Dave Willock Movies

In an obvious attempt to recreate some of the power and impact of Henry King's Twelve O'Clock High, Lesley Selander's Flat Top tells its story in flashback as Dan Collier (Sterling Hayden), a senior officer, recalls from the bridge of the carrier Princeton during the Korean War, the first squadron he commanded on the ship during World War II. Arriving as green recruits, the men resent Collier's grounding the most dedicated man in the squadron (Keith Larsen) for ignoring a wave-off; even more so, they fail at first to understand his sometimes harsh efforts at preparing them for battle against the Japanese -- we also get to meet the various men of the squadron, who are mostly identified by what they did in civilian life -- William Schallert plays a poet-turned-pilot named "Longfellow"; John Bromfield plays an ex-football player nicknamed "Snakehips". Most of the conflict centers on Collier and his efforts to make a good executive officer out of Joe Rodgers (Richard Carlson), who was already in the navy when he transferred to aviation but is too concerned with being popular with the men to be a good commanding officer. Meanwhile, the pilots face various conflicts, psychological and personal, as they move toward the thick of battle. ~ Bruce Eder, All Movie Guide

An insurance investigator, a dame with a yen for the finer things in life and a mail robbery gone horribly wrong are the ingredients in this low-budget but highly engrossing film noir. Charles McGraw and Louis Jean Heydt are tough insurance agents but their partnership comes in for some rough sailing when he former falls head over heels for Joan Dixon, a lady apparently not averse to letting herself be wined and dined by an obvious gang leader (Lowell Gilmore). In an attempt to win the lady's favors, McGraw concocts a plan to rob a mail train insured by his own company. Too late does he discover that the girl is perfectly willing to accept him as he is. ~ Hans J. Wollstein, All Movie Guide

Darling, How Could You is an amiable adaptation of James M. Barrie's stage perennial Alice-Sit- By-the-Fire. Joan Fontaine and John Lund head the cast as Alice and Robert Grey, who return to London from a five-year sojourn at the Panama canal, where Robert, a doctor, has tended to the sick. Upon arriving home, Mr. and Mrs. Grey must become reacquainted with their ever-growing children, especially precocious teenager Amy (Mona Freeman). Having just seen a play about an errant wife, Amy misinterprets the attentions paid to her mother by young physician Steve Clark (Peter Hanson), leading to a bottomless reserve of whimsically comic complications. Long unavailable to TV due to legal hassles with the Barrie estate, Darling, How Could You has since lapsed into public domain, and is now more available than ever. ~ Hal Erickson, All Movie Guide

A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

After several supporting and guest appearances, Latino singer-actress Estelita Rodriguez was given her own Republic starring vehicle, Belle of Old Mexico. The plot wasn't new in 1950--for that matter it wasn't new in 1920. Wealthy Kip Artmitage III (Robert Rockwell) honors his late wartime friend's request to look after the friend's "little sister." Surprise! Sis turns out to be all-grown-up Rosita (Estelita), causing no end of difficulty for Armitage, who's engaged to marry the avaricious Deborah (Dorothy Patrick). Most of the film's best moments are delivered by Florence Bates as Deborah's eternally inebriated mother. The 70-minute running time affords Estelita Rodriguez plenty of room to perform four peppery musical numbers. ~ Hal Erickson, All Movie Guide

Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, All Movie Guide

Based on the lives of big-band stars Tommy and Jimmy Dorsey, this biographical chronicle begins with their childhood in an industrial Pennsylvania town. Encouraged in their musical talents by their father, the Dorsey brothers' sibling rivalry proves to be a stumbling block until the their father's death gives them the momentum they need to rise to fame, and they are eventually considered to be among the best bandleaders of the swing era. Appearances by Charlie Barnet, Art Tatum, and Bob Eberly jazz up the musical numbers, featuring such songs as "Green Eyes," "Everybody's Doin' It", "Marie," and "I'll Never Say Never Again." ~ Iotis Erlewine, All Movie Guide

The troublesome years "between the wars" provide the backdrop for the romantic drama The Searching Wind. Adapted by Lillian Hellman from her own stage play, the film stars Robert Young as Alex Hazen, an idealistic but incredibly naïve US ambassador who fails to heed the warning signals when Mussolini and then Hitler ascend to power in Europe. Feeding into Hazen's ingenuousness is his beautiful but shallow wife Emily (Ann Richards), who is far more preoccupied with tuxedos and dinner gowns than with brown shirts and Nazi armbands. Only journalist Cassie Bowman (Sylvia Sidney), a character obviously based on playwright Hellman, can foresee the impending horror-even when her judgment is occasionally clouded by her undying love for Hazen. Benefiting from the mistakes of his elders is the Hazens' son Sam (Douglas Dick), who represents the "Never Again" viewpoint of the post-WW2 years. The Searching Wind was the sort of politically supercharged fare that earned Hellman condemnation as a "premature anti-fascist" during the infamous Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

