Dave Willock Movies

Not a remake of the 1934 Helen Morgan vehicle of the same title, Frankie and Johnny stars Elvis Presley as Johnny, a Mississippi gambler, and Beverly Hillbillies regular Donna Douglas as his girl friend Frankie. In keeping with the old ballad, the romance of Frankie and Johnny is threatened by the intervention of seductress Nellie Bly (Nancy Kovack). Nellie brings Johnny luck at the gaming tables while Frankie sees red. Frankie and Johnny was written by onetime Marx Brothers contributor Nat Perrin and directed by future Tonight Show helmsman Fred de Cordova. ~ Hal Erickson, All Movie Guide

Accused of murder, Hoss Cartwright puts his life in the hands of celebrated lawyer Whitney Parker (James Gregory). Unforunately, Parker's glory days are behind him: more to the point, he is now the town drunk. The Cartwrights struggle to keep Parker sober long enough to save Hoss from the gallows. Also in the cast are Michel Petit as Jamie, Hal Baylor as Durfee, William Mims as Evans, and Jason Johnson as the Doctor. Written by Mort R. Lewis, "A Man to Admire" first aired on December 6, 1964. ~ Hal Erickson, All Movie Guide

Toward the end of Jerry Lewis's Paramount studio period, Lewis slapped together this bitter comedy about Hollywood phoniness and fame that has to be the most rancid portrait of the Hollywood star system in the Rat Pack era this side of Clifford Odets. When a famous entertainer suddenly is killed in an airplane crash, his team of flunkies -- producer Caryl Fergusson (Everett Sloane), writer Chic Wymore (Phil Harris), press agent Harry Silver (Keenan Wynn), director Morgan Heywood (Peter Lorre in his final film role), valet Bruce Alden (John Carradine), and secretary Ellen Betz (Ina Balin) -- decide to continue their life style by finding a complete unknown and manufacturing him into a Hollywood star. That unknown turns out to be the nervous and inept bellboy Stanley Belt (Jerry Lewis). They train Stanley to become an over-night singing sensation, and despite a disastrous recording session and a failed nightclub performance, the public relations blitz makes Stanley's recording of "I Lost My Heart in a Drive-In Movie" a smash single. So much so that Stanley is given a shot at appearing on "The Ed Sullivan Show." Expecting the worst, Stanley's management team abandons him right before his performance. But Stanley musters up enough confidence to go on the live program alone and manages to surprise his pessimistic ex-staff. A collection of Hollywood celebrities circa 1964 --George Raft, Ed Wynn, Ed Sullivan, Mel Torme, Rhonda Fleming and Hedda Hopper -- make cameo appearances. High spots include an apocalyptic music lesson with voice teacher Dr. Mule-rrr (Hans Conried), Ed Sullivan performing a bizarre impersonation of himself, and an ending that would make even Jean-Luc Godard blush. ~ Paul Brenner, All Movie Guide

Professor Julius F. Kelp (Jerry Lewis) is an addle-brained, absent-minded chemistry instructor always incurring the wrath of the university administration by continually blowing up the classroom laboratory. The shy guy has his eyes on the student body of Stella (Stella Stevens). When a football-playing bully humiliates him, Kelp tries to concoct a chemical to help him gain physical strength and stature. The potion turns him into the handsome, hard-edged nightclub singer named Buddy Love. The mild-mannered professor's alter ego becomes a self-absorbed campus favorite at the Purple Pit, a hangout for hip cats and kittens. Stella falls for the enigmatic entertainer who wows the crowd with his jazzy, breezy delivery and cool demeanor. Buddy mixes it up with the bartender (Buddy Lester), who is instructed on how to mix the latest drinks by the professor-turned-party animal. The drawback of the potion is that it wears off at the most embarrassing an inopportune times for Buddy, turning him back into the helpless Kelp. Buddy performs at the annual student dance, and while on the dais, the elixir starts to wear off. The students and staff watch in amazement as he changes back into the professor. He gives an impassioned plea that people must learn to like themselves before others can like them in return. Stella still wants to be the teacher's pet, and the two make future plans together. ~ Dan Pavlides, All Movie Guide

As a child, "Baby Jane" Hudson was the toast of vaudeville. As an adult, however, Baby Jane was overshadowed by her more talented sister, Blanche, who became a top movie star. Then, one night in the early '30s, came the accident, which crippled Blanche for life and which was blamed on a drunken, jealous Jane. Flash-forward to 1962: Jane (Bette Davis), decked out in garish chalk-white makeup, still lives with the invalid Blanche (Joan Crawford) in their decaying L.A. mansion. When Jane isn't tormenting the helpless Blanche by serving her dead rats for breakfast, she is plotting and planning her showbiz comeback. Convinced that her days are numbered if she remains in the house with her addlepated sister, Blanche desperately tries to get away, but all avenues of escape are cut off by the deranged Jane. What Ever Happened to Baby Jane? sparked a trend toward casting venerable Hollywood female stars in such grotesque Grand Guignol melodramas as Lady in a Cage (1964) and Hush...Hush Sweet Charlotte (1965). In addition to revitalizing the careers of Davis and Crawford, whose real-life mutual animosity came through loud and clear, the film made a star of sorts of 24-year-old character actor Victor Buono, cast as a porcine mama's-boy musical composer. Lukas Heller's screenplay was based on the novel by Henry Farrell. ~ Hal Erickson, All Movie Guide

Future film superstar James Coburn appears as slimy entrepreneur Donald Fletcher, who purchases a highly respected publishing house and converts its output to slezy tabloids and nudie magazines. Unable to legally prevent Fletcher from inflicting further damage, editor Edmond Aitken (Philip Abbott), whose family once owned the publishing firm, may be driven to desperation. Ultimately, Fletcher is murdered--but it is Aitken's wife Alyce (Sara Shane), rather than her husband, who is charged with the crime because she was being blackmailed by Fletcher with nude photos taken during her modelling career. Perry Mason (Raymond Burr) prepares to clear Alyce and ferret out the genuine culprit. ~ Hal Erickson, All Movie Guide

This film is a 1959 WWII drama that focuses on members of a German bomb squad. The fatalistic soldiers pool part of their paychecks into a fund that the last surviving member of the squad will get to keep. One by one, the men meet their deaths until only two remain: Karl Wirtz (Jeff Chandler) and Eric Koertner (Jack Palance). The two men vie for the affections of Margot Hofer (Martine Carol), which adds to the growing tension between them. In the film's climax, Wirtz and Koertner are summoned to dismantle a huge bomb, which adds tension to an already stressful situation between the two of them. Director Robert Aldrich pays meticulous attention to the details of bomb deactivation. ~ Michael Betzold, All Movie Guