Bill Wolfe Movies

An interesting entry in Republic Pictures' long-running "Red Ryder" B-Western series, this film is not about hardy settlers braving the Colorado winters, as the title would suggest. Instead it's a sort of Reform School Western about a couple of wayward Chicago boys (Billy Cummings and Freddie Chapman) taken in by Ryder's indomitable aunt, "The Duchess" (Alice Fleming. The boys escaped their very own "Fagin," Bull Reagan (Roy Barcroft), and were given a second chance on the lady's Western ranch. Unfortunately, Reagan returns to do a bit of cattle rustling, once again luring the boys into becoming his accomplices. The stalwart Ryder (William Elliot and his young Indian sidekick, Little Beaver (Robert Blake), come to their rescue, and the real villain is soon put away. Interestingly, at one point in the film, Ryder and his aunt are (unjustly) accused by the townspeople of exploiting their youthful ranch hands. Buckwheat Thomas of Our Gang fame, plays a character named Smoky. ~ Hans J. Wollstein, All Movie Guide

Cary Grant delivered Oscar-calibre performances all his life, but only when he played against type in None But the Lonely Heart did the Academy Awards people break down and give him a nomination. Grant plays a restless, irresponsible cockney who seeks a better life but doesn't seem to have the emotional wherewithal to work for such a life. The hero's shiftlessness extends to his love life; musician Jane Wyatt genuinely cares for him, but he prefers the company of fickle gangster's ex-wife June Duprez. June's former husband George Coulouris convinces Grant that the quickest means to wealth is a life of crime, but Grant drops this aspect of his life to take care of his terminally ill mother Ethel Barrymore. While Cary Grant did not win the Oscar he so richly deserved for None But the Lonely Heart, Ethel Barrymore did cop the gold statuette. Written and directed by Clifford Odets, None But the Lonely Heart unfortunately lost money for RKO, which could have used a little extra cash after paying the expenses of temporarily closing Ms. Barrymore's Broadway play The Corn is Green. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown heads the cast of Monogram's Outlaws of Stampede Pass. Per the title, the film concerns a western community held in the grip of a gang of desperadoes. Brown and his dusty sidekick Raymond Hatton set about to round up the bad guys. We know what's going to happen, but as always, Johnny brings a sense of freshness and spontaneity to the proceedings. Outlaws of Stampede Pass was adapted from a story by Johnston McCulley, of "Zorro" fame. ~ Hal Erickson, All Movie Guide

In 1939's Days of Jesse James, the title character was played by Don "Red" Barry, with official star Roy Rogers carrying the brunt of the plotline. Two years later, Rogers was cast as ol' Jesse himself in Republic's Jesse James at Bay. Since Jesse is herein depicted as a "good guy", whose train-robbery rampage is motivated by the chicanery of a crooked railroad executive, someone else would have to handle the film's villainy. That someone was also Roy Rogers, cast as Jesse's lookalike, a local outlaw named Clint Burns. Typical of the anachronisms festooning the script of Jesse James at Bay is the presence of not one but two female newspaper reporters, played by Gale Storm and Sally Payne. ~ Hal Erickson, All Movie Guide

This Roy Rogers vehicle is a followup (though not a sequel) to 1940's Young Buffalo Bill. Definitely a "premature anti-fascist", singing frontiersman Bill Hickok (Roy Rogers) tries to thwart the takeover of West by foreign invaders. John Miljan is frontier fuhrer Nicholas Tower, who hires a gang of storm troopers-er, henchmen-to do his dirty work. Southern belle Louise Mason (Jacqueline Wells) initially aligns herself with Tower because he is ostensibly anti-Damyankee, but she finally turns against him when she realizes what he's up to. Calamity Jane also appears in the person of comic actress Sally Payne, while Gabby Hayes shows up as a character named-but of course-Gabby. ~ Hal Erickson, All Movie Guide

The once-in-a-lifetime teaming of Mae West and W.C. Fields in My Little Chickadee had the potential for comic greatness: what emerged, though generally entertaining, was, in the words of critic Andrew Sarris, "more funny strange than funny ha-ha." Mae West dominates the film's first reel as Flowerbelle Lee, a self-reliant woman who is abducted by a mysterious masked bandit during a stagecoach holdup. Because she refuses to tell anyone what happened during her nocturnal rendezvous with the bandit, Flowerbelle is invited to leave her prudish hometown and move to Greasewood City. En route by train, Flowerbelle makes the acquaintance of con-artist Cuthbert J. Twillie (W.C. Fields), who carries a suitcase full of what seems to be large-denomination monetary notes. After a lively clash with marauding Indians, Flowerbelle tricks Twillie into a phony marriage; she does this so that she can arrive in Greasewood City with a modicum of respectability, and incidentally to get her hands on Twillie's bankroll. Once she discovers that Twillie's "fortune" consists of nothing but phony oil-well coupons, Flowerbelle refuses to allow Twillie into the bridal chamber (he unwittingly crawls into the marriage bed with a goat, muttering "Darling, have you changed your perfume?") Through a fluke, the cowardly Twillie is appointed sheriff of Greasewood City by town boss Joseph Calleila. The plot is put on hold for two reels while La West does a "schoolroom" routine with a class full of markedly overage students, and while Fields performs a bartender bit wherein he explains how he once knocked down the notorious Chicago Mollie. Jealous over the attentions paid to his "wife" by Calleila and honest newspaper-editor Dick Foran, Twillie decides to gain entry into his wife's boudoir by posing as the still-at-large masked bandit. His ruse is soon discovered by Flowerbelle, but the townsfolk capture Twillie as he makes his escape. They are about to lynch the hapless Twillie when Flowerbelle discovers that Calleia is the genuine masked bandit. She urges Calleia to save Twillie's life by making a surprise appearance at the lynching and by returning the money he's stolen. When all plot lines are ironed out, Flowerbelle and Twillie bid goodbye to one another. Borrowing a device utilized by ZaSu Pitts and Hugh Herbert in 1939's The Lady's From Kentucky, W.C. Fields invites Mae West to "come up and see me sometime," whereupon West appropriates Fields' tagline and calls him "My Little Chickadee." The script for this uneven comedy western was credited to Mae West and W.C. Fields, though in fact West was responsible for most of it. Fields willingly conceded this, noting that West had captured his character better than any other writer he'd ever met. Despite this seeming gallantry, it was no secret that West and Fields disliked each other intensely, a fact that had an injurious effect on their scenes together. My Little Chickadee has assumed legendary status thanks to its stars, and it certainly does deliver the laughs when necessary: still, it is hardly the best-ever vehicle for either Fields or West, two uniquely individual performers who should never have been required to duke it out for the same spotlight. ~ Hal Erickson, All Movie Guide

The Three Mesqueteers attempt to prevent wholesale slaughter in this fine Republic Western starring John Wayne, Ray "Crash" Corrigan, and Raymond Hatton. Planning to build a reservoir on the site, the state government has condemned the town of New Hope and surrounding ranches. Construction chief M.C. Gilbert (LeRoy Mason) arrives with a clear mandate to buy off both the townsfolk and the ranchers but receives unwanted resistance from old Major Braddock (Eddy Waller) and his grandchildren (Jennifer Jones, Dave O'Brien, and Sammy McKim), who are ready to take up arms against the intrusion. When Gilbert and his cohort, Proctor (Harrison Greene), resort to ungentlemanly methods, including bringing in a crooked real-estate developer (Wilbur Mack), the Mesqueteers ride into action. Jennifer Jones, in her screen debut, is billed under her real name of Phyllis Isley. ~ Hans J. Wollstein, All Movie Guide

Left-Handed Law is an average western lifted well above the norm by star Buck Jones and director Lesley Selander. Jones is cast as Alamo Bowie, who tries to help rancher Sam Logan (George Regas) rid his land of outlaws. He does this partly because he's fond of Logan's daughter Betty (Noel Francis), but mostly because he feels like a-doin' it. The film's "money" scene finds Alamo agreeing to accommodate fatally wounded outlaw One-Shot Brady (Matty Fain), whose last wish is to die with his boots off. Our hero removes one boot, pauses, looks down, and says softly "Got one of 'em off, old timer." ~ Hal Erickson, All Movie Guide