Samuel Bottoms Movies

An emotionally stunted ex-convict whose recent release from prison finds her attempting to form a relationship with her young daughter finds that redemption doesn't come easy in this emotional family drama, the feature debut of award-winning documentary filmmaker Laurie Collyer. When Sherry Swanson (Maggie Gyllenhaal) was sentenced to three years in prison on a drug-related robbery conviction at the age of 22, she had just given birth to a daughter named Alexis (Ryan Simpkins). Placed in the care of Sherry's brother, Bobby (Brad William Henke), and sister-in-law, Lynette (Bridget Barkan), while her mother was behind bars, young Alexis has grown into an affectionate young girl eager to reconnect with the mother she has never met. Though Sherry at first seems determined to stay on the straight and narrow, increasingly infrequent visits to Alexis and a troubling revelation about her family past soon begin to lead the protective Lynette to take a stand in protecting the vulnerable youngster. Later, when compassionate 12-step veteran Dean (Danny Trejo) makes an effort to help Sherry become the mother she longs to be, the troubled ex-con is faced with the choice of truly living up to her word or potentially losing her daughter forever. ~ Jason Buchanan, Rovi

A pair of naïve young girls learn that even the most insignificant actions can have lasting consequences in this music-driven take on teen culture starring Anne Hathaway and Bijou Phillips and directed by two-time Oscar-winning filmmaker Barbara Kopple. Influenced by the hip-hop thug lifestyle and seeking to explore life outside of their insulated, culturally homogenized suburb, pretty young teenagers Allison (Hathaway) and Emily (Phillips) set their sights on East L.A. to experience the "gangsta" lifestyle firsthand. By the time the pair meet some true-life Latino gang-bangers and realize just how far out of their element they really are, it may already be too late to turn back. ~ Jason Buchanan, Rovi

Money and emotions lead to a difficult reunion between a father and daughter in this drama. Reese Holden (Zooey Deschanel) is a struggling stage actress in New York City whose life has become an uphill struggle -- her career isn't giving her satisfaction, her relationship with would-be rock star Ray (Dallas Roberts) is stuck in neutral, an affair with her friend Rob (Robert Beitzel) brings no excitement, and her colleague Deirdre (Deirdre O'Connell) simply doesn't understand her problems. Reese is also short on money, which is why she's willing to listen to a proposal from a publisher who wants to release a series of love letters that her mother, a well-known author who died years ago, wrote to her father, Don (Ed Harris), another respected novelist who has fallen out of the limelight but is said to be working on a final major work. Having accepted an advance for the collection, Reese pays a visit to Don in Michigan to get his OK for the project and collect the letters, but discovers two strangers have moved in with Don -- Shelly (Amelia Warner), who studied under Don and has installed herself as his business manager, and Corbit (Will Ferrell), a neighborhood sad sack who helps with the housekeeping and runs errands for the reclusive writer. As Reese vies with Shelly for her father's attention, she struggles to come to terms with issues from her childhood and the dissatisfaction with her life. Winter Passing was written and directed by noted playwright Adam Rapp; it was his first feature film. ~ Mark Deming, Rovi

In this independent psychological drama, Lillian (Jade Henham) is a woman who is depressed and dissatisfied with her lot in life; she's the kept woman of a successful businessman, Gene (Samuel Bottoms), who has sexual identity issues and likes to dress up as Marilyn Monroe during his encounters with Lillian. Lillian longs for a different sort of relationship, and while Gene is away on business, she meets Luke (Robert Glen Keith), a handsome and seemingly sensitive writer who seems to offer a healthier perspective on love and sex than that to which she's become accustomed. However, in time she discovers Luke has secrets of his own, and now she finds herself torn between two men, neither of whom is giving her what she needs. Looking Through Lillian was the first feature film for director and co-screenwriter Jake Torem; leading lady Jade Henham also contributed to the script. ~ Mark Deming, Rovi

Francis Coppola had more than his share of production difficulties while shooting his epic-scale Vietnam War drama Apocalypse Now, including disastrous weather conditions, problems with his leading men (Harvey Keitel was fired after less than two weeks on the project and was replaced by Martin Sheen, who suffered a heart attack midway through production), and a schedule and budget that quickly spiraled out of control (originally budgeted at $10 million, the film's final cost was over $30 million). But Coppola's troubles didn't end when he got his footage into the editing room, and he tinkered with a number of different structures and endings before settling on the film's 153-minute final cut in time for its initial theatrical release in 1979. Twenty-two years later, Francis Coppola returned to the material, and created Apocalypse Now Redux, an expanded and re-edited version of the film that adds 53 minutes of footage excised from the film's original release. In addition to adding a number of smaller moments that even out the film's rhythms, Apocalypse Now Redux restores two much-discussed sequences that Coppola chose not to include in his original edition of the film -- an encounter in the jungle between Willard (Martin Sheen), his crewmates Chief (Albert Hall), Clean (Larry Fishburne), Chef (Frederic Forrest), and Lance (Sam Bottoms) and a trio of stranded Playboy models on a U.S.O. tour, as well as a stopover at a plantation operated by French colonists De Marais (Christian Marquand) and Roxanne (Aurore Clement). Apocalypse Now Redux received a limited theatrical release in August of 2001 after a well-received screening at the Cannes Film Festival -- the same month that the film finally reached theaters in 1979, after a rough cut received a Golden Palm award at the Cannes Festival. ~ Mark Deming, Rovi

This unusual comedy-drama, set in an experimental psychiatric institute, is a departure for genre director Philippe Mora, whose usual oeuvre is science fiction, horror, and low-budget action films. Rene Auberjonois stars as Dr. Sam Cohen, director of the Temporal Displacement Foundation. Cohen's highly-offbeat but well-funded mission is to treat psychotic patients whose particular dysfunction is the belief that they are famous historical figures, with the chief therapy being psychodrama, the reenactment of passages from that figure's life. Although he has some patients who believe themselves to be artists or religious icons (Mick Fleetwood as Pablo Picasso and Jesse Grey Walken as Jesus Christ), Cohen's star patient (Angus MacFadyen) believes himself to be Adolf Hitler. The clever, mentally ill genius has inexorably drawn several fellow patients into his delusion, including Tessa (T.C. Warner), who now believes herself to be Eva Braun. Enacting the part of Hitler's father, Cohen hopes for a breakthrough with the group. ~ Karl Williams, Rovi

Back when he died in 1900, William Marsh Rice was a Texas gazillionaire, having donated the funds to start the Rice Instittute (later known as Rice University) in Houston. In this movie, based on the director's stage play, when a suspicious will turns up on the occasion of Rice's death, the Texas Secretary of State (Sam Bottoms) investigates it. It soon appears evident that the chief beneficiary and the rich man's butler conspired to make up a false will prior to the butler poisoning the old man. In the sensational trial which resulted, expert testimony about handwriting was accepted in court for the first time. ~ Clarke Fountain, Rovi

An ancient evil escapes its captivity in a Mayan temple in Mexico, kills the archaeologists who unearth it, and heads straight for a toy factory, which is eventually taken over by a new American owner (Sam Bottoms) and refurbished. When the owner's daughter (Candy Houston) discovers one of the previous owner's doll creations and brings it home, she soon develops a strangely intense attachment to her new toy. The family's superstitious housekeeper begins to suspect demonic work afoot... and is promptly dispatched by the doll. Another archaeologist (Rip Torn) attempts to further his predecessor's research into the demon's origins and finds that the evil force was conjured centuries ago by a black-magic cult, whose members aspired to breed a hybrid of man and demon. The little girl's parents refuse to accept this theory... until they come face-to-face with an army of the malevolent dolls, all of which are under the man-beast's control. A decent but obvious riff on Child's Play, this also makes a few chilling nods to Trilogy of Terror's rampaging Zuni doll segment, and the dollies are suitably spooky. ~ Cavett Binion, Rovi

When his girl's life's in danger, this kickboxer, who'd sworn off the sport, must fight one last contest to save her. ~ Rovi

Just before attending the funeral of an old friend, Jessica (Angela Lansbury) makes the acquaintance of young Rick Banner (Marc Singer), former college roommate of the dead woman's long-lost son Peter. When Rick hears a song written by Peter, the ball starts rolling for a onslaught of intrigue, ill will and murder predicated on the fact that the missing Peter will fall heir to millions should he ever make a return appearance. Jessica's fellow sleuth on this occasion is rumpled, clownish Chief Underwood (Lane Smith), who may remind some viewers of Peter Falk's Lieutenant Columbo (of course, both Columbo and Murder, She Wrote were created by the same writing team!) ~ Hal Erickson, Rovi

Hunter's Blood is a bloody action thriller reminiscent of Deliverance or The Hills Have Eyes in which an innocent, peaceful group of people is pitted against a clan of bloodthirsty savages. Five men set out to do some deer hunting in a remote area of Arkansas. David (Sam Bottoms) and his father, Mason (Clu Gulager), experienced hunters, lead a group of city-bred amateur hunters into an area where there have been a series of mysterious disappearances. Soon, they find themselves in danger as they are themselves stalked. While Hunter's Blood is not of the quality of the films that inspired it, the acting is uniformly excellent and the direction by Robert Hughes is fact-paced and exciting. ~ Linda Rasmussen, Rovi

Cultural differences serve as a point of humor in this comedy about an American (Sam Bottoms) who is called down to Mexico for an inexplicable reason -- he is invited to attend the funeral of his father who actually died some 30 years earlier. He takes off from his home in California and after crossing the border he goes through one difficulty after another, all of which get him sent back home. Unwilling to give up easily, he heads back for a final sojourn because life just isn't as interesting stateside. ~ Eleanor Mannikka, Rovi