Marie Windsor Movies
A Utah girl born and bred, actress Marie Windsor attended Brigham Young University and represented her state as Miss Utah in the Miss America pageant. She studied acting under Russian stage and screen luminary Maria Ouspenskaya, supporting herself as a telephone operator between performing assignments. After several years of radio appearances and movie bits, Windsor was moved up to feature-film roles in 1947's Song of the Thin Man. She was groomed to be a leading lady, but her height precluded her co-starring with many of Hollywood's sensitive, slightly built leading men. (She later noted with amusement that at least one major male star had a mark on his dressing room door at the 5'6" level; if an actress was any taller than that, she was out.) Persevering, Windsor found steady work in second-lead roles as dance hall queens, gun molls, floozies, and exotic villainesses. She is affectionately remembered by disciples of director Stanley Kubrick for her portrayal of Elisha Cook's cold-blooded, castrating wife in The Killing (1956). Curtailing her screen work in the late '80s, Windsor, who is far more agreeable in person than onscreen, began devoting the greater portion of her time to her sizeable family. Because of her many appearances in Westerns (she was an expert horsewoman), Windsor has become a welcome and highly sought-after presence on the nostalgia convention circuit. ~ Hal Erickson, All Movie Guide- 1948
The title of this MGM musical alone should tip you to the fact that Esther Williams is the star. In this one, she plays a movie star (what an innovation!), Rosalind Reynolds, who is on location in Hawaii to shoot a picture. Peter Lawford plays the film's naval technical advisor, Lt. Lawrence Y. Kingslee, who naturally falls deeply in love with Rosalind. As a means of expressing his ardor, Kingslee genteelly kidnaps Rosalind by "accidentally" marooning her on a desert island. To the dismay of feminists everywhere, Rosalind comes to enjoy being Kingslee's prisoner, and all ends happily. Jimmy Durante breaks up da joint in the role of an assistant director, while music is provided by MGM's all-purpose bandleader Xavier Cugat. The Technicolor process is shown to supreme advantage whenever it concentrates on Esther Williams' form-fitting gold-colored swimsuit. On an Island with You was one of MGM's premiere moneymakers of 1948. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Peter Lawford, (more)
- 1947
When he was first offered the film version of the best-selling Frederick Wakeman novel The Hucksters, Clark Gable turned it down, characterizing the book as "filthy and not entertainment." He finally agreed to star in the film after screenwriter Luther Davis' extensive laundering job. Gable plays Vic Norman, a radio advertising executive just returned from World War II. His wartime experiences have soured him on the phony aspects of his profession; nonetheless, he takes a job with the biggest and phoniest agency in town, headed by the glad-handing Kimberly (Adolphe Menjou). At Kimberly's recommendation, Vic takes over the Beautee Soap account, which brings him in close quarter's with Beautee's boorish head man Evans (Sidney Greenstreet). At their first meeting, Evans unexpectedly spits on his highly polished conference table. "Gentlemen," he growls, summing up his philosophy on advertising, "You have just seen me do a disgusting thing. But you will always remember it!" (Evans was based on George Washington Hill, the colorfully crude president of the American Tobacco Company). Vic's first assignment for Evans is to round up 25 high society women to sign testimonials for Beautee Soap. The least cooperative of the bunch is young widow Mrs. Dorrance (Deborah Kerr, in her American film debut), the stepdaughter of an American war hero. Attracted to Vic, Mrs. Dorrance signs the agreement, but breaks off her personal relationship with Vic when it appears as though he's making unsolicited advances towards her. The ever-demanding Evans then insists that Vic sign up two-bit comedian Buddy Hare (Keenan Wynn) for a radio program. Becoming more and more corrupt with each passing day, Vic obtains Hare's service at a rock-bottom price by blackmailing the comedian's agent (Edward Arnold), Vic's onetime close friend. A demo record is made of Hare and of nightclub singer Jean Ogilvie (Ava Gardner), who is in love with Vic but who eventually gives him up because of his apparent lack of scruples. Returning to the Beautee Soap headquarters, Vic watches dumbstruck as Evans smashes the demo record--then laughs uproariously, telling Vic that the contract is his, along with a $25,000 bonus. By this time, Vic is so disgusted with himself and with Evans' childish baiting tactics that he tells off the soap mogul in no uncertain terms, ending his tirade by dousing Evans with a pitcher of water. Having regained his integrity, Vic is now worthy of the love of Mrs. Dorrance, who has forgiven him his earlier misdeeds. As the film ends, she encourages Vic to use his advertising talents for something clean and honest (and, undoubtedly, starve to death in the process!) To mollify Madison Avenue, screenwriter Davis narrowed the attack on advertisers to one single radio sponsor; to please Gable, Mrs. Dorrance was changed from a still-married woman to a widow, while Vic Rodman is transformed from a "huckster" to an idealist who Does the Right Thing at the end. The Hucksters is one of Clark Gable's best postwar films, as well as one of the finest Hollywood satires of the rarefied world of advertising. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Edward Arnold, (more)
- 1947
In the sixth and final Thin Man whodunit, Nick (William Powell) and Nora Charles (Myrna Loy) look into the mysterious killing of bandleader Tommy Drake (Phillip Reed). The police quickly hone in on the owner of a gambling ship, Phil Brant (Bruce Cowling), who was about to lose Drake's band to a competitor. Also among the many and varied suspects are: Phil's new wife, socialite Janet Thayar (Jayne Meadows); the band's voluptuous vocalist, Fran Page (Gloria Grahame); and the troubled clarinetist, Buddy Hollis (Don Taylor). With the assistance of jive-talking "Clinker" Krause (Keenan Wynn) and the clever terrier Asta, Nick and Nora are soon able to gather all the suspects at the reopening of the floating gaming establishment. In between the skullduggery and the usual wisecracks, Gloria Grahame performs a sultry version of Herb Magidson and Ben Oakland's "You're Not So Easy to Forget." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Leon Ames, Warner Anderson, (more)
- 1943
Hoping to achieve a brilliant career as a violinist, Julia Seabrook (Ann Sothern) divorces her husband Jeff (Melvyn Douglas), feeling as though he's holding her back. But Jeff is still in love with Julia, and he's willing to move Heaven and Earth to get her back. Meanwhile, David Torrance (Lee Bowman) and Philip Barrows (Richard Ainley) also ardently pursue the mercurial Julia. And that's about all the plot there is in this wafer-thin MGM formula picture. The stars go through the same paces they've gone through in countless earlier films, filling the requisite 89 minutes with sheer personality and little else. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Melvyn Douglas, (more)
- 1943
Pilot No. 5 is an oddly liberal-minded film to come from conservative old MGM. Franchot Tone plays an army pilot stationed in Java who volunteers for a suicide mission. He is chosen from five possible Allied candidates, hence the title. We learn via flashback just why Tone holds his life at so low a price; among his less pleasant reminiscences are his brief association with a demagogic Southern governor, blatantly based on Huey Long. Pilot No. 5 served to introduce Gene Kelly in a supporting role--as a nasty, pugnacious young jerk. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Marsha Hunt, (more)
Lucille Ball delivers the finest dramatic performance of her career in this satisfying adaptation of Damon Runyon's The Big Street. Ball is cast as Gloria, aka "Your Highness," the vain and thoroughly selfish star attraction of gangster Case Ables' (Barton MacLaine) New York nightclub. Henry Fonda costars as busboy Little Pinks, who worships Gloria from afar. When Gloria is crippled by a fall downstairs-caused by a blow across the face by the sadistic Ables-Little Pinks selflessly waits upon the invalided and doggedly ungrateful songstress hand and foot. So devoted to Gloria is Pinks that he's willing to pilot her wheelchair from Manhattan to Florida so that she can renew her romance with callow playboy Decatur Reed (William Orr). Touched by Pinks' loyalty, his Runyonesque friends-Professor B (Ray Collins), Horsethief (Sam Levene), Mr. and Mrs. Nicely-Nicely Johnson (Eugene Pallette, Agnes Moorehead) and all the rest-raise enough money to open a Florida nightclub so that Gloria can put up a brave front. The ending is at once the most lachrymose and most effectively moving scene in the film, one that can only be spoiled if detailed here. Produced by Damon Runyon himself, The Big Street is one of the few completely successful filmed Runyon adaptations-as well as Lucille Ball's finest hour (and a half) on-screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Lucille Ball, (more)
Edward Arnold made the first of his two screen appearances as Bayard Kendrick's blind detective Captain Duncan McLain in MGM's Eyes in the Night. The plot is set in motion by Norma Lawry (Ann Harding), whose stepdaughter Barbara (Donna Reed) has been keeping company with washed-up actor Paul Gerente (John Emery). Norma feels that Gerente, an ex-lover of hers, is a bad influence for Barbara, but the girl merely assumes that Norma wants Gerente all to herself. When the ageing actor is murdered, Barbara assumes that Norma committed the crime. Rather than go to the police, Norma heads to her old friend Duncan McLain, but when the detective arrives at the scene of the murder, the body has disappeared. Detecting the odor of violets in the room, McLain uses this tiny clue to build a case against a gang of Nazi spies, headed by the Lawry's butler Hansen (Stanley Ridges), with whom the late Mr. Gerente had been collaborating. Just knowing who did it isn't enough in this case, however: getting the drop on McLain and his associates, the villains hold the detective and Lawry prisoner until they are able to get their hands on a secret formula developed by Barbara's father (Reginald Denny). In true movie-serial fashion, it is McLain's faithful seeing-eye dog Friday (played by "himself") who saves the day. A "B" picture with "A" entertainment value, Eyes in the Night proved successful enough to warrant a sequel, 1945's The Hidden Eye. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Arnold, Ann Harding, (more)
Short of funds to buy baseball uniforms, the East Side Kids are forced to go to work for their crooked ex-pal Hank (Gabriel Dell). When Hank's fugitive mentor Butch Brocalli (Max Rosenbloom) shows up to make trouble, gang member Danny (Bobby Jordan) is instrumental in Butch's arrest, earning a big reward in the process. Danny intends to suprise his pals by buying the uniforms himself, but Mugs (Leo Gorcey) wrongly assumes Danny wants to hoard all the money for himself. Mugs and the rest of the gang force Danny to turn over the dough, whereupon they buy a beat-up car. But when Danny is seriously injured by the escaping Brocalli, the kids offer to sell the car to pay for an operation. Kindly brain surgeon Dr. Ornsby (Walter Woolf King) sizes up the situation and straightens things out to the satisfaction of everyone. The East Side Kids are at their most contentious and least appealing in this second-rate entry, while Maxie Rosenbloom, usually a comic actor, is sorely miscast as the villain. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo Gorcey, Bobby Jordan, (more)
- 1942
Though it ain't Noel Coward, Chatterbox is the funniest of the two Judy Canova-Joe E. Brown vehicles for Republic. Brown is hilariously cast as Rex Vane, a pompous radio cowboy star who's never been any further west than his living room. When Rex is signed to appear in a film, it becomes painfully apparent that he can neither ride nor shoot. But rambunctious Judy Boggs (Judy Canova) can do both, and it is Judy who helps guide the vain Vane through his moviemaking experiences. Rex proves himself to be a genuine hero in a slapstick finale "borrowed" from Chaplin's The Gold Rush. Naturally, both Brown and Canova are given ample opportunity to sing, as are guest performers Spade Cooley and the Mills Brothers. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe E. Brown, Judy Canova, (more)
