Wade Boteler Movies

In Old Chicago was 20th Century-Fox's spin on MGM's San Francisco--a personal saga played out against the backdrop of a famous 19th Century disaster. Alice Brady plays Mrs. O'Leary, a widow who brings her two young boys to the sleepy village of Chicago. As the city grows in prominence and prestige, so do the boys: One son (Tyrone Power) becomes a rascal who dreams of creating his own entertainment empire, while the other son (Don Ameche) matures into an honest, straight-laced lawyer. Both boys woo a beautiful singer (Alice Faye), who favors the more reckless of the two. As the headstrong son gains control of the more disreputable forms of Chicago entertainment, the serious son becomes the city's Mayor. The requisite rivalry between the two reaches a fever pitch just before their mother's cow knocks over a lantern and sets off the Great Chicago Fire of 1871. The O'Leary boys unite in trying to fight the conflagration and rescue the populace; the mayor dies, and the wastrel son vows to mend his ways and help build a "new" Chicago. In Old Chicago is climaxed spectacularly by the famous fire, a masterwork of special effects courtesy of 20th Century-Fox's Fred Sersen. The film, which originally ran 115 minutes, is currently available only in its shorter (and better paced) reissue version. ~ Hal Erickson, All Movie Guide

Harold Lloyd plays a professor of Egyptology, frightened by the notion that he has fallen under an ancient Egyptian curse. Lloyd has the opportunity to join an archeological expedition to search for a missing tablet that will determine his fate, but he has to travel from Los Angeles to New York before the party sails to Egypt. Alas, Lloyd is also required to appear in court to answer charges of "indecent exposure" (it's a long story). The rest of the film is a frantic chase with the authorities pursuing the fugitive professor across the country, highlighted by a daredevil sequence atop a moving train. Most of the individual gags are funny, but Professor Beware is several notches below the standard set by Harold Lloyd's silent films. The lukewarm boxoffice response to this film would convince Lloyd that he should retire from performing--which he did, returning to the screen only for 1947's Sins of Harold Diddlebock. ~ Hal Erickson, All Movie Guide

The second motion picture version of a Saturday Evening Post story by Dana Burnet, this romantic melodrama was also the second pairing of actors James Stewart and Margaret Sullavan. Stewart plays Private Bill Pettigrew, a naïve young Texan in New York for basic training prior to being shipped overseas to fight in WWI. When he is nearly run over by an automobile, he meets its owner, Daisy Heath (Sullavan). A sophisticated entertainer, Daisy is taken with Bill's sweet, uncomplicated nature, and she agrees to a ruse when Bill asks her to pose has his girl in order to impress his Army bunkmates. Daisy's real boyfriend, Sam Bailey (Walter Pidgeon), is at first amused by Daisy's new friendship, but he soon becomes jealous of Bill's growing affection for Daisy. When Bill receives his orders, he begs Daisy to marry him, and although she doesn't really love him, Daisy can't reject a soldier who may be about to meet his maker, so a quickie ceremony is arranged. When word later comes that Bill has been killed on the front lines, a heartbroken Daisy realizes that she and Sam are taking each other for granted. ~ Karl Williams, All Movie Guide

Sentenced to prison for a crime they did not commit, a desperate pair of young lovers attempts to capture the culprits responsible for framing them and destroying their lives. Philip and Bonnie were two strangers with little in common, that is until they were framed for a daring daytime jewelry store heist. When the two innocents fail to convince the judge that they had nothing to do with the hold up, they are each sentenced to 18 months behind bars. But their troubles don't end the day they are paroled for good behavior, because once society has branded you a criminal, you can never go back to the way things were. Now drawn together by the pain of their horrific experience, Philip and Bonnie will risk it all to catch the culprits who ruined their lives and finally clear their good names once and for all. ~ Jason Buchanan, All Movie Guide

This cinematic meringue stars Loretta Young as a young woman whose second husband (Lyle Talbot) is a hard working but dull business exec. She pines for hubby Number One (Tyrone Power), an irresponsible playboy. Young runs into Tyrone again during a Florida vacation, spurning him at first because he hasn't mended his old carefree ways. But that old black magic soon has Young under Tyrone's spell, and boring old Lyle Talbot is left holding the bag. The footloose and fancy-free Second Honeymoon is based on a story by Philip Wylie, an otherwise cantankerous critic of social foibles. ~ Hal Erickson, All Movie Guide

A boy learns life-changing lessons about the importance of friendship and the dignity of labor in this adventure saga based on a story by Rudyard Kipling. Young Harvey Cheyne (Freddie Bartholomew) is the working definition of a spoiled brat; the only child of a wealthy widowed businessman, Harvey has everything he needs, but never stops asking for more, convinced he can get anything if he yells, pouts, or throws the right tantrum. Even other boys his age are disgusted with his antics, and when he accompanies his father on an ocean cruise, he finds he has no friends to play with. After wolfing down six ice-cream sodas, Harvey gets sick to his stomach and while vomiting over the side of the ship, he falls into the drink. He is rescued by Manuel (Spencer Tracy), a Portuguese old salt who drags him on board a Gloucester fishing boat where he's a deck hand and doryman. Harvey shows no gratitude to Manuel for saving his life and demands to be taken home immediately; Manuel and the crew, not the least bit sympathetic, inform him that once they've filled the ship's hold with fresh catch, they'll return to shore, and not a moment sooner. Over the next few weeks, Harvey grows from a self-centered pantywaist into a young man who appreciates the value of a hard day's work, and in Manuel he finds the strength, guidance, and good sense that he never got from his father. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; the story was parodied years later (with a few rather drastic changes) in the Chris Elliott vehicle Cabin Boy. ~ Mark Deming, All Movie Guide

The Frame-Up is a timely and typically tacky crime meller from the Columbia film factory. There's dirty work at the racetrack, with an honest fellow being framed for the misbehavior of crooked gambler Larry Mann (Robert Emmet O'Connor). Detective Mark MacArthur (Paul Kelly) would like to snap the cuffs on Mann and his minions but is prevented from doing so when the bad guys kidnap Mark's girlfriend Betty (Jacqueline Wells). Forced to cooperate with the crooks, Mark finally figures out a way to save Betty and serve justice in one fell swoop. Some of the racing scenes in Frame-Up would continue to resurface in Columbia's serials and 2-reel comedies for years to come. ~ Hal Erickson, All Movie Guide

Making his debut with Warner Brothers, Henry Fonda plays an apprentice high-voltage lineman working with the no-nonsense, but very experienced Pat O'Brien. Stringing up the high-tension electrical wires on tall metal towers is dangerous work, but from the moment he sees the linemen at work, farm boy Slim (Fonda) knows that this is the job for him. He convinces crew-boss Red Blayd (O'Brien) of this and after heavy-duty training, and the overcoming of a few fears, he starts to work. Tensions arise when Fonda falls in love with Blayd's gal Cally (Margaret Lindsey). Much of the plot was drawn from Tiger Shark (1932). ~ Sandra Brennan, All Movie Guide

The Great Hospital Mystery is based on one of Mignon Eberhardt's "Nurse Sarah Keate" whodunits. Physically and temperamentally, Jane Darwell at least approximates the middle-aged Sarah (here renamed Miss Keats), but otherwise the film runs far afield from Eberhardt's original concept. As the night superintendent of a metropolitan hospital, Miss Keats does her best to handle the personal problems of her staff -- especially nurse Ann (Sally Blane), whose brother Tracy (George Walcott) is being victimized by mobsters. To save Tracy from assassination, Keats and Ann make it appear as though he has died in the hospital while a patient there. Their plan is compromised when another patient is murdered -- or is he? Joan Davis provides gratuitous comic relief as a klutzy "girl in white." ~ Hal Erickson, All Movie Guide

A feud between taxicab companies forms the basis of this drama. The trouble begins when the hero is double-crossed and framed for a murder by his rival with whom he was competing for the position of fleet superintendent in the city's biggest cab company. The hero does not know who framed him until he is released from prison. Enraged, he and some of his old cabbie cronies get together and create their own cab company. The war is on until the police get involved. Eventually, the real murderer is convicted and the hero wins the biggest cab company. ~ Sandra Brennan, All Movie Guide

Adapted by Lillian Hellman from Sidney Kingsley's Broadway play, Dead End concerns itself with several denizens of New York's East River district. Here the elite and the slum-dwellers rub shoulders due to the close proximity of the riverfront tenements with the East Side luxury hotels. Slum girl Drina Gordon (Sylvia Sidney) tries to prevent her younger brother Tommy (Billy Halop) from wasting his life as a member of the local street gang. Tommy and the other kids idolize Baby Face Martin (Humphrey Bogart), a onetime East- sider who has hit the "big time" as a notorious gangster. Dodging the cops, Martin makes a sentimental journey to the neighborhood to visit his mother (Marjorie Main) and his old girlfriend Francie (Clare Trevor). But Martin's mother coldly tells him to get lost, while Francie reveals herself to be a consumptive prostitute. Despite his depressed state, Martin is still admired by the local kids; this displeases sign painter Dave Connell (Joel McCrea), who hopes to escape the slums via his romance with wealthy Kay Burton (Wendy Barrie). Attempting to kidnap a rich boy who'd earlier been beaten up by the street kids, Martin is prevented from making the snatch by Dave, who shoots Martin down. Receiving a large reward, Dave decides to give the money to Drina so that she can afford a lawyer to defend her brother Tommy, who has wrongfully been accused of masterminding the beating of the rich kid. His outlook on life altered by this unselfish act, Dave gives up his mercenary romance with Kay Burton, choosing instead the poverty-stricken Drina. The film introduces the Dead End Kids--Billy Halop, Leo Gorcey, Gabe Dell, Huntz Hall, Bernard Punsley and Bobby Jordan--all of whom were veterans of the Broadway version of Dead End and would be metamorphosed into the East Side Kids and The Bowery Boys. ~ Hal Erickson, All Movie Guide

In this detective story, a super sleuth is hired by an insurance company to find a stolen emerald belonging to a rich man's daughter. He soon discovers that the theft was a hoax precipitated by the girl's boyfriend, an aspiring novelist doing research for his forthcoming novel. Real trouble ensues when the gem really is taken. Again the detective begins investigating. He soon discovers that the crook is an official at the insurance company. ~ Sandra Brennan, All Movie Guide

A reporter becomes an amateur sleuth to solve the mystery surrounding the death of a magician's wife and a few others. The trouble began while the magician performed his daring escape act at a coastal resort and it is the clever reporter who figures out how the crimes were committed. ~ Sandra Brennan, All Movie Guide