Shelley Winters Movies
American actress Shelley Winters was the daughter of a tailor's cutter; her mother was a former opera singer. Winters evinced her mom's influence at age four, when she made an impromptu singing appearance at a St. Louis amateur night. When her father moved to Long Island to be closer to the New York garment district, Winters took acting lessons at the New School for Social Research and the Actors Studio. Short stints as a model and a chorus girl led to her Broadway debut in the S.J. Perelman comedy The Night Before Christmas in 1940. Winters signed a Columbia Pictures contract in 1943, mostly playing bits, except when loaned to United Artists for an important role in Knickerbocker Holiday (1944). Realizing she was getting nowhere, she took additional acting instructions and performed in nightclubs.The breakthrough came with her role as a "good time girl" murdered by insane stage star Ronald Colman in A Double Life (1947). Her roles became increasingly more prominent during her years at Universal-International, as did her offstage abrasive attitude; the normally mild-mannered James Stewart, Winters' co-star in Winchester '73 (1950), said after filming that the actress should have been spanked. Winters' performance as the pathetic factory girl impregnated and then killed by Montgomery Clift in A Place in the Sun (1951) won her an Oscar nomination; unfortunately, for every Place in the Sun, her career was blighted by disasters like Behave Yourself (1951).
Disheartened by bad films and a turbulent marriage, Winters returned to Broadway in A Hatful of Rain, in which she received excellent reviews and during which she fell for her future third husband, Anthony Franciosa. Always battling a weight problem, Winters was plump enough to be convincing as middle-aged Mrs. Van Daan in The Diary of Anne Frank (1959), for which Winters finally got her Oscar. In the 1960s, Winters portrayed a brothel madam in two films, The Balcony (1963) and A House Is Not a Home (1964), roles that would have killed her career ten years earlier, but which now established her in the press as an actress willing to take any professional risk for the sake of her art. Unfortunately, many of her performances in subsequent films like Wild in the Streets (1968) and Bloody Mama (1970) became more shrill than compelling, somewhat lessening her standing as a performer of stature.
During this period, Winters made some fairly outrageous appearances on talk shows, where she came off as the censor's nightmare; she also made certain her point-of-view wouldn't be ignored, as in the moment when she poured her drink over Oliver Reed's head after Reed made a sexist remark on The Tonight Show. Appearances in popular films like The Poseidon Adventure (1972) and well-received theater appearances, like her 1974 tour in Effect of Gamma Rays on Man-in-the-Moon Marigolds, helped counteract such disappointments as the musical comedy Minnie's Boys (as the Marx Brothers' mother) and the movie loser Flap (1970). Treated generously by director Paul Mazursky in above-average films like Blume in Love (1974) and Next Stop Greenwich Village (1977), Winters managed some excellent performances, though she still leaned toward hamminess when the script was weak. Shelley Winters added writing to her many achievements, penning a pair of tell-all autobiographies which delineate a private life every bit as rambunctious as some of Winters' screen performances.
