Dorothy Wilson Movies

If Charles Quigley never became Columbia's answer to Clark Gable (which seemed to be the studio's intention), it wasn't for lack of trying. In Speed to Spare, Quigley plays champion racecar driver Tommy Morton, eternal rival to less-ethical speed king Skids Brannigan (Eddie Nugent). What no one knows is that Tommy and Skids are actually brothers, separated at birth. Driven by a filial devotion that he can't explain, Tommy tries to dissuade Skids from recklessness, only to be "repaid" when Skids tries to steal away Tommy's sweetheart Eileen (Dorothy Wilson). It takes a near-fatal crack-up for Skids to straighten up and drive right -- and to patch things up with Tommy, whom he now recognizes as his own brother. Much of the racecar action in Speed to Spare is filmed against a process screen. ~ Hal Erickson, All Movie Guide

One of the funniest, most sharply paced comedies of the 1930s, and perhaps the best of all of Harold Lloyd's talkies, The Milky Way was based on the Broadway play by Lynn Root and Harry Clork. Lloyd plays Burleigh Sullivan, a mild-mannered milkman who intercedes one night when his sister Mae (Helen Mack) is being accosted on the street by two obnoxious drunks -- they turn their wrath on him, his sister runs for help, and when she returns less than a minute later, both men are out cold on the pavement, with Burleigh standing over them. As one of them, Speed MacFarland (William Gargan), is the world's middleweight boxing champion, and the other, Spider Schultz (Lionel Stander), is his sparring partner, Burleigh makes the front page of every newspaper in New York. McFarland's manager, Gabby Sloan (Adolphe Menjou), has to figure out how to salvage the champ's career, but first he has to figure out exactly what happened, since both fighters were too drunk to remember anything about it. It turns out that Sullivan couldn't beat an egg, but he is good at one thing -- ducking. He can dodge any punch, and the two fighters knocked each other out in the process of trying to pummel him. What's more, on hearing this, they're so angry that Schultz accidentally knocks MacFarland out again, just ahead of the press' arrival, and the little milkman is given credit once more by the reporters for decking the champ. Burleigh loves the attention, even though he never claims to have hit anyone. Meanwhile, Sloan comes up with a way of salvaging his fighter's career, and convinces Burleigh to go along with it for a promised cash sum -- all Burleigh has to do is get in the ring in six fights, to build up his standing and reputation, and finish his "career" in a fight with MacFarland, who will win. In the meantime, complications arise when MacFarland falls in love with Burleigh's sister, while Burleigh himself meets and falls in love with Polly Pringle (Dorothy Wilson), a helpful neighbor. Gabby, Spider, and Speed also discover that turning tiny, wiry Burleigh Sullivan into something that even looks like a fighter is easier said than done -- all of his fights have to be fixed (and then some) behind his back to make his victories look remotely genuine. Finally, after starting to believe his own publicity, and then discovering that the fights were fixed, Burleigh goes through with the final match-up against MacFarland, the culmination of a comedy of errors involving horses, foals, and a wild chase to the arena. ~ Bruce Eder, All Movie Guide

Bad Boy Eddie Nolan (James Dunn) spends more time in the poolroom than he does looking for work. Even so, Sally Larkin (Dorothy Wilson) is willing to marry Eddie, certain that he'll hunker down and seek employment once he acclimates himself to the responsibilities of marriage. But this doesn't happen, and soon the impecunious Eddie is shipping Sally back to her parents. Things take an upward turn when our hero manages to corral a gang of crooks, thereby earning himself a fat reward and unlimited job opportunities. Though running only 56 minutes, Bad Boy managed to secure top-of-the-bill bookings thanks to James Dunn's fan following. ~ Hal Erickson, All Movie Guide

No relation to the later Sonja Henie vehicle of the same name, 1935's One in a Million is another little chestnut from low-budget Invincible Pictures. Shopgirl Dorothy Brooks (Dorothy Wilson) becomes convinced that she's accidentally killed her overly amorous boss. Hiding out from the law, Dorothy heads to a fancy resort, where she falls in love with department-store heir Donald Cabot (Charles Starrett). Imagine her embarrassment when Donald turns out to be the son of her supposed murder victim! Our poor heroine is accused of stealing from the other resort guests before Donald finally gets to the truth -- and, of course, produces his father (Holmes Herbert), who is none the worse for wear. Former MGM soubrette Gwen Lee goes through her characteristic comic paces in a supporting role, as does the burly Guinn "Big Boy" Williams. ~ Hal Erickson, All Movie Guide

1932 WAMPAS Baby Star Dorothy Wilson was trapped in this mediocre circus melodrama from low-budget Peerless Pictures Corp. Wilson played Elaine Cavanaugh, whose mother, Stella (Dorothy Revier), joined a traveling tent show after being ostracized by her husband's wealthy family. The story repeats itself years later when Elaine breaks up with her wealthy boyfriend Dale Wentworth (Kane Richmond), whose aunt (Gladys Gale) and snobbish sister (Anne Hovey) warn him against getting involved with show people. At the circus, Elaine works as the assistant to fake astrologer Zirillo (William Ruhl). When Dale later accuses the act of swindling his aunt, Elaine pretends to be in on the ruse, hoping that he will forget her. Tommy (Sumner Getchell), a former pickpocket and Elaine's friend, tells Dale that Elaine believed Zirillo to be the genuine article and the lovers are reunited. ~ Hans J. Wollstein, All Movie Guide

Few studios ground out as many aviation melodramas as Columbia. In Above the Clouds, Robert Armstrong stars as Scoop Adams, an ace newsreel cameraman whose love affair with the bottle all but destroys him professionally. Scoop manages to get his photographer pal Dick (Richard Cromwell) fired as well, but he promises to restore Dick's reputation, some way or another. He gets his chance while covering a dirigible wreck (some three years before the Hindenburg), saving the day for both Dick and himself. The outcome of the plot hinges on a telephoto lens, a relatively new device in 1934. Dorothy Wilson hangs around in the obligatory but hardly necessary role of the love interest. ~ Hal Erickson, All Movie Guide

Paramount's Eight Girls in a Boat was a remake of the 1932 German film of the same name. Impregnated by medical student David Perrin (Douglass Montgomery), European schoolgirl Christa Storm (Dorothy Wilson) contemplates killing herself. Wisely, she chooses instead to explain her plight to her sympathetic teacher Hanna (Kay Johnson), who arranges a marriage for the girl despite the protests of her wealthy father (Walter Connolly). Before this happens, however, Christa's seven best friends agree to mutually adopt the girl's baby, and are sorely put out when she opts for matrimony. Many cynical reviewers presumed that Eight Girls in a Boat was merely an excuse to show off an octet of well-developed ingenues in shorts, tight blouses and bathing suits. Perhaps it was, but few filmgoers complained back in 1934. The film was one of the few made by starlet Barbara Barondess before she forsook acting for a lucrative career as a Hollywood interior decorator. ~ Hal Erickson, All Movie Guide

In Scarlet River, Tom Keene plays "himself," a cowboy movie star, on location in the Wide Open Spaces for his latest epic. The locals chortle and guffaw at these picture people posing as genuine Westerners, but Keene proves his worth by rescuing Dorothy Wilson from villainous ranch foreman Creighton Chaney (aka Lon Chaney Jr.). Edgar Kennedy plays the flustered director, forever tearing out what little hair he has. The film-within-a-film sequences are staged with reasonable accuracy (future consumer advocate Betty Furness shows up as Keene's on-camera ingenue), while a few shots at the RKO commissary offer glimpses of studio contractees Myrna Loy, Joel McCrea and Bruce Cabot. The basic premise of Scarlet River would be revived in several future westerns by such cowboy stars as Charles Starrett, Buck Jones and Gene Autry. ~ Hal Erickson, All Movie Guide

This suspenseful, exciting mystery is based upon an Edgar Wallace story and centers upon the search for $1 million in buried loot. Only the original thief, Joe Valerie knows its location. He tells the crazed Austrian Dr. Cornelius about it. The good doc secretly schemes to get it for himself, but first he must evade a determined detective and the bogus psychic he has hired to help him out. The search leads the gumshoe to a spooky, seemingly haunted mansion. Three people die during the hunt and as they go, the mystic and the detective find themselves falling in love. ~ Sandra Brennan, All Movie Guide

Dorothy Wilson, who'd previously been a stenographer at RKO Radio studios, plays the lead in RKO's Age of Consent. Wilson and co-star Richard Cromwell play a couple of green-as-grass college coeds, whose puppy love blossoms into genuine romance. But with love comes responsibilities, and soon it looks as though they will have to give up their education if they want to make a go of their relationship. Director Gregory La Cava's fondness for on-set improvisation results in a number of endearingly spontaneous moments from the talented young cast. It was also refreshing to see a 1932 movie in which college life was depicted with a semblance of reality, and not as an endless series of frat parties and football games. Watch for 16-year-old Betty Grable in an uncredited bit role. Age of Consent is based on Cross Roads, a stage play by onetime College Humor editor Martin Flavin. ~ Hal Erickson, All Movie Guide