Virginia Wing Movies

A haunted New York City detective must delve into his dark past in order to stop a serial killer whose highly artistic modus operandi seems uncannily similar to that of a madman who stalked the city streets five years prior. When reclusive detective Stan Aubray (Willem Dafoe) gunned down the man suspected of being the "Uncle Eddie" murderer, he thought his nightmare had come to an end. But now a new crop of victims has begun to turn up, each bearing the distinctive mark of the maniac whom everyone had presumed to be dead. Much like the unfortunate victims of "Uncle Eddie," the bodies in this latest batch have been carefully arranged in a manner that reflects the artistic style known as anamorphosis -- where hidden meanings can be revealed by viewing the crime scenes from different perspectives. Could this be the work of a copycat killer, or is it possible that Detective Aubray and his men killed the wrong man on that fateful day five years ago? All signs indicate that the latest killings were carried out with Detective Aubray specifically in mind, prompting him to reexamine the painful questions that he had struggled all these years to suppress. On one side, Detective Aubray faces the scrutiny of a bright young detective (Scott Speedman) who has his own unique ideas about the killings, and on the other, a disturbed young woman (Clea Duvall) who proves a dangerous link to Detective Aubray's mystery-shrouded past. Only by confronting the possibility that he fears most will Detective Aubray finally be able to overcome his own stifling sense of guilt and finally uncover the truth about the most gruesome crimes ever committed in New York City. ~ Jason Buchanan, All Movie Guide

Neil Simon based his screenplay for I Ought to Be in Pictures on one of his more serious theatrical pieces. Walter Matthau is top-billed as Herbert Tucker, a struggling screenwriter who suddenly finds his 19-year-old daughter, Libby(Dinah Manoff), on his Hollywood doorstep. Having deserted his family years earlier, Herbert isn't keen on having his daughter around to cramp his lifestyle, which at this point consists of drinking his meals and telling lies to his faithful girlfriend, Stephanie (Ann-Margret). Libby takes it upon herself to put Herbert's life in order. There are plenty of angry outbursts and recriminations between father and daughter before the tearful, upbeat conclusion. Incidentally, Dinah Manoff is the daughter of actress Lee Grant, who'd previously co-starred with Walter Matthau in Neil Simon's Plaza Suite -- which, like I Ought to be in Pictures, was directed by Herbert Ross. ~ Hal Erickson, All Movie Guide

Chuck Norris plays John T. Booker, a Vietnam vet who finds out that several of his army buddies lost their lives in a mission that was intended to fail. Seeking answers, Booker quits his school-teaching job and tracks down the surviving members of his unit. One by one, his old friends are being knocked off by sinister forces, orchestrated by a crooked, and legally untouchable, politician. Amidst a plethora of martial arts, gunfire and explosions, the film briefly pauses for a comic-relief scene involving over-aged bellboy Jim Backus. Good Guys Wear Black did so well at the box-office that it warranted a sequel, A Force of One (1979). ~ Hal Erickson, All Movie Guide

Squad 51's emergency hotline is tied up a hysterical woman (Fintan Meyler) who is convinced that her husband (Charles Aidman) is being stalked. . .by the ghost of her late sister. Elsewhere, a tranquilizer overdose results in a quick trip to the E.R., a diver is trapped fifteen feet beneath the waves in his own car, and there's another crisis situation in a warehouse. The episode's guest cast includes a young Bruno Kirby, here billed as Bruce Kirby Jr.. ~ Hal Erickson, All Movie Guide