Margaret Withers Movies

American leading man Lee Patterson (later one of the many stars of One Life to Live) is top-billed in this compact British crime caper. Three thieves from various walks of life combine their forces for a complex heist. The plan is to steal a large cache of loot from a carefully guarded postal delivery; to accomplish this, disguises and "inside men" are vital ingredients. Inevitably the thieves fall out and the best-laid schemes go awry. Mailbag Robbery is ideal viewing for wide-eyed Late Late Show fanatics. ~ Hal Erickson, All Movie Guide

The British Conflict of Wings was also released as Fuss over Feathers: Both titles are applicable, but only the second title captures the mood of the proceedings. The story takes plays in a Norfolk-country village, where the populace is up in arms over the announcement that the RAF plans to build a target range. It seems that the village is the site for a bird sanctuary that was allegedly established 400 years earlier by King Henry VIII. Faced with an intractable government and an equally unsympathetic bureaucracy, the villages decide to resolve matters in their own inimitable way. Commendably, the RAF is not cast as the villain of the piece: both sides are well represented in the argument, though audience sympathy understandably leans in the direction of the bird-huggers. Conflict Over Wings was adapted by Don Sharp from his own novel. ~ Hal Erickson, All Movie Guide

...And it ended in London. This backstage yarn stars Jane Hylton as a talented dress designer who lets nothing get in the way of her success. As she rises in the fashion world, she loses contact with her own humanity. She also forgets that you meet the same people on the way up as on the way down. It Started in Paradise is a unusually plush, Lana Turner-esque production to come from a British studio in the early 1950s. ~ Hal Erickson, All Movie Guide

In this comedy, two soldiers find themselves dishonorably discharged after they accidently allow a Nazi prisoner to escape. Later they open up a detective agency. They are constantly plagued by the Nazi who follows them on every case. In the climax, the trio plays a crazy cricket match using a ball with a diamond hidden within it. ~ Sandra Brennan, All Movie Guide

Based on the infamous Archer-Shee case of 1912, The Winslow Boy features Neil North as the 14-year-old title character. Accused of a petty theft, North is expelled from Naval College. His father, retired bank official Sir Cedric Hardwycke, is prevented by existing British law to clear his son's name. He engages attorney Robert Donat, who successfully petitions for the right to sue the Admiralty and make this august organization prove its charges in court. Public opinion, however, is strongly against Hardwycke and his family: particularly effected is Hardwycke's daughter Margaret Leighton, whose fiance breaks off their engagement. For dramatic purposes, Margaret finds solace in a romantic relationship with barrister Donat. Terrence Rattigan worked on the cinemadaptation of his own play, which was later restaged on American television. ~ Hal Erickson, All Movie Guide

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, All Movie Guide

James Mason stars in The Upturned Glass as a prosperous British brain surgeon. Mason saves Rosamund John's daughter from blindness, whereupon the married John falls in love with the doctor. The illicit lovers conduct a passionate affair while John's husband is out of the country. When John dies mysteriously, Mason suspects that the culprit is his own jealous sister-in-law Pamela Kellino (Mason's real-life wife at the time). Acting on his suspicions, Mason murders Kellino, stuffs her body in the trunk of his car, and drives to parts unknown to dispose of the corpse. Before he is able to do this, Mason is called to the home of a dying child. Despite the risk of being exposed as a murderer, Mason leaves his car unattended to rush to the side of the stricken child. The film doesn't end very happily for Mason, but he is mildly comforted by the fact that he has remained loyal to the Hippocratic oath. Upturned Glass is a virtual compendium of late-1940s British melodramatic devices: tortured hero, well-planned crime, moonlight-drenched photography, lengthy flashbacks, quasi-classical music score, and the rest of the repertoire. The film was coproduced by James Mason, and cowritten by Mason's wife and costar Pamela Kellino. ~ Hal Erickson, All Movie Guide

Daybreak a dark, depressing melodrama, tells the story of Eddie (Eric Portman) an unemployed hangman who marries Frankie (Ann Todd) after meeting her in a bar. The couple live on a barge and one day Portman returns home unexpectedly to finds Frankie in the arms of handsome longshoreman Olaf (Maxwell Reed). A fight ensues, and Eddie is knocked overboard and disappears. Frankie, guilt-ridden, commits suicide, and Olaf is arrested for the murder and sentenced to death as the story concludes in a surprising plot twist. The film, rather long and somewhat labored, is difficult to watch because of its unrelentingly depressing viewpoint, but the performances of Eric Portman and Ann Todd add interest and flavor to an otherwise slow drama. ~ Linda Rasmussen, All Movie Guide

Don't Take It to Heart is an amiable entry in the 1940s cycle of "ghost comedies". A British castle is rocked by a German bombing raid, releasing a jaunty wraith (Richard Greene) from his house-haunting job. As long as he's got the run of the castle, the ghost decides to take a hand in the romance between mistress-of-the-house Patricia Medina and young researcher Richard Bird. Also in line for ghostly visitation is the nasty landlord who holds the local townsfolk in his avaricious clutches. Don't Take It to Heart received almost uniformly good reviews from the British press, which during wartime was often resistant to comedy films. ~ Hal Erickson, All Movie Guide

In this romance, a poor girl spends her spare time window shopping for pricey goods. On a lark, she goes into an auto dealership to price a Rolls Royce. She feigns outrage when she learns the car has already been sold. She petulantly demands that she be sold that particular car. Her feisty actions are observed by a wealthy playboy who immediately falls in love with her. Much to the shock of her parents, who own a small antique shop, a brand new Rolls is delivered right to the front of their shop. Her mother goes to the dealer and demands to know who bought the vehicle for him. The dealer tells her that her daughter "won" it. Of course, it was the playboy who bought her the car on the sly. When at last they meet, the two fall in love. They encounter difficulty when the playboy discovers that she works at his father's musical instrument factory. He must conceal his identity to avoid scandal, but it cannot be avoided. The truth comes out and it is a while before the couple can get back together. ~ Sandra Brennan, All Movie Guide