David Wolfe Movies

Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide

The upbeat title belies the film's often melancholy subject matter. Based on a novel by Ferdinand Reyher, Nellie stars David Wayne as a small town barber in the early 20th century. Wayne's bored wife (Jean Peters) leaves him for a city slicker (Hugh Marlowe), whereupon both are killed in a train accident. Wayne does his best to raise his two children alone, but the oldest son (Tommy Morton) becomes a criminal and is shot down in a Chicago gang war (a startlingly graphic sequence for a 1952 film). Wayne's life seems to be one disaster after another, but he perseveres, and upon his town's 50th anniversary he is honored as a pillar of his community. Somehow all of the previous tragedies are compensated for by the presence of Wayne's doting granddaughter Nellie (Helene Stanley). ~ Hal Erickson, All Movie Guide

Money, romance, betrayal, double-dealing -- who knew making dresses could be so interesting? Harriet Boyd (Susan Hayward) is a fashion model who has landed plenty of work with a Seventh Avenue dress-making concern. However, Harriet knows that she can't be a model forever, so she is trying to turn her dreams of being a dress designer into reality. She knows that you have to be tough to succeed in the garment industry, but "tough" is practically Harriet's middle name; the ruthless would-be garment mogul lures salesman Teddy Sherman (Dan Dailey) and production whiz Mr. Cooper (Sam Jaffe) from the company and starts her own shop. Harriet has a genuine talent for designing dresses that look good on ordinary women, and the firm soon develops a solid customer base, but the more luxurious and lucrative department stores are looking for something more upscale. J.F. Noble (George Sanders), who runs one such chain, tells Harriet he'd be interested in carrying her merchandice if she was willing to create a line of designer-style gowns. Teddy is against the idea, feeling it doesn't play on their strengths and would be bad for the company in the long run. Harriet, however, is determined to make a name for herself, and when Teddy and Cooper won't allow her out of their deal, she begins making gowns for Noble on the sly. Once the deal with Noble is sealed, Harriet informs Teddy and Cooper that they have no choice but to go along with her; this does not sit well with either of them, especially Teddy, who has become romantically involved with Harriet, though she toys with Noble out of self-interest. I Can Get It for You Wholesale (also released as Only the Best) was based on a novel by Jerome Weidman; the book was later adapted into a Broadway musical, which is best remembered today for providing Barbra Streisand with her first big break in show biz. ~ Mark Deming, All Movie Guide

Though director Budd Boetticher is best known to western fans for his collaborative efforts with star Randolph Scott, Boetticher also turned out several worthwhile actioners with other cowboy stars. The Cimarron Kid stars Audie Murphy in the title role. After being falsely accused of a payroll heist, the Kid heads for the high country, where he joins the outlaw Dalton gang. When the Daltons are decimated during a daring daylight bank robbery, the Kid takes over what is left of the gang and hides out at a local ranch. Here he is reformed by the love of rancher's daughter Carrie Roberts (Beverly Tyler), but not so reformed that he doesn't embark upon one last robbery. Universal contractee Yvette Dugay has a high old time in the role of that notorious sagebrush camp follower, Rose of Cimarron. ~ Hal Erickson, All Movie Guide

Jeff Chandler stars in the Universal actioner Smuggler's Island. Chandler plays ex-Navy frogman Steve Kent, now employed as a diver for hire in Macao. On the verge of bankruptcy, Kent is bailed out by mystery woman Vivian Craig (Evelyn Keyes), who wants him to locate a stolen cache of gold. Other interested parties include Vivian's shifty husband (Philip Friend) and ruthless pirate Bok-Ying (Marvin Miller). Crosses, double-crosses and triple-crosses abound before fadeout time. The climax is a Technicolorful fireworks display aboard Kent's sloop, wherein all loose plot strands are neatly tied up. Smuggler's Island doesn't make a whole lot of sense, but this fact does not lessen its entertainment value one iota. ~ Hal Erickson, All Movie Guide

Right Cross stars Dick Powell as cynical sportswriter Rick Gavery and Powell's wife June Allyson as boxing manager Pat O'Malley. Subbing for her incapacitated father (Lionel Barrymore), Pat grooms prizefighter Johnny Monterez (Ricardo Montalban) for the championship. Johnny holds a grudge against the world because he feels that his Mexican heritage has made him an outcast, though curiously the audience never sees any prejudice levelled against him. Gradually, Pat falls in love with the tempestuous Monterez, while Gavery, who's always carried a torch for Pat, observes from the sidelines. The film wisely avoids the usual boxing-flick cliches, most commendably during the climactic Big Bout. Marilyn Monroe appears unbilled in the opening scene as Dick Powell's dinner companion. ~ Hal Erickson, All Movie Guide

Farley Granger plays a casually larcenous New York City mailman who steals a shipment of money. Granger's excitement over this windfall turns to terror when he discovers that the money was part of a transaction between gangsters. Harassed by both crooks and cops, Granger lives to regret his impulsive theft--especially when it is tied in with a murder. The story is wrapped up in spectacular fashion with a climactic car chase. Farley Granger's costar in Side Street is Cathy O'Donnell; both were on loan to MGM from Samuel Goldwyn, and both were banking on their previous successful teaming in RKO's They Live By Night. ~ Hal Erickson, All Movie Guide

Eliot Ness may have gotten lots of publicity (especially long after the fact) for breaking the Capone mob, but as Joseph H. Lewis' The Undercover Man reminds us, it was the accountants and the numbers-crunchers that brought down Capone and his mob. Frank Warren (Glenn Ford) started out as an accountant, but now serves as an investigator for the Treasury Department. His job has frequently required him to go undercover, masquerading as a criminal to get the goods on the top-level tax-law violators that his unit targets. But now his assignment is to gather evidence on the operations of the nation's number-one crime boss and get proof of the income that he and his lieutenants are not declaring, and this proves not only frustrating but dangerous. Potential stoolies are murdered and witnesses intimidated, and when one otherwise "respectable" lawyer (Barry Kelley) starts mentioning Warren's wife (Nina Foch) in casual conversation, he takes the hint. He's ready to quit until the mother (Esther Minciotti) of a witness-turned-victim tells him about what life was like in Italy under the Black Hand, and why she came to America to raise her sons. Warren and his men (James Whitmore, David Wolfe) make one last attempt to get the proof they need, tracing signatures and handwriting to get evidence implicating a small man in the operation, using it to turn him and going for bigger fish. Finally, even the shyster lawyer who has been dogging Warren every step of the way ends up in the sights of the feds, and the mob turns its attention to getting rid of this new "liability" and taking care of Warren as well. ~ Bruce Eder, All Movie Guide

Sword in the Desert is set in Palestine during World War II. Dana Andrews plays an American seaman engaged in smuggling European Jewish refugees into the Holy Land, despite the restrictions levied by the British occupation troops. Fifth-billed Jeff Chandler makes his movie debut as an Israeli rebel leader; his performance garnered so much fan mail that Chandler was given a seven-year contract at Universal. Few of those letters came from Britain, where Sword in the Desert ran into distribution difficulties due to its blatant anti-British slant--especially as manifested in the underground radio broadcasts of leading lady Marta Toren. The principal complaint was that the British seemed to be the sole villains in the script, which virtually ignored the Arab resistance to the formation of Israel. Sword in the Desert represents a low-key warm-up to the blood-and-thunder excesses of Otto Preminger's 1960 Exodus. ~ Hal Erickson, All Movie Guide

Ex-navy pilot Slattery (Richard Widmark) works for a dope-smuggling ring. When he's not in the air, Slattery is making time with Dolores (Veronica Lake), the somewhat put-upon secretary of the ring's leader. Only upon meeting Aggie (Linda Darnell), the wife of his old navy buddy Hobson (John Russell), does Slattery entertain thoughts of changing his ways. As the film's title indicates, Slattery redeems himself during an outsized hurricane. Based on a story by Herman Wouk, Slattery's Hurricane was largely shot on location in Florida. The film represented a comeback attempt by Veronica Lake, who was then married to director Andre de Toth. ~ Hal Erickson, All Movie Guide

The Dangerous Profession of the title is the bail-bond business. George Raft stars as Kane, a former cop turned professional bail-raiser. When one of his customers, robbery suspect Brackett (Bill Williams), is mysteriously murdered, Kane wants to know why. His reasons are twofold: he has an insatiable curiosity, and he's fallen in love with Brackett's widow Lucy (Ella Raines). As his business partner Farley (Pat O'Brien) looks on in mute bewilderment, Kane risks life and limb to solve the mystery. The plot doesn't always make sense, but in 1949 it was reassuring to see George Raft and Pat O'Brien harking back to their cinematic halcyon days of the 1930s. ~ Hal Erickson, All Movie Guide