Wade Boteler Movies

A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, All Movie Guide

Poppy is the film version of the Dorothy Donnelly musical comedy which made W.C. Fields a Broadway star back in 1923 (an earlier, less-faithful version, also starring Fields and retitled Sally of the Sawdust, was directed by D. W. Griffith in 1926). The Great Man is cast as Professor Eustace McGargle, a small-time carnival confidence trickster. Accompanied by his adopted daughter Poppy (Rochelle Hudson), McGargle joins a travelling sideshow, fleecing as many of the local yokels as time will permit. During one stopover, Poppy falls in love with Billy Farnsworth (Richard Cromwell), the son of the town's mayor (Granville Bates), while McGargle pitches woo at the faded but alluring Countess de Puizzi (Catherine Doucet). When he finds out that the "Countess" is a phony claimant to the valuable Putnam estate, McGargle conspires with local lawyer Whiffen (Lynne Overman) to pass off Poppy as the genuine, long-lost heir. As it turns out, Poppy really is the heir, a felicitous turn of events which enables McGargle to avoid being tarred and feathered by the angry townsfolk. Finishing Poppy on schedule was quite a trial for W.C. Fields, who, in addition to breaking a vertebra while filming a chase sequence, further damaged his spine in a household accident. As a result, he could barely stand up during shooting, and many of his scenes had to be completed by a stunt double. One would never know that Fields was in excruciating pain throughout the film, however: Comedy-wise, he's at the top of his form, especially when he sells a "talking dog" to a gullible rube and finagles a free lunch from an equally dense hot-dog vendor. Poppy is also the film in which Fields imparts a sage bit of advice to his screen daughter: "Never give a sucker an even break." ~ Hal Erickson, All Movie Guide

Myrna Loy plays the glamorous member of a trio of jewel thieves. G-Man Spencer Tracy goes undercover to join the gang when it transports its stolen jewels from Paris to New York. Loy falls in love with Tracy, has a change of heart, and quits the gang. But Tracy arrests her all the same when he recovers the jewels. The girl forgives Tracy when the latter is wounded in a climactic gun battle with the rest of the thieves. Why, oh why, is this thing called Whipsaw? ~ Hal Erickson, All Movie Guide

The zany vaudeville comedy team of Ole Olsen and Chic Johnson was still one year away from their smash Broadway hit Hellzapoppin' when they starred in Republic's Country Gentlemen. The daffy duo plays a couple of gold-stock swindlers who try to fleece the citizenry of a small town. They end up purchasing a vacant lot for $4000, which they try to pass off as an oil field. A group of local WWI veterans invest heavily in Olsen and Johnson's latest venture, meaning that the boys will be in for quite a lot of lumps if the expected "gusher" doesn't come in. Thanks to good influence of heroine Lila Lee, our heroes change their crooked ways -- but not quite in the nick of time! Critics weren't keen on the notion of middle-aged Ole Olsen being cast as a romantic lead, but everyone was satisfied with the supporting performance of perennial "dumb blonde" Joyce Compton as the team's Girl Friday. Originally released at 66 minutes, Country Gentlemen is presently available in its 53-minute TV reissue form. ~ Hal Erickson, All Movie Guide

Impressed by the popularity of radio program about the exploits of legendary safecracker Jimmy Valentine, advertising man Gary Howard (Roger Pryor) posts a huge reward for anyone who knows the whereabouts of real Valentine, who is technically still a fugitive from justice. Following a lead, Howard ends up in a small town, where it appears as though Valentine has been living a respectable pseudonymous life as the town banker (played by Robert Warwick, coincidentally the star of the 1915 film Alias Jimmy Valentine!) Just as Howard is about to "expose" the banker, another old duffer steps forth to claim that he's Valentine. By now, Howard has fallen in love with banker's daughter Midge (Charlotte Henry), so he decides to let sleeping crooks lie. The last-minute introduction of villainous gangsters adds some life to this laid-back yarn. Return of Jimmy Valentine was remade (and significantly improved upon) in 1942 as Affairs of Jimmy Valentine. ~ Hal Erickson, All Movie Guide

The Gorgeous Hussy purports to be based on the life of Margaret "Peggy" O'Neill, the controversial wife of early 19th-century politician John Eaton, who served as cabinet minister during the Andrew Jackson presidency. Snubbed by the Washington elite because of her questionable background as a tavernkeeper's daughter, "Pothouse Peg" is championed by her longtime friend Jackson, who chooses to ignore the gossip-mongers and the scandal-provokers of the era. He even stands by Peggy's side when one of her admirers (Melvyn Douglas) is ignominiously killed by his enemies. Some historians believe that the "gorgeous hussy" and Jackson were themselves lovers, but this is never hinted at in the film, which is described in a foreword as "fiction founded upon historical fact." Joan Crawford wears an exhausting succession of gorgeous gowns as Peggy Eaton, but she can't do much to enliven her sketchily written role; one is aware that she brings disgrace to everyone she meets, but one is hard-pressed to understand why. Much better within the framework is Lionel Barrymore as Jackson, Beulah Bondi as "Old Hickory"'s pipe-smoking wife, Rachel, and Sidney Toler (two years away from Charlie Chan) as Daniel Webster. James Stewart is also in the film as one "Rowdy" Dow, a role he later chose to forget. ~ Hal Erickson, All Movie Guide

