Christopher Witty Movies

British character actor Lionel Jeffries both directed The Railway Children and adapted its screenplay from the novel by E. Nesbit. Dinah Sheridan plays the mother of three children who must live in reduced circumstances when her husband (Ian Cuthbertson), a government official, is arrested on a false charge of treason. The kids adapt rather well to their new environment, a community located on the edges of a railway. They befriend a kindly porter (Bernard Cribbins) and a wealthy gent (William Mervyn), both of whom strive to prove their father's innocence. ~ Hal Erickson, Rovi

In this blend of action-adventure and spy satire, the British government has been negotiating with the Middle Eastern nation of Ramaut to lease their oil fields for drilling by U.K. petroleum companies, but at the last minute, the deal collapses, and Col. Drexel (Jack Hawkins), a military leader who has worked with the authorities in Ramaut before, is given an unusual assignment. The young Prince Jamil of Ramaut (Christopher Witty) is scheduled to take the nation's throne and become the country's leader. Drexel and his men are to kidnap Jamil, hold him until he is of age, and then release him once they've persuaded him to sign the oil lease agreement. American operative David Frazer (Cliff Robertson) is called in to help, and he meets Drexel at the villa where Jamil is being held captive. However, shortly after Frazer is confronted by Sophie (Marisa Mell) and a gang of agents, he's knocked senseless and wakes up to find that Jamil is missing. Drexel's superiors think that Frazer was in on the plot to free Jamil, and while Drexel knows better, it just so happens that he has his own agenda -- Drexel has been negotiating with Jamil's family to release him in exchange for a cash payment that would go directly into his pocket. Incidentally, if you have trouble finding Ramaut on a map, don't worry -- it exists only in the mind of screenwriters William Goldman and Michael Relph. ~ Mark Deming, Rovi

Joseph Losey directed this unusual science fiction effort, which has won a small but fervent cult following. Simon Wells (MacDonald Carey) is an American visiting England, where he meets a woman named Joan (Shirley Ann Field). Simon is immediately attracted to Joan, but there's a considerable obstacle in their budding romance: Joan's brother King (Oliver Reed), the leader of a violent pack of motorcycle rockers. King has a barely concealed incestuous attachment to his sister, and he sometimes uses her to lure victims into his gang's clutches. King and his cronies attack Simon, take his money, and leave him stranded, where he's eventually found by a pair of military security men. Simon is brought to the home of Bernard (Alexander Knox), a scientist working on a secret project for the government, and his girlfriend Freya (Viveca Lindfors), a sculptor. Joan eventually tracks Simon down in hopes of winning his forgiveness, but another run-in with King causes Simon and Joan to discover a cave that holds a terrible secret: a group of strange, cold-blooded children who were the products of one of Bernard's experiments gone wrong. The children were genetically engineered to survive a nuclear war, and, as a result, they are radioactive enough to kill anyone who comes in close contact with them. Controversial in its day, The Damned was produced in England in 1961 but was not released until 1963, when Hammer Films booked it as the second-half of a double bill with Maniac. It did not reach American screens until 1965, when it was shown under the title These Are the Damned. ~ Mark Deming, Rovi

This film is based on the popular British TV series Emergency Ward 10. A surgeon arrives from the U.S. with a new heart-lung machine in order to save a young boy who has a hole in his heart. The doctor is treated coolly by a jealous rival, and an old man dies while on the new life-saving machine. Controversy erupts, among his more traditional colleagues, over the American doctor's experimental methods. Character diversity is well-represented by the patients; a woman waiting to bear quadruplets, the old man, the young boy, and the neglected wife. Romance, humor and drama surround the doctors, nurses and patients, all leading to an inevitable hospital party. ~ Dan Pavlides, Rovi

Anna Neagle steps down from her expensive musical extravaganzas to play a recognizable human being in No Time for Tears. She plays the dedicated director of a busy children's hospital, battling red tape, family hassles and public indifference. A large and stellar cast appears in this episodic tale, dramatizing the triumphs and tragedies of pediatrics. An unfortunately predictable happy ending sends the filmgoers home without trauma. No Time for Tears came close to the end of Anna Neagle's starring career; she would appear in two more films, and produce two additional features, before returning to the stage. ~ Hal Erickson, Rovi