The '90s found a resurgence in Winters' career, as she was embraced by indie filmmakers (for movies like Heavy and The Portrait of a Lady), although she found greater fame in a recurring role on the sitcom Roseanne. She died of heart failure at age 85 in Beverly Hills, CA, in early 2006. ~ Hal Erickson, All Movie Guide
- 1968
A rock star decides he'd rather rule the free world than just sell records in this ambitious fusion of political satire and teen exploitation. Teenage rebel Max Flatow (Christopher Jones) has grown tired of life in suburbia with his domineering mother (Shelley Winters) and weak-willed father (Bert Freed), and, having saved up 800 dollars he earned by selling home-brewed LSD to his schoolmates, he blows up the family car with a makeshift bomb and strikes out on his own. A few years later, Max has adopted the name Max Frost, and is one of the world's biggest rock stars, selling millions of records and earning a fortune from concert appearances and music publishing. Max has learned firsthand about the buying power of America's youth, and when Sen. John Fergis (Hal Holbrook) asks Max to appear at a "youth rally" to mobilize younger voters, he realizes the kids could also sway an election if they wanted. At Fergis' rally, Max debuts a new song, "Fourteen or Fight," which demands the voting age be reduced to 14; the youth respond by rising up in support of Max's demands, reducing many American cities to a standstill. As political leaders bow to public pressure, the age of suffrage is reduced to 15, but rather than choosing candidates to support, Max decides it's time he and his inner circle took control. After Max doses Washington, D.C.'s water supply with LSD, congress votes to make any registered voter eligible to hold federal office, and before long Max Frost has become president of the United States. Once in office, Max unveils a bold plan to once and for all do something about people over 30 -- including his parents. Wild in the Streets features an early screen appearance from Richard Pryor as drummer and political activist Stanley X, while media personalities Dick Clark, Walter Winchell, Army Archerd, and Melvin Belli portray themselves. Barry Mann and Cynthia Weil wrote the songs for fictional rockers "Max Frost and the Troopers," including the hit single "The Shape of Things to Come." ~ Mark Deming, All Movie Guide
- Starring:
- Shelley Winters, Christopher Jones, (more)
For his third feature outing, director Sydney Pollack helmed this comedic western starring (Burt Lancaster) as fur trapper Joe Bass. While heading for the trading post for his pay after a successful hunting season, Bass runs into a band of Kiowa Indians, who offer to trade the educated slave Joseph (Ozzie Davis) for Bass's furs. Severely outnumbered, the uneducated Bass reluctantly agrees to the swap at gunpoint. Bass and Joseph then follow the Indians in hopes of retrieving the furs. Along the way, the Indians meet up with Jim Howie (Telly Savalas), who not only steals the furs from the Indians, but Joseph from Bass. From there, Jim and his mistress Kate (Shelley Winters) head for Mexico, a move that is fine with Joseph because slavery is outlawed there. But they may not make it south of the border, as the Indians have regrouped and are on their trail with plans to take back the furs. ~ Matthew Tobey, All Movie Guide
- Starring:
- Burt Lancaster, Shelley Winters, (more)
- 1968
Gina Lollobrigida delivers a bright comic turn in Melvin Frank's farce concerning Carla, an Italian woman who, during World War II, had affairs with three American soldiers who served in the U.S. Army Air Force -- Phil Newman (Phil Silvers), Justin Young (Peter Lawford), and Walter Braddock (Telly Savalas). Finding that she is pregnant after the squadron is transferred, she convinces each of the three soldiers that he is the father of her child. Phil, Justin, and Walter react to Carla's pregnancy by sending her child-support checks -- checks that Carla has been receiving every month from each of them for the past 20 years. Meanwhile, in order to save face in her village, Carla concocted the story that the father was the fictitious Captain Eddie Campbell, who was killed in action. But Carla's deceptions are about to be exposed when she finds out that all three soldiers are returning to her village with their wives and children for a reunion of the squadron. ~ Paul Brenner, All Movie Guide
- Starring:
- Gina Lollobrigida, Shelley Winters, (more)
- 1967
