Andrew Winner Movies

Saigon: Year of the Cat is a low-budget drama about the fall of Saigon. The film was made for the BBC in 1983. It was one of many television projects that director Stephen Frears (High Fidelity) worked on in the early part of his career. Playwright David Hare (Plenty) wrote the script. Judi Dench plays Barbara Dean, a depressed loan officer working for a British bank in Saigon in 1974. Barbara politely wards off the advances of her Scottish co-worker, Donald (Roger Rees), who does not share her respect for the Vietnamese people. She also avoids getting involved with Frank (Wallace Shawn), an American embassy employee with whom she plays bridge. When she meets Bob (Frederic Forrest), however, she's immediately attracted to him. She soon learns that while Bob poses as a cultural attaché, he actually works for the CIA. When Bob belatedly recognizes her attraction, he opens up to her, and they become lovers. Bob hears from a reliable intelligence source that the North Vietnamese are stepping up their aggression and plan to take Saigon soon. He tries to convince his boss, Jack Ockham (Josef Sommer), and the U.S. ambassador (E.G. Marshall) to prepare for the fall of the city by evacuating the South Vietnamese citizens who have worked most closely with the U.S. government. The ambassador does not want to appear to be abandoning President Thieu's regime. He refuses to credit Bob's report. Meanwhile, as the crisis looms, Barbara is growing despondent because Bob is not spending time with her, and because there's little she can do to help her South Vietnamese friends get out of the country. ~ Josh Ralske, Rovi

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, Rovi

Director Wim Wenders made his American film bow with the ultra-stylish Hammett. Based on the speculative novel by Joe Gores, the story concerns real-life detective novelist Dashiell Hammett (Frederic Forest), who early in his career is involved in a complex mystery that will profoundly influence his later works. While hacking away for pulp magazines, Hammett is asked by Jimmy Ryan (Peter Boyle), his old boss at the Pinkerton agency (and the model for the writer's "Continental Op" character), to help out on a particularly difficult case. Before long, Hammett is prowling the nooks and crannies of San Francisco in search of a missing Chinese prostitute-blackmailer (Lydia Lei). Among the several delectable "inside jokes" in Hammett is the presence of Elisha Cook, who'd appeared in the 1941 film adaptation of Hammett's Maltese Falcon, as Eli the Cab Driver. Cinematographers Philip H. Lathrop and Joseph Biroc work overtime to invest Hammett with the "feel" of a classic 1940s detective yarn. ~ Hal Erickson, Rovi

A small California town is gripped by UFO fever in this well-acted, surprisingly rich comedy. At the center of the mania is Arlene, a grocery store clerk and born-again Christian fascinated with flying saucers. This interest soon evolves into a full-blown obsession when Arlene is visited by a visionary dream, which she believes predicts the imminent arrival of a vessel from outer space in the nearby desert. Not even the doubts of her skeptical boyfriend, a good-hearted petty thief named Sheldon, are enough to dissuade her from her new role as prophet of the coming spaceship. At first hesitant and awkward, Arlene soon blossoms into a confident leader, and Sheldon puts aside his disbelief to revel in their sudden fame. Indeed, two have soon attracted enough of a following to pique the interest of Reverend Bud Sanders, the local revivalist preacher. Soon, Reverend Bud has joined in the crusade, and a good portion of the town has gathered to anxiously await the spaceship's arrival. Rather than resorting to easy ridicule, director John Binder creates an unexpectedly sympathetic, yet still comedic, portrait of the UFO believers, neither condemning their faith nor denying the fine line between belief and gullibility. ~ Judd Blaise, Rovi

Sweet Revenge was originally shipped out as Dandy, the All-American Girl. The multitalented Stockard Channing plays a car thief with a penchant for elaborate disguises. She hopes to trade in her stolen goods and purchase a snazzy sports model for herself. Sam Waterston costars as a public defender who, much against his will, falls in love with the charming thief. Producer/director Jerry Schatzberg seems so certain of Channing's considerable talents that he feels a coherent story is unecessary. ~ Hal Erickson, Rovi