Marek Windheim Movies

One of two con-artists ends up arrested and given five days of freedom before he must go to jail. This comedy chronicles those five days. The man loves to eat; knowing that prison food is lousy, he decides to spend his days stuffing himself with the finest foods available. He is accompanied to numerous 4-star restaurants by his partner and the arresting officer. Each of these two are interested in learning where he stashed a half-million dollars in loot. Eventually the man begins looking at his lovely partner and thinking of things other than his stomach. This leads to marriage. After serving his time, he and his bride go on to lead honest lives. ~ Sandra Brennan, All Movie Guide

Ernst Lubitsch was the original director for A Royal Scandal, but illness forced him to bow out; his replacement was Otto Preminger, who did his utmost to retain the "Lubitsch touch." Based on a play by Lajos Biro and Melchior Lengyel, the film dwells upon a fictional incident in the life of Russia's Catherine the Great, here played with blue-blooded bawdiness by Tallulah Bankhead. Catherine falls in love with a handsome young army officer (William Eythe), who turns out to be an insurrectionist planning her downfall. At the last moment, Catherine relents, allowing the officer to escape with his true love, lady-in-waiting Anne Baxter. A bit too cute for its own good, Royal Scandal has some choice moments: Most notable are Tallulah Bankhead's pained reaction upon being hailed as "The Mother of All Russias," and supporting actor Grady Sutton's southern-accented reference to the "U-ral Mountains". ~ Hal Erickson, All Movie Guide

Zachary Scott made his screen debut in this clever bit of film noir that has gained a cult reputation in recent years. Dutch mystery novelist Cornelius Leyden (Peter Lorre) is travelling through Istanbul when he meets Col. Haki (Kurt Katch), head of the secret police and a big fan of Leyden's work. He offers to tell Leyden about Dimitrios Makropoulos (Zachary Scott), a notorious criminal whose body was just found washed up on the beach. It seems that Makropoulos was involved in nearly every sort of lawless act imaginable, from murder and blackmail to espionage and political assassination. Fascinated, Leyden decides that Makropoulos would be a fine subject for his next book, and he begins researching his life, beginning with Haki's dossier on the criminal. Leyden's research takes him through much of Europe; while en route by rail to Sofia, he meets a large man with an ingratiating chuckle, Mr. Peters (Sydney Greenstreet), who informs Leyden that "There is not enough kindness in the world," and tells him of a good hotel in town. Grateful for the advice, Leyden checks in, only to later find Peters ransacking his room and holding him at gunpoint; it seems that Peters had business with Makropoulos, and he isn't entirely convinced that the master criminal is dead -- especially since his body was found with shabby clothes and no money, and the police in Istanbul had never actually seen a photo of Makropoulos. Based on a novel by Eric Ambler, The Mask of Dimitrios also features Faye Emerson, who was in the news at the time, as she had just wed the son of President Franklin D. Roosevelt. ~ Mark Deming, All Movie Guide

Greer Garson and Walter Pidgeon team for the third time in this fact-based biography directed by Mervyn Leroy, based on Eve Curie's book about her mother. In early 1900s Paris, poor Polish student Marie (Greer Garson) gets a chance to study magnetism with kindly professor Jean Perot (Albert Basserman). Perot also arranges for the shy scientist Pierre Curie (Walter Pidgeon) to share the lab with Marie. As they work together, Pierre and Marie fall in love. Pierre eventually musters up the courage to ask her to marry him, and she accepts. After their honeymoon, Marie becomes obsessed with a piece of pitchblende that has been displaying some peculiar properties. After five years of work, Marie discovers radium. But as the years go on, Marie and Pierre struggle to raise money to continue their research, hoping to one day be able to isolate radium from the pitchblende. ~ Paul Brenner, All Movie Guide

Newlywed bliss surround O'Driscoll and Beery until they get on board the ship for their honeymoon in South America. Then she starts sneezing, and hay fever's uncontrollable grip does not seem to want to let up. They try everything, then finally seek out a doctor on the ship. The trouble is compounded when the physician they find, Bruce, falls for the new bride. His diagnosis: Beery is the cause of the sneezing. She is allergic to him. ~ All Movie Guide

This Technicolor retelling of the Gaston Leroux "grand guignol" classic The Phantom of the Opera has a little more opera than phantom, but that's because the stars are soprano Susannah Foster and tenor Nelson Eddy. Claude Rains carries the acting honors on his shoulders, playing a pathetic orchestra violinist who worships aspiring opera-singer Foster from afar. The girl is unaware that Rains has secretly been financing her music lessons with instructor Leo Carrillo. When he runs out of money, Rains attempts to sell the concerto that he's been working on all his life. Mistakenly believing that his precious concerto has been stolen from him, Rains attacks and kills the music publisher he holds responsible. Terrified, the publisher's mistress throws a pan full of acid into Rains' face. Rains runs screaming into the night, and is not heard from for the next reel or so. Soon afterward, the Paris Opera house is plagued by a series of mysterious accidents. The managers are informed via letter that the "accidents" will continue if Foster is not immediately promoted to leading roles. Only after reigning diva Jane Farrar is drugged into incapacitation is Foster given her big break. Farrar accuses Foster's boyfriend, police inspector Nelson Eddy, of doping her in order to advance Foster's career. Farrar is later strangled, and Eddy is accused of the crime. The culprit is, of course, Rains, who now poses as the masked-and-caped "phantom". Maniacally determined that no one will impede Foster's success, Rains causes a huge chandelier to crash down on the opera audience when Foster fails to appear onstage (she'd been kept from performing by police-chief Edgar Barrier, who hoped in this manner to flush The Phantom out of hiding). A chase through the catacombs below the opera house ensues, with Rains holding Foster prisoner. When Rains briefly lets down his guard, the tremulous Foster removes his mask. It's "yecccch," all right, but nowhere near as frightening as the unmasking scene in the silent Lon Chaney version of Phantom of the Opera. The same can be said for the rest of this 1943 remake, though in fairness it appears as though the film wasn't really designed to scare anyone, but instead to serve as a suspense yarn with musical interludes. Hume Cronyn makes his second film appearance in Phantom in a microscopic role. The huge sets designed for this picture were hastily reused for the 1944 Universal melodrama The Climax, starring Boris Karloff and (again) Susannah Foster. ~ Hal Erickson, All Movie Guide

An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide

Bing Crosby and Fred Astaire star in Holiday Inn as a popular nightclub song-and-dance team. When his heart is broken by his girlfriend, Crosby decides to retire from the hustle-bustle of big city showbiz. He purchases a rustic New England farm and converts it to an inn, which he opens to the public (floor show and all) only on holidays. This barely logical plot device allows ample space for a steady flow of Irving Berlin holiday songs (including an incredible blackface number in honor of Lincoln's Birthday). Oddly enough, the most memorable song in the bunch, the Oscar-winning White Christmas, is not offered as a production number but as a simple ballad sung by Crosby to an audience of one: leading lady Marjorie Reynolds. Fred Astaire's best moment is his Fourth of July firecracker dance. Ah, but what about the plot? Well, it seems that Astaire wants to make a film about Crosby's inn, starring their mutual discovery Reynolds. Bing briefly loses Reynolds to Astaire, but wins her back during the filming of a musical number on a Hollywood soundstage (eleven years earlier, Bing enjoyed a final clinch with Marion Davies under surprisingly similar conditions in Going Hollywood). As with most of Irving Berlin's "portfolio" musicals of the 1940s, the song highlights of Holiday Inn are too numerous to mention. This delightful film is far superior to its unofficial 1954 remake, White Christmas. ~ Hal Erickson, All Movie Guide

In this B- romance, an innocent young man endeavors to find his fortune in the Big Apple and ends up finding a dog instead. Fortunately, the furry fellow belongs to a successful businessman's daughter who convinces her daddy into giving the newcomer a job. When the earnest young man discovers errors in company files, he tells the boss, gets a promotion and a fiancee-- the boss's daughter, of course. ~ Sandra Brennan, All Movie Guide

In this drama, a vengeful woman searches for the man she blames for her sister's suicide. To get at him, the woman masquerades as a mousy maid in the tiny hotel where he stays. The story is set in Gallacia during WW I and while she enacts her plan, the Russians and Austrians take over the town. This does not stop her from getting revenge. This is a remake of a 1927 film of the same title. In Hollywood it has the legend of being a cursed production in that it suffered endless production problems and major changes in cast and crew. Originally Marlene Dietrich was to play the title role, but she and director Henry Hathaway were constantly at loggerheads. With the help of Paramount head Arthur Lubitsch, she got Hathaway to rewrite the script with Grover Jones. The new story was called I Loved a Soldier and things resumed. Unfortunately, Lubitsch had been fired and Dietrich, still miserable, abruptly quit, costing Paramount, a fortune. All production ceased, but later they resurrected the original script and tried again to make the film with Margaret Sullavan. Unfortunately, Sullavan and a co-star were horsing around one day on the set and she ended up with a broken arm. The studio heads demanded she perform the role in a sling. This was too much for Hathaway who immediately quit. Soon after, Dietrich returned with her long-time director Josef von Sternberg and said she was now willing to make Hotel Imperial. The studio heads refused and eventually the lead was given to Italian actress Isa Mira. A major sex symbol in Italy, she made this her U.S. debut. Unfortunately, she spoke little English and was forced to recite her lines phonetically. Meanwhile her co-star Ray Milland nearly died during a scene in which he had to lead a cavalry charge. During the run, he was thrown off his horse and tossed head first into a brick pile. Fortunately he only suffered a concussion. Later Hotel Imperial was remade as Five Graves to Cairo Sometimes, as in this case, the history behind the film is more interesting than the film itself, no? ~ Sandra Brennan, All Movie Guide

"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance. ~ Hal Erickson, All Movie Guide

In this comedy, an American golf pro falls in love with a woman while visiting France; before long they are married and in the US. Upon their arrival, they are dismayed to discover that the golfer's parents have arranged for him to marry a wealthy socialite so they can use her money to support their business. The dutiful son then lies about his recent marriage and feigns affection for the heiress. They begin planning their "wedding," but eventually, he tells his new fiancee the truth about his marital status. She decides to help him and then the fun begins. ~ Sandra Brennan, All Movie Guide