Carl Reiner's semi-autobiographical novel Enter Laughing makes a largely successful transition to the screen. Reni Santoni plays the Reiner character, here named David Kolowitz. A machinist's apprentice in Depression-era New York, David dreams of becoming the new Ronald Colman. Defying the wishes of his parents (Shelley Winters, David Opatoshu), David lands a nonpaying job in a seedy theatrical production directed by broken-down ham Marlowe (Jose Ferrer). That the young aspiring actor knows nothing about his "craft" is evident the moment he speaks his first stage direction--"Enter Laughing"--as if it were a line of dialogue. Helped along by Marlowe's sex-starved daughter Angela (Elaine May), David manages to survive the rehearsal period, but his first public performance threatens to become a disaster when he can't find the entrance to the set. Still and all, David makes it through the play, cheered along by his now-supportive parents. Blessed with a marvelous supporting cast--including Jack Gilford, Don Rickles, Janet Margolin and veteran black comedian Mantan Moreland--Enter Laughing is a riot, especially for those viewers who have ever participated in amateur theatricals themselves. Only Reni Santoni fails to ring true as David Kolowitz (a role played on stage by Alan Arkin), though he has a few choice scenes, especially his impromptu performance on a subway. Watch for Rob Reiner in his film debut as a clumsy, self-conscious actor. ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Reni Santoni, (more)
Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance. ~ Don Kaye, All Movie Guide
- Starring:
- Michael Caine, Shelley Winters, (more)
Screenwriter William Goldman has claimed that Paul Newman agreed to do Harper, the film that established the grateful writer's career, only because he was working unhappily on Lady L. (1965) in Europe, and was looking for something as unlike that film as possible. He stars as Lew Harper, a hip L.A. private dick whose business has gotten so bad that he's re-using his coffee grounds. At the suggestion of his friend, attorney Albert Graves (Arthur Hill), the detective takes on the investigation of the disappearance of the wealthy husband of waspish cripple Elaine Sampson (Lauren Bacall). After finding a photograph of former actress Fay Estabrook (Shelley Winters), Harper locates the alcoholic actress in a bar, plies her with booze, and takes her home to search her apartment while she's unconscious. There he takes a call which leads him to another bar to meet Betty Fraley (Julie Harris), a singer with a heroin problem. To curtail his inquisitive behavior, some large and unpleasant gentleman beat him up outside the saloon. Hoping for sympathy from his soon to be ex-wife (Janet Leigh), who has just filed divorce papers, the weary detective is much more successful than he has any right to expect. ~ Michael Costello, All Movie Guide
- Starring:
- Paul Newman, Lauren Bacall, (more)
Filmmaker George Stevens chose Monument Valley, Utah for his exterior sequences in The Greatest Story Ever Told, this ($20 million) adaptation of Fulton Oursler's best-selling book. The "Greatest Story" is, of course, the life of Jesus Christ, played herein by Max Von Sydow. The large supporting cast includes Dorothy McGuire as Mary, Claude Rains as Herod the Great, Jose Ferrer as Herod Antipas, Charlton Heston as John the Baptist, Donald Pleasence as Satan (identified only as "The Dark Hermit"), David McCallum as Judas Iscariot, Sidney Poitier as Simon of Cyrene, Telly Savalas as Pontius Pilate and Martin Landau as Caiaphas. Even Robert Blake as Simon the Zealot, Jamie Farr as Thaddaeus, and motorcyle-flick veteran Richard Bakalyan as Dismas, the repentant thief, are well-suited to their roles. Originally roadshown at 260 minutes, Greatest Story Ever Told was later available in a 195-minute version. ~ Hal Erickson, All Movie Guide
- Starring:
- Max von Sydow, Dorothy McGuire, (more)
Shelley Winters won an Academy Award for her searing performance as Rose-Ann d'Arcy in A Patch of Blue. The star, however, is not Winters but Elizabeth Hartman, cast as d'Arcy's blind, sensitive daughter, Selina. A venomous prostitute, Rose-Ann treats both Selina and grandfather Ole Pa (Wallace Ford) like dirt. Fortunately, Selina finds a way out via the kindly Gordon Ralfe (Sidney Poitier), who befriends Hartman and tries to open up doors for her previously closed by her selfish mother. Despite the objections of the bigoted Rose-Ann and of Gordon's brother Mark (Ivan Dixon), a bond stronger than physical love is forged between Gordon and Selina. Brilliantly avoiding gooey sentiment throughout, A Patch of Blue was adapted for the screen by director Guy Green, from the novel Be Ready with Bells and Drums by Elizabeth Kata. ~ Hal Erickson, All Movie Guide
- Starring:
- Sidney Poitier, Shelley Winters, (more)
- 1965
The Three Sisters is a literal transcription of the 1965 Actor's Theatre production of the Chekhov drama. Kim Stanley, Geraldine Page and Shelley Winters play the title characters, all members of a wealthy but unhappy 19th-century Russian family. Stuck in a forsaken garrison town by their army-officer father, the sisters long to return to Moscow, a dream that, along with all their other dreams, is doomed to be unfulfilled. Featured in the cast are Kevin McCarthy and Sandy Dennis, the latter performer somewhat less mannered than usual. Originally lensed on videotape, The Three Sisters was transferred to 35 millimeter film for limited theatrical release. ~ Hal Erickson, All Movie Guide
- Starring:
- Geraldine Page, Shelley Winters, (more)
- 1964
This drama tells the true story of one of Broadway's most successful madams in the 1920s. It is loosely based on the autobiography of Polly Adler. The story begins when young Polly is seduced and raped at her job by the sweatshop foreman. When her uncle, with whom she lived, learns of the act, he blames her and tosses her out. She then moves into an apartment owned by a racketeer. It is he who encourages her into her "helping" profession when he gives her money for bringing her pals to a gangster party. Soon she is beginning to build up her own clientele. As her business prospers, she begins to choose nicer locations. Her tiny cathouse becomes a haven for sleazy politicos, mobsters, and businessmen. The madame herself has a passionate romance with a young songwriter and she helps his career. He does not know of her vocation and she eventually breaks up with him to keep his reputation intact. ~ Sandra Brennan, All Movie Guide
- Starring:
- Shelley Winters, Robert Taylor, (more)
- 1964
Leo (Rod Steiger) is an aristocrat whose family fortunes have plummeted in this downbeat melodrama. He seeks to reverse his money problems by courting the wealthy Mariagrazia (Paulette Goddard), throwing over his former lover Lisa (Shelley Winters) in his quest to continue his posh lifestyle. Mariagrazia is too caught up in the attention of the charming, conniving Leo to notice that he also makes a play for her daughter Carla (Claudia Cardinale). Mariagarzia continues to want Leo even after he gains control of family fortune and property. Meanwhile, Carla's brother Michele (Tomas Milian) takes up with the jilted Lisa. Finally, in a most poignant scene, the ailing matron finally realizes she has been used by Leo. Excellent performances all around. ~ Dan Pavlides, All Movie Guide
- Starring:
- Claudia Cardinale, Shelley Winters, (more)
- 1963
In this romantic comedy, Bill Austin (Van Johnson) is an unsuccessful writer who lives in a forlorn New York tenement while his wife Bertie (Janet Leigh) earns an income for both of them. Their lives change dramatically when Bill's first novel becomes a best-seller. Bill persuades Bertie to quit her job and move to a grand house in an upscale suburb. Leaving his wife alone most of the time, Bill begins working long hours on Broadway adapting his novel for the theater, and he spends increasing amounts of time with his attractive agent, Lucinda Ford (Martha Hyer). Bertie suspects the worst and begins courting an actor, Gar Aldrich (Jeremy Slate). ~ Michael Betzold, All Movie Guide
- Starring:
- Janet Leigh, Van Johnson, (more)
The denizens of a sordid brothel become embroiled in a bloody coup in this arty political satire adapted from the Jean Genet play. Shelley Winters stars as the cathouse's madam, a stern woman who supervises the fantasy role-playing of her beautiful employees and their well-heeled customers, including the local police chief (Peter Falk). As various whores and their johns dress up like judges, penitents, bishops, and generals, a revolution rages outside in the streets. The leaders of society -- including the queen -- are done away with by an angry mob. Soon, the madam and her compatriots find themselves ordered to impersonate the slain bigwigs in order to restore law and order. Shot in black-and-white by cinematographer George Folsey and producer/director Joseph Strick, The Balcony features a number of future stars in its cast, from Ruby Dee and Lee Grant to Leonard Nimoy. Nimoy would go on to produce and star in Deathwatch, another Genet adaptation. Unlike the later film, Genet was actually involved in the film version of The Balcony, collaborating with Strick on the original treatment but leaving the final screenplay to poet and novelist Ben Maddow. Strick acquired the rights to The Balcony from Genet only after failing to mount another literary adaptation, of James Joyce's Ulysses. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Shelley Winters, Peter Falk, (more)
- 1962