Former newspaperman Martin Mooney based his script for Exclusive Story on the racket-busting activities of New York district attorney Thomas E. Dewey. Franchot Tone plays the lawyer for a major newspaper which is conducting a campaign against gang boss Joseph Calleia. The paper can't get any charges to stick, thanks to Calleia's clever legal maneuvers. Tone takes matters in his own hands and nails down the evidence to convict Calleia. The gangster retaliates by kidnapping Tone's girlfriend (Madge Evans), leading to a climactic burst of violence. ~ Hal Erickson, All Movie Guide

In this crime comedy, an ocean liner engineer messes up and ends up relegated to shoveling coal. Later he accepts a lovely cigarette lighter from a beautiful woman. He has no idea that it is chock full of purloined jewels and that she gave them to him to keep rival crooks from stealing them from her. Now the poor engineer finds himself pursued at every turn. ~ Sandra Brennan, All Movie Guide

Enjoying a break from crime-solving, oriental sleuth Charlie Chan (Warner Oland) takes his 12 children to the circus. It isn't long, however, before he's sucked into yet another murder case, with a more colorful array of suspects than usual. Meanwhile, Number One Son Lee Chan (Keye Luke) tries to make time with pretty Chinese lass Su Toy (Shia Jung), a task made difficult by his morbid fear of the circus animals. One of the secondary villains, sinister lion tamer Tom Holt, is played by J. Carroll Naish, who later portrayed Charlie Chan on a late-1950s TV series. Some of the best moments in Charlie Chan at the Circus are contributed by brother-and-sister midget performers George and Olive Brasno. ~ Hal Erickson, All Movie Guide

The Secret Bride is Ruth Vincent (Barbara Stanwyck), the daughter of Governor Vincent (Arthur Byron). Attorney general Robert Sheldon (Warren William) falls in love with Ruth and they marry, but Sheldon insists that their marriage be kept secret. It seems that the Governor has been accused of accepting $10,000 in bribes, and Sheldon doesn't want to be accused of complicity while he investigates the matter. In the course of events, two murders occur, and it's up to Ruth to straighten the mess out. But how will she be able to manage this without involving herself or her secret husband in the scandal? It's funny how the various TV cable services tend to trot out The Secret Bride whenever a real-life political scandal bursts onto the scene. ~ Hal Erickson, All Movie Guide

Riff-Raff begins riff-raffing when boastful fisherman Dutch (Spencer Tracy) marries down-to-earth cannery worker Hattie (Jean Harlow). Their happiness is marred by Dutch's egomania, which results in the loss of his job and the alienation of his friends. Eventually he deserts Hattie, but she remains in love with him, even going to jail on a theft charge after trying to supply him with money. Reels and reels later, Dutch makes up for his past misdeeds by foiling a plot to sabotage a huge fishing vessel. Unfortunately, his reunion with Hattie is delayed when she tries to break out of prison, earning her an extended sentence, but he magnanimously promises to wait for her. Hard to believe that so sensible a heroine would put up with so much from a guy who's frankly not worth the trouble, but the chemistry between Spencer Tracy and Jean Harlow compensates for the film's Grand Canyon-sized logic holes. ~ Hal Erickson, All Movie Guide

Like many 1930s Warner Bros. films, Black Fury drew its inspiration from the headlines. The story is adapted from a true-life incident from 1929, wherein a striking Pennsylvania coal miner was beaten to death by three company detectives; this served as the focus for Henry R. Irving's stage play Bohunk as well as Judge M. A. Musmanno's story Jan Volkanik, both of which were woven into Black Fury's screenplay. Using a Polish accent so thick one can cut it with scissors, Paul Muni plays an illiterate miner, happy in his job and his company-town surroundings until his girl Karen Morley deserts him for policeman William Gargan. A disconsolate, drunken Muni stumbles into a labor meeting, where his loud, unthinking outbursts win him the leadership of the new miner's union. When the company locks out the strikers and brings in scabs, the angry miners hold the thick-headed Muni responsible. Fellow miner John Qualen, Muni's best friend, is then killed by a gang of rampaging hired goons. Vowing to "feex" the situation, Muni kidnaps head goon Barton MacLaine and takes him into the bowels of the mine with several sticks of dynamite in tow. Muni threatens to blow himself, MacLaine, and the mine to smithereens unless management comes to terms with the union. Thanks to overwhelming public support, the owners capitulate, and Muni is the hero of the hour. Though it seemed uncompromising in 1935, Black Fury obviously pulls its punches when seen today; for example, it is suggested that the mine owners are guiltless regarding violence against the strikers, laying blame on the hired detectives, who are shown to be in the employ of a crook who plays both sides against the other. Even allowing for this, Black Fury is one of the most powerful of Warners' "social conscience" films. Although the Academy gave Muni a Best Supporting Actor nod for this film, the AMPAS database indicates that it wasn't an "official nomination" - he was a write-in candidate, and came in second. ~ Hal Erickson, All Movie Guide

Gene Autry's second starring western for Republic was the well-named Melody Trail. Unlike Autry's inaugural vehicle Tumbling Tumbleweeds, which offered an equal blend of action and music, this second effort is virtually all music, with occasional comedy relief from Smiley Burnette. The story finally takes flight when a baby left in Gene's care is kidnapped, and travelling gypsy Frantz (Willy Castello) is suspected. All turns out okay, albeit with a minimum of fisticuffs and gunplay. The film's mass-wedding finale (an intriguing precursor to Seven Brides for Seven Brothers) features several lovely starlets who figure significantly in the storyline, the most prominent of whom is 18-year-old Ann Rutherford. ~ Hal Erickson, All Movie Guide