Doctor Charles Korvin walks out on his musician wife Merle Oberon when he suspects her of infidelity. Twelve years later their paths cross again; Oberon is now saddled with an abusive husband. Possessed of a protective instinct that he hadn't evinced in the first part of the film, Korvin rescues his ex-wife from her miserable marriage, and the two fall in love all over again. Based on a play by Luigi Pirandello (no, it wasn't called Two Characters in Search of a Movie, This Love is Ours is worth watching only when supporting player Claude Rains is on the scene. The 1956 remake Never Say Goodbye was no improvement, not even with Rock Hudson taking over from the stolid Charles Korvin. ~ Hal Erickson, All Movie Guide

Four Jills in a Jeep is the (mostly) true story of a four-girl USO team, entertaining American troops overseas. Kay Francis, Martha Raye, Carole Landis and Mitzi Mayfair play "themselves," recreating their recent whirlwind tour of Europe and North Africa. This wisp of a plot takes a back seat to the musical numbers performed by the four stars, by Dick Haymes in his screen debut as a singing GI, and by guest stars Alice Faye, Betty Grable and Carmen Miranda. Phil Silvers, George Jessel, and Jimmy Dorsey and his orchestra also pop up to do their usual. Very much a time capsule of the War years, Four Jills in a Jeep was later adapted into a best-selling book, ostensibly written by costar Carole Landis. ~ Hal Erickson, All Movie Guide

Despite the film's title, Pin-Up Girl offers surprisingly few glimpses of the famed Betty Grable "gams." This lively Technicolor musical casts Gable as Lorrie Jones, secretary at a USO canteen frequented by handsome servicemen. Falling in love with war hero Tommy Dooley (John Harvey), Lorrie contrives to be near him wherever he goes by posing as a world-famous Broadway star. As a result, she is hired as a USO entertainer -- and becomes a star for real. Despite considerable competition from such veteran funsters as Joe E. Brown and Martha Raye, the film's comic honors are stolen by Dorothea Kent, cast as Lorrie's bespectacled, man-hungry best pal. Choreographed by Hermes Pan, the dance numbers in Pin-Up Girl are among Betty Grable's best, especially "I'll be Marching to a Love Song" -- portions of which later showed up in the patriotic two-reeler The All-Star Bond Rally. ~ Hal Erickson, All Movie Guide

Let's Face It is adapted from the Broadway musical of the same name, which in turn was based on the old Norma Mitchell/Russell G. Medcraft stage chestnut The Cradle Snatchers. The basic story of three neglected wives who hire a trio of young men as professional companions is updated for the World War II era: The three young men are now lonely GIs. Bob Hope is the funniest member of the threesome engaged by the wives in order to make their wandering hubbies jealous. He is paired off with vivacious Betty Hutton, both of whom fight a complex situation-comedy plotline in order to find time for their expected specialties. Hope's best moment is a parody of the cigarette-lighting bit from Now, Voyager, in which he winds up with six burning cigarettes in his mouth. The stage version of Let's Face It was essentially a vehicle for Danny Kaye, who of course played the role essayed in the film by Bob Hope. ~ Hal Erickson, All Movie Guide

Sgt. Andy Mason Jr. (James Ellison) is on the eve of shipping out from New York with his unit -- he's the son of Andrew Mason Sr. (Eugene Pallette), a wealthy, blustery Wall Street financier. While paying respects to his father and the latter's business partner, dithering fuss-budget Peyton Potter (Edward Everett Horton), at the Club New Yorker, he spots chorus girl Eadie Allen (Alice Faye) and turns on the charm and all of the allure that the ne'er-do-well son of a Wall Street millionaire can muster. That, however, doesn't impress Eadie, who ignores his invitation so she can do her patriotic bit helping servicemen at the Stage Door Canteen (or, as it's called here, the "Broadway Canteen"). Realizing how down to earth and genuine she is -- exactly the kind of girl who doesn't care about his money or social position -- Andy shows a bit of the boyish innocence he has hidden beneath the arrogance that comes from his background of wealth and privilege, and also some humility, hiding that background and his real name. Before the night and their "date" on the Staten Island Ferry are over, they're genuinely in love with each other, but that presents a problem -- since age 12, Andy has been unofficially "engaged" to Potter's daughter Vivian (Sheila Ryan), who expects to marry him, and he can't quite bring himself to hurt Vivian by telling her that he's met someone else.

Flash forward a few months, and Andy is on his way home on leave, a hero in the Pacific, and his father is so proud that he has to do something special to honor him, trying to rent out the Club New Yorker for a party but discovering that it's closed for rehearsals of a new production. Suddenly, his fatherly devotion, patriotism, and Wall Street experience all click together -- he brings the entire performing company, plus Benny Goodman's band, up to his and Potter's adjoining estates in Westchester to stage their act for his upscale neighbors and friends as part of the biggest War Bond rally ever seen (minimum admission a new 5,000-dollar War Bond), and in the process giving his son the biggest party he's ever seen. This leads to more comic turns for Horton's Potter, as a man who would make coffee nervous -- especially around show people -- but delights his ex-dancer wife (Charlotte Greenwood). That's also how Eadie and Vivian end up at the Potter mansion together, comparing notes on their remarkably similar respective fiancés. When the show's star, Dorita (Carmen Miranda), lets the cat out of the bag, it looks like Andy may lose Eadie, who can't bear to lose Andy but also won't even try to take him away from Vivian, who loves him too, but has loved him a lot longer. But while they sort out their romance, the show must go on, and go on it does. ~ Bruce Eder, All Movie Guide