George Cukor directed this sanitized version of Irving Wallace's tawdry best-seller concerning a survey of the sexual habits of American women. Psychologist George C. Chapman (Andrew Duggan) arrives in a Los Angeles suburb with his assistant Paul Radford (Efrem Zimbalist Jr.) in tow. They are looking for volunteers for their sex survey, and four women raise their hands: Sarah Garnell (Shelley Winters) is a middle-aged woman who is having an affair with young theater director Fred Linden (Ray Danton); Teresa Harnish (Glynis Johns) is a happily married woman who becomes attracted to brawny football player Ed Kraski (Ty Hardin); Naomi Shields (Claire Bloom) is an alcoholic nymphomaniac who takes up with an unsavory jazz musician; and Kathleen Barclay (Jane Fonda) is a young widow who thinks she is frigid -- that is, until Radford makes her his personal project. ~ Paul Brenner, All Movie Guide
- Starring:
- Efrem Zimbalist, Jr., Shelley Winters, (more)
"How did they make a movie out of Lolita?" teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character's age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is "cleansed" ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story's farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady's nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert's behavior. When Winters happens to read Humbert's diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother's death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick's adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film's ad campaign. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Shelley Winters, (more)
- 1961
The Young Savages is what used to be called a "thinking man's picture" about a potentially lurid subject: urban juvenile delinquency. A blind Puerto Rican boy is knifed to death in Spanish Harlem, and three teenage gang members are accused of the crime. Politically ambitious assistant DA Burt Lancaster initially presses for the conviction of all three boys. But as he gets deeper into the case, he realizes that what appears cut-and-dried on the surface is tortuously complex: for starters, the murder victim was hardly the paragon of virtue that the prosecution claims. Despite pressure from his superiors and from members of the accused boys' gang (who at one point threaten Lancaster's wife Dina Merrill with a switchblade,) Lancaster nonetheless sees to it that justice is properly administered. The defendants are portrayed with varying degrees of Brando/Dean "method" by John Davis Chandler, Neil Nephew and Stanley Kristien; more believable, less affected performances are rendered by Shelley Winters, Pilar Seurat and Telly Savalas. Filmed on location in New York, The Young Savages was based on the Evan Hunter novel A Matter of Conviction. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Dina Merrill, (more)
- 1960
Good actors help raise the level of this downbeat drama of drugs and survival by Philip Leacock. The story is set in Chicago's notorious South side and is based on Willard Motley's novel of a mother struggling to raise her son "right" in spite of the odds against her. Nellie (Shelley Winters) herself is battling her dependency on drugs, battling poverty after her husband was executed for crimes he committed, and also fighting to keep her son Nick (James Darren) from following in his father's footsteps. Nick also wants to rise above his environment but even with the help of some friends, the boy and his mother are up against very tough odds. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Burl Ives, Shelley Winters, (more)
This is the autobiographical drama of a young Dutch Jewish girl hiding from the invading Nazis during World War II. Anne and her family share a claustrophobic attic with another family. Tension is often unbearable, as the people hiding know that their discovery by the enemy could lead to almost certain death at the hands of their captors. They also must contend with the Dutch Gestapo or "Green Police," who will turn them over to the Nazis if discovered. Dutch nationals risk their lives by hiding the family for two years. The group, despite the horror and crowded conditions, still find time for celebrations of Hanukkah and rejoice quietly in the small attic that has become their world. The story is told from the narrative perspective of Anne, a young girl hoping to live to womanhood. The film was nominated for several academy awards and won two for best supporting actress (Shelley Winters) and for cinematography (William Mellor). ~ Dan Pavlides, All Movie Guide
- Starring:
- Millie Perkins, Joseph Schildkraut, (more)
