Samuel Bottoms Movies

The 1955 film version of John Steinbeck's East of Eden will always be popular because of the presence in the cast of James Dean. Even so, the film covered only a small portion of the original novel. For those Steinbeck completists who prefer a more thorough treatment, we submit for your approval the TV miniseries adaptation of East of Eden, which first aired February 8, 9 and 11, 1981. This eight-hour dramatization begins in the years following the Civil War. Braggadocio union officer Cyrus Trask (Warren Oates) is the father of gentle, loyal Adam (Timothy Bottoms) and hellraiser Charles (Bruce Boxleitner). Enter the bewitching, mean-spirited Cathy Ames (Jane Seymour), who leads both brothers on and causes an irreparable rift between them. Eventually, Adam marries Cathy, taking her and their twin sons to a 900-acre farm in California's Salinas Valley. Cathy rebels against this cloistered existence and runs off to work in a house of ill repute. In Part Three, we finally meet the "James Dean" character: Cal Trask (played by Timothy Bottoms' brother Sam), who can never hope to come up to the standards of his "good" twin brother Aron (Hart Bochner) in the eyes of his father. Cal's "bad" reputation obscures his good intentions, but by film's end he is compelled to reveal to brother Aron that their mother had not died as father Adam has claimed, but in fact has become a hard-bitten bordello "madam". Adapted for television by Richard Shapiro, East of Eden was part of ABC's informal "Novels for Television" series. ~ Hal Erickson, All Movie Guide

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era. ~ Lucia Bozzola, All Movie Guide

A group of fishermen and seamen band together to fight a monstrous finny fiend that is terrorizing a resort. They are in humorous competition with hotel guests, who hope to win a prize by killing the beast. In one particularly grisly bit of humor, a dead fisherman's body is put to really good use. The director was a scriptwriter for the Roger Corman version of A Little Shop of Horrors, and the antic sensibilities he showed there also inform this peculiar little movie. ~ Clarke Fountain, All Movie Guide

Originally titled Stories from the Bible, Greatest Heroes of the Bible was designed as a seven-part TV miniseries; evidently the specter of low ratings forced the network execs to telescope the presentation into four installments. The series began with the story of David (Roger Kern) and Goliath (Ted Cassidy). Next we were offered the tale of Samson (John Beck) and Delilah (Ann Turkel). The Flood was next on the agenda, with Lew Ayres as Noah. This was followed by Joshua (Robert Culp) at the walls of Jericho. Moses (John Marley) was the central character in the next chapter, followed by Solomon (Tom Hallick) and Bathsheba (Carol Lawrence). The story of Joseph (Sam Bottoms) and his Brethren rounded out the presentation. While other miniseries prided themselves on being lensed in Europe and the Mid-East, Greatest Stories of the Bible declared itself as an "All American Production;" for example, Canyon City, Utah, stood in for Jericho. This miniseries was telecast November 19, 20, 21 and 22, 1978. ~ Hal Erickson, All Movie Guide

Susan Dey inaugurated her long and successful campaign to shuck her Partridge Family image in the made-for-TV Cage Without a Key. Dey plays a teenager mistakenly convicted for murder (some mistake!) She is sentenced to a grim woman's penal institution straight out of a Linda Blair movie. As she struggles against the iniquities of prison life, her friends and relatives on the outside fight for justice. A shockingly substandard effort from accomplished TV director Buzz Kulik, Cage Without a Key is credible only in its exterior scenes, filmed at Las Palmas School for Girls in City of Commerce, California. ~ Hal Erickson, All Movie Guide

Based on Lillian Bos Ross' novel The Stranger and adapted by screenwriter Marc Norman 25 years before he would win the Best Original Screenplay Academy Award for 1999's Shakespeare in Love (along with Tom Stoppard), Zandy's Bride is a romantic Western starring (Gene Hackman) as gruff rural rancher Zandy Allan. Looking more for an extra hand around the ranch than a companion, Zandy sends for a mail-order bride from Sweden. Unfortunately for him, he doesn't get what he expected. When his bride, Hannah (Liv Ullmann), arrives she is anything but compliant, bearing a headstrong attitude that rubs Zandy the wrong way. Although he mistreats her at first, Zandy and Hannah fall in love as hardship hits and they must struggle together for their survival. Also starring Eileen Heckart and Harry Dean Stanton, Zandy's Bride was also released under the title For Better, For Worse. ~ Matthew Tobey, All Movie Guide

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide