Trey Wilson Movies

In this drama, Lt. Jake Robbins (Kris Kristofferson) was presumed to have been killed in action during the Vietnam War. His wife, Sarah (JoBeth Williams) and his son were forced to get on with their lives; however when Jake turns up in Thailand many years later with a Cambodian wife and two children, the two families must struggle to deal with this complication. ~ Iotis Erlewine, Rovi

Michelle Pfeiffer is Married to the Mob in this comedy. The wife of Mafia hitman Alec Baldwin, Pfeiffer regularly chastizes her husband for his underhanded line of work. Baldwin refuses to entertain any thoughts of quitting the mob-and besides, he's got a good thing going with Nancy Travis, the promiscuous girl friend of gang boss Dean Stockwell. When Stockwell catches on to Travis' peccadilloes, he murders both his mistress and the unlucky Baldwin. At Baldwin's funeral, Stockwell is overwhelmed by Pfeiffer's beauty, and immediately begins plying her with expensive gifts. But Pfeiffer is through with this sort of thing, and with her young son in tow, she leaves town, hoping to start life anew. Upon making the acquaintance of bumbling, seemingly sincere Matthew Modine, Pfeiffer is convinced that Modine is just another mob flunkey. But it's even worse: Modine is an FBI agent, ordered to get to Stockwell by using Pfeiffer as bait. Reluctantly (he's grown quite fond of her himself), Modine blackmails Pfeiffer into setting up a rendezvous with Stockwell. ~ Hal Erickson, Rovi

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, Rovi

Two Southern railroad workers drive a train engine to Chicago to protest the closing of the station in Clifford, Arkansas. Will Haney (Wilford Brimley) and his friend Leo Pickett (Levon Helm) steal the engine and hope to confront the company president to prevent the shutdown. The duo gathers encouragement at every hamlet along the way as entire towns come out to lend support for the cause. The company tries to use the rural rubes to their promotional advantage, but Haney and Pickett take a stand and win an audience with aging company figurehead Thomas Clinton (Henderson Forsythe). Clinton takes a liking to the two activists and agrees to let himself be kidnapped back to Clifford. Mary Steenburgen, Kevin Bacon, and Barbara Barrie co-star in this routine but entertaining moral melodrama. ~ Dan Pavlides, Rovi

A man who simulates death for a living finds himself unwittingly tied into the real thing in this New York-based suspense drama. Special-effects man Rollie Tyler (Bryan Brown) makes his living simulating gory mayhem and photogenic violence for movies such as "I Dismember Mama." Tyler is given a chance to expand his professional horizons when he's approached by Lipton (Cliff De Young), who introduces himself as an FBI agent and makes an unusual proposal. Mob kingpin Nicholas DeFranco (Jerry Orbach) is willing to testify against his fellow gangsters, but the investigators are worried about his safety. Lipton wants Tyler to help him and his staff fake DeFranco's assassination; if everyone is convinced DeFranco is dead, people will be a lot less likely to look for him. Tyler grudgingly takes the assignment, and while he's able to realistically simulate DeFranco being shot in a crowded restaurant, after the "gag," he discovers that he's been double-crossed, and he's wanted for the murder of the man he just "shot." Tyler hides out with his girlfriend, Ellen (Diane Venora), but he realizes that whoever set him up wants him dead after she's killed by a bullet meant for him. With the help of fellow effects artist Andy (Martha Gehman), Tyler goes underground and tries to unravel the truth behind the Lipton murder. Meanwhile, police detective Leo McCarthy (Brian Dennehy) is convinced that something is not right when he's called to the scene of DeFranco's murder and is certain that the dead body is not the gangster. F/X was followed by a sequel, and later a short-lived TV series. ~ Mark Deming, Rovi

Burt Lancaster is eminently hissable as a tabloid publisher in the made-for-TV Scandal Sheet. The current target of Lancaster's smears is alcoholic actor Robert Urich, who is on the verge of making a comeback through the auspices of his movie-star wife Lauren Hutton. Ruthlessly going after Urich merely for the purpose of selling newspapers, Lancaster "persuades" impoverished reporter Pamela Reed, the best friend of Urich and Hutton, to help him wield the hatchet. Sublimely trashy, Scandal Sheet is held together by the despicably dynamic performance of Burt Lancaster. The film was of course made long before tabloid publishers were being lauded as "news analysts" on TV talk shows. ~ Hal Erickson, Rovi

Of the three "mortgage on the farm" films of 1984 (Country and The River were the other two), Places in the Heart is the only one set during the Depression. After her husband is killed, Sally Field is forced to take over the debt-ridden Texas family farm herself. Though slightly embittered by the fact that a black man was responsible for her husband's death, Field accepts the help of another African-American, Danny Glover. She is also given aid and comfort by her blind boarder, John Malkovich. Despite almost insurmountable odds, Field manages to bring in the cotton crop and to hold her farm and family together. Throughout the film, director Robert Benton stresses the importance of solidarity in facing down disaster, underlining this point with a remarkable surrealistic finale, in which the "live" members of the cast are seen singing a hymn with the characters who have "died" in the course of the film. Places in the Heart won Sally Field her second Academy Award. ~ Hal Erickson, Rovi

Not much time is actually spent in Weasel Creek in this made-for-TV movie, despite its title. Essentially, this is a semiserious "road" picture concerning the misadventures of a rambunctious young girl (Mare Winningham). Linking up with a runaway farm boy (John Hammond), the girl heads to California with only the clothes on her back and the few possessions from her house trailer. En route, the boy stops over in the aptly named Weasel Creek to visit his aunt (Colleen Dewhurst). The film is populated with such familiar rustic types as Barry Corbin, Richard Farnsworth and Trey Wilson. A Few Days in Weasel Creek first aired October 21, 1981. ~ Hal Erickson, Rovi

This off-beat comedy offers viewers the rare opportunity to view two movies nearly simultaneously. It is set in a small Texas drive-in and chronicles the fascinating and funny shenanigans of the various patrons. The drive in feature, a send-up of epic disaster films, is also a genuine hoot. ~ Sandra Brennan, Rovi