Andreas Wisniewski Movies

A Roman soldier (Michael Fassbender) leads a small band of troops on a mission to rescue a key Roman general after becoming trapped in the territory of their sworn enemies in this period action-adventure film from director Neil Marshall (The Descent, Doomsday). The year is A.D. 117. Despite the growing strength of the Roman Empire, a fierce tribe known as the Picts has prevented Hadrian's armies from conquering northern Britain. The Picts offer a devastating display of their guerilla power when they raid a Roman frontier fort, and Quintus just barely manages to escape with his life. Thirsting for revenge, Quintus joins General Virilus' Ninth Legion as the squadron begins traveling north on a mission to find and kill Gorlacon, the leader of the Picts. That mission is complicated when the Ninth Legion is ambushed and General Virilus is captured, leaving his men stranded behind enemy lines. Now, as the Quintus and the surviving members of the Ninth Legion are hunted from the shadows, they prepare to make one last, desperate bid to save General Virilus and reach the Roman frontier before being captured or killed by the Picts. ~ Jason Buchanan, Rovi

Genevieve Jolliffe directed this British supernatural drama set in Glasgow. A joyride car crash almost leads to the death of 12-year-old Lizzie (Heather Ann Foster) who lives with her mother Kate (Stephanie Buttle) and with her brother and younger sister in a seedy apartment building. When Lizzie returns home, she begins experiencing strange and unexplained phenomena in the apartment With police and a social worker (Siri O'Neal) ill-equipped to deal with poltergeist activity, Kate turns for help to journalist John Fox (Jason Connery) who sees it as a hoax and types it as a tabloid tale. However, after university parapsychologists arrive on the scene, scientific tests indicate that mother and daughter deserve serious scrutiny. Filmed with a blow-up from Super-16 and shot at southeast England locations with interiors at Ealing Film Studios. Shown at the Edinburgh Film Festival. ~ Bhob Stewart, Rovi

After he is framed for the death of several colleagues and falsely branded a traitor, a secret agent embarks on a daring scheme to clear his name in this spy adventure. Though it drew its name from the familiar television series, director Brian DePalma's big-budget adaptation shares little more with the original show than the occasional self-destructing message and the name of team leader Jim Phelps (Jon Voight). The film focuses not on Phelps but his protégé, Ethan Hunt (a reserved Tom Cruise), who becomes a fugitive after taking the blame for a botched operation. He responds by banding together with a group of fellow renegades, and he is soon maneuvering his way through a twisted series of double crosses that mainly serve as excuses for spectacular high-tech action sequences. Much of the activity revolves around a missing computer disk, with the film's most famous scene depicting Hunt's delicate efforts to retrieve the disk from a secure, well-alarmed room in CIA headquarters. ~ Judd Blaise, All Movie Guide

Hit List is a thriller about a professional hit man (Jeff Fahey) who is hired by an attorney (James Coburn) with the intent of killing drug lords. However, the attorney then introduces the assassin to a sexy widow, asking him to execute the man who killed her husband. Soon, the hit man can't separate his professional life from his personal life. ~ Stephen Thomas Erlewine, Rovi

An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, Rovi

Director Ken Russell applies his trademark excess to this surreal, experimental examination of the creative dementia which shaped Mary Wollstonecraft Shelley's Frankenstein. The story is embellished from events which allegedly took place at the Swiss villa of Lord Byron (Gabriel Byrne) on the night of June 16, 1816. Byron's guests include poet Percy Shelley (Julian Sands) and his future wife Mary (Natasha Richardson); Mary's half-sister Claire (Myriam Cyr) and Byron's leech-happy personal physician Dr. John Polidori (Timothy Spall). Byron promises them a night of horror like only a mad poet can deliver -- after partaking of laudanum and other hallucinogens, the guests tell ghost stories while exploring the dark corridors of his home. From here, Russell dives headlong into madness, discarding plot structure in favor of fever-dream setpieces in which the guests confront living manifestations of their own fears and insecurities -- creative, mortal and sexual, among others. The raging Romantics are also given to lengthy discourse on the nature of fear and the fine line between creative genius and insanity; by the film's end, viewers may find themselves wondering the same thing about the director. Those who may prefer a more subdued speculation on the same theme should seek out Ivan Passer's Haunted Summer. ~ Cavett Binion, Rovi