Harry Belafonte was both producer and star of this hard-edged film noir crime drama. Dave Burke (Ed Begley, Sr.) is an ex-cop who has been kicked off the force for refusing to inform on his colleagues to the State Crime Committee. Short on money, the former policeman jumps to the other side of the law and plans to knock over a bank in upstate New York. He'll need help, so Burke brings in two other men to assist him -- Johnny Ingram (Belafonte), a jazz musician with an addiction to gambling that's put him deep in debt to gangster Bacco (Will Kuluva), and Earl Slater (Robert Ryan), a disturbed war veteran who hasn't been able to find work after serving time for manslaughter. While their common greed and desperation has brought these men together, their differences threaten to tear them apart, especially when Slater's fear and hatred of black men rises to the surface. Blacklisted screenwriter Abraham Polonsky co-wrote the screenplay for Odds Against Tomorrow, using his friend John O. Killens as a "front." John Lewis of the Modern Jazz Quartet contributed a memorable musical score. ~ Mark Deming, All Movie Guide
- Starring:
- Harry Belafonte, Robert Ryan, (more)
- 1957
This presentation of The DuPont Show of the Month represented the first time that a novel by A.J. Cronin had been adapted for American television. In the early part of the 20th century, Canadian youth Paul Burgess (Farley Granger) discovers that his father, long believed dead, is languishing in a British prison, serving a life sentence for murder. Heading to England to get the full story, Paul is disheartened when everybody whom he meets assures him that his father was convicted fairly and squarely. On the verge of returning home, Paul comes into possession of an unexpected piece of evidence, sending him off to a new direction, with the hopeful end result of clearing his dad's name--much to the dismay of the other people involved in the case. "Beyond This Place" was originally telecast live. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Shelley Winters, (more)
- 1956
Time is of the essence in this comedy when an American cabaret singer learns that she is in line for a large inheritance. The money will be hers if her ex-husband cannot produce a son by a given date. She immediately takes off to London to find him. Unfortunately, she discovers that his new wife is due to give birth any day. The situation grows complicated as they deal with the unborn's unknown gender, and the fact that neither the man's new marriage, nor the divorce may be legal. The time difference between New York and London is also a factor. At the last possible minute, the new wife bears twins: one girl, and one boy. The singer still gets the money, as the newlyweds did not consider the ramifications of Daylight Savings Time. Fortunately, she shares the wealth. Songs include "Give Me a Man" and "You're the Only One." ~ Sandra Brennan, All Movie Guide
- Starring:
- Shelley Winters, John Gregson, (more)
- 1955
Filmed on location, Treasure of Pancho Villa stars Rory Calhoun as a mercenary at large during Mexico's civil war. Though he'll sell his services to the highest bidder, Calhoun is eventually won over to Pancho Villa's cause by patriot Gilbert Roland and former aristocrat Shelley Winters. Before this happens, however, our hero (who doesn't behave like one) wheels and deals to get his hands on a cache of gold. Without giving away the ending, it can be noted that the film borrows liberally from Treasure of Sierra Madre. While the dialogue passages in Treasure of Pancho Villa can be tiresome, the film is saved by its literally explosive action highlights. ~ Hal Erickson, All Movie Guide
- Starring:
- Rory Calhoun, Shelley Winters, (more)
- 1955
Irregularly scheduled on NBC from 1954-1957, Producers' Showcase was a series of lavish, full-color, 90-minute specials, bringing the best of Broadway to the 21-inch screen. One of the more memorable presentations in this anthology was director Vincent Donahue's live staging of Clare Boothe Luce's brilliantly vitriolic 1936 stage comedy, The Women, which had previously been filmed by MGM in 1939. Boasting a stellar all-female cast, The Women centers around the tactics used by the supposedly demure Mary Haines (here played by Ruth Hussey) to win back her husband from predatory shopgirl Crystal Allen (Shelley Winters). Meanwhile, Mary's so-called friends gossip, bicker, and "diss" with bitchy abandon, both in New York and on a Reno "divorce ranch." Mary Boland, who played the much-married Countess DeLage in the 1939 movie, repeats her role in the TV version, while Paulette Goddard, who portrayed mercenary chorus dancer Miriam in the film, is here ironically cast as the malicious Sylvia Fowler, whose husband is stolen away by Miriam (played on this occasion by Valerie Bettis). The Women was adapted for television by Sumner Locke Elliot. ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Winters, Paulette Goddard, (more)
- 1955
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Laurence Harvey, (more)
Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Shelley Winters, (more)
