane (Alexandre Ogou), a young African man recently out of prison, finds himself attracted to Vivienne (Julie-Marie Parmentier), a social worker married to a womanizing high-society snob whom she detests. Her spite towards her husband leads Vivienne to claim that she respects poor people who vote for the Far Right more than moneyed individuals who talk a lot about helping the poor but do almost nothing. Vivienne's frustration, coupled with that of the other characters, illustrates the overriding tension that threatens to build to society's collapse. ~ Rebecca Flint Marx, All Movie Guide

Maverick director Melvin Van Peebles translates his own satirical novel to the screen with this multi-national portrait of race, class, and hypocrisy. The film's title refers to the name of a haute cuisine restaurant run by a self-satisfied conservative couple, Henri (Jacques Boudet) and Loretta (Andrea Ferreol). When the two find themselves overworked in the kitchen, they retreat to the local orphanage to find some cheap waitressing help, and the teenaged Diamantine (Meiji U Tum'si) fits the bill perfectly. The haughty couple has more plans for the girl than just waiting tables, however -- the conspicuously accommodating Henri and Loretta are actually bad-mouthing the girl behind her back to the townspeople and the restaurant's patrons. They go so far as to ask the naive Diamantine to pretend that she's pregnant, and she complies under the assumption that it's a harmless prank. When their intentions are revealed, however, the girl becomes wise to the couple's self-satisfied scheming, and sets her sights on revenge. Set in late-1960s France, the film was shot entirely on digital video and then transferred to 35mm prints; Van Peebles composed the score himself. Le Conte du Ventre Plein was first shown as a special presentation at the 2000 Cannes Film Festival. ~ Michael Hastings, All Movie Guide

The Paris-based photographer-painter-actor-filmmaker William Klein looks back on five decades of his life and multi-careers in this French documentary. Born in 1926, Klein is a native New Yorker who began living in Paris in 1948, studied painting with Fernand Leger, photographed for Vogue from 1955 to 1965, dropped out of the fashion world for 15 years, and directed hundreds of commercials (from soup to hosiery). He was seen onscreen as an actor (People Will Talk, La Jetee) and worked offscreen as a visual consultant (Louis Malle's 1960 Zazie dans le Metro). Klein made both short and feature documentaries (from fighters to fashion), including and Far From Vietnam (1967) and Muhammed Ali, The Greatest. His dramatic film Who Are You, Polly Magoo? (1966) won the 1967 Prix Jean Vigo. Also excerpted here is Mr. Freedom (1968), a fable about America's intervention in Vietnam. ~ Bhob Stewart, All Movie Guide

In the midst of WW I, a doctor and a lawyer team up to turn a ramshackle old mountain chateau into a sanatorium/health spa that caters to the afflicted from most every stratum of European society, most of whom show up with false hope in their hearts and plenty of equally false identities. Even the proprietors have a few deceptions, chief among them is the part of the resort where they provide shelter for dying and horribly maimed soldiers. Still the atmosphere of this high-class convalescent home is that of great gentility that thinly disguises the seaminess of the guests' secret activities. Though much of the film is a quirky comedy, tragedy comes creeping in when people begin dying of unnatural causes, and not even the pure mountain air can save the owners and the residents. ~ Sandra Brennan, All Movie Guide

In this film, director/screenwriter Jean Teule adapts his novel Rainbow pour Rimbaud. Arthur Rimbaud (1854-1891) was a leading light in the symbolist movement of French literature, which rejected the use of realism in the depiction of emotions and ideas. In this film, Robert (Robert MacLeod) is an eccentric, oversized young man who puzzles and infuriates his parents by locking himself into a closet for long periods of time; at the same time, he loudly recites poetry by Arthur Rimbaud. Kicked out of the house by his exasperated parents, he decides to make a pilgrimage of the exotic African sites Rimbaud haunted in his final years. He meets and then travels with Isabelle (Laure Marsac), who is attempting to escape from a rejected suitor's unwanted attentions. In addition to that problem, she has another, more curious problem. It seems she is turning into a hawthorn bush. ~ Clarke Fountain, All Movie Guide

Not a strict adaptation of the oft-filmed Victor Hugo classic, director Claude Lelouch's ambitious epic instead focuses on the story of two men, a father and a son, whose life stories bear striking similarities to Hugo's character Jean Valjean. The father is Henri Fortin (Jean-Paul Belmondo), a chauffeur (in 1900) wrongly accused of his employer's murder. Like Valjean, he is subjected to a harsh and unfair prison sentence. While Henri vainly attempts to escape his unjust fate, his family suffers, with his wife forced to raise their young son alone. The film jumps ahead several decades to show the adult life of this son (also Belmondo), a former boxer turned furniture mover who agrees to help smuggle a Jewish lawyer (Michel Boujenah) out of France during the Nazi occupation. Along the way, the lawyer reads to the younger Fortin from Les Misérables, and Fortin begins to imagine himself in the role of Jean Valjean, on the run from the obsessive Inspector Javert. ~ Judd Blaise, All Movie Guide

If this had been a western, the older gunfighter would have taught his younger rival a thing or two about the perils of a scandalous reputation before passing on the torch and (more than likely) dying tragically just as he is about to reform. Instead, in this film based on a novel celebrating the exploits of the legendary seducer Casanova, the younger competition is humbled by the fiftyish fugitive from justice because, in the art of seduction, experience is everything. In the story, Casanova (Alain Delon) is a fugitive from the wrath of the authorities of France and Italy, and he is being sheltered beneath the roof of an old friend, for whom he once did an important favor. The friend has an attractive niece, whose charms interest the almost elderly roué. However, he has two problems: his friend's wife is an old conquest who has been longing for him to show up and bed her for almost twenty years, and the niece is being courted by a handsome young soldier whose ambition is to outdo Casanova in the area of amorous adventures. ~ Clarke Fountain, All Movie Guide

Without undue melodrama or moral judgment, this evocative French drama paints a painfully realistic portrait of a woman who inexorably destroys her life with her constant fixation on her own needs. She is Camille Valmont, a woman whose lust for fame eclipses every other aspect of her life. By the time she succeeds, she has lost her good husband and two young children. The courts grant her visitation rights with the children every other weekend. Even then, she is so consumed by her career that she rarely avails herself of the rights. Then her career begins to go into a slump. Camille becomes so desperate for money that she must take any job available to get by. One day she gets a short stint working as a Rotary Club hostess in Vichy. Unfortunately, it is on a visitation weekend. To do both, she takes the children with her, something the courts have forbidden her to do. Just before she is to go on stage, her ex-husband calls to tell her that he is coming for the children. She panics, steals a rental car and takes off with the children, neither of whom care much for her, in a desperate, if misguided bid to get closer to them. ~ Sandra Brennan, All Movie Guide