Ronan Wilmot Movies

The My Left Foot team of star Daniel Day-Lewis and director Jim Sheridan were reunited to make this political docudrama about Irish citizen Gerry Conlon (Day-Lewis), who was wrongly convicted of taking part in an IRA bombing that killed five in Guildford, England in 1974. After a brutal interrogation forces him to sign a false confession, Gerry is sentenced to prison, his family is raked over the coals, and later his father Giuseppe (Pete Postelthwaite) is charged with being an accomplice and is also sent to prison where he lives out the last days of his life. Day-Lewis gives an outstanding performance as a man tormented by the injustice served him. Watch for Emma Thompson as the persevering lawyer who works for years, gathering evidence to clear Gerry's name. ~ Jason Ankeny, Rovi

Richard Harris was nominated for several awards (including the Oscar and Golden Globe) for his performance in The Field. The time is the mid-1930s; the place, western Ireland. For many years rugged individualist Bull McCabe (Harris) has been cultivating a small plot of rented land, nurturing it from barren rock into a fertile field. Now, however, the widow who owns the land plans to sell it at auction. The infuriated Bull shows up at the bidding, secure in his belief that none of his neighbors will dare bid against him. But Bull has not taken into consideration a wealthy Irish-American (Tom Berenger), who intends to pave over the land and bring new industry to the area. "This is deep, very deep, deeper than you think" warns Bull, as he sends his grown son (Sean Bean) to "persuade" the American to withdraw his bid. Armed with the foreknowledge that Bull's tenacity has caused heartbreak and tragedy in the past, the audience steels itself for the awful consequences still to come. Punctuating the storyline are the periodic appearances of the toothless village idiot, played by John Hurt. Originally produced for British television, The Field was based on the landmark play by John B. Keane, and directed by My Left Foot's Jim Sheridan. ~ Hal Erickson, Rovi

Irish author Hugh Leonard's play Home Before Night was the basis of Da. Martin Sheen plays an Irish/ American playright living in New York. No matter how much he's assimilated himself, Sheen cannot escape the influence of his deceased adoptive father (Barnard Hughes). The writer has several heated confrontations with the "ghosts" of his father and mother (Doreen Hepburn), as well as with his own adolescent self (Karl Hayden). Sheen comes to realize that his own success was in part sparked by the failures of his "Da", a gardener who spent his life speaking in empty aphorisms and wishing he were someone else. ~ Hal Erickson, Rovi

Irish youths Vinnie (Stephen Brennan) and Arthur (Eamon Morrissey) fight their ongoing boredom by running a video print of Elvis Presley's Roustabout. If you've seen that film, you'll remember that at one point, Elvis participates in "The Wall of Death," a dangerous cylindrical motorcycle stunt. Suddenly inspired, Vinnie and Arthur set about constructing their own Wall of Death. Supplies are costly, but the boys are benumbed to reality by their dreams of fame and fortune. Entering the picture (and foredooming the project) is con artist Boots (Niall Toibin), who claims to be an American showman bent upon giving Vinnie and Arthur a spectacular TV showcase. Like the later The Commitments, Eat the Peach deftly blends traditional sour-faced Irish pragmatism with pie-in-the-sky idealism. This time, however, there's no blarney: Eat the Peach is based on a true story! Privately financed in England and Ireland, the film earned good American bookings thanks to the sponsorship of filmmaker Jonathan Demme. ~ Hal Erickson, Rovi

Michael Lamb (Liam Neeson) is a member of the Christian Brotherhood, working as a teacher in a private special-ed school in Ireland. Having recently endured the loss of his father, Lamb befriends a young, epileptic student. The wicked behavior of unscrupulous brother superior Ian Bannen compels Lamb to head to London, accompanied by the boy. The ironic climax finds the lad losing his life as an indirect result of Lamb's kindness. Based on a novel by Bernard McLaverty, Lamb is graced with a compelling musical score by rock star Van Morrison. ~ Hal Erickson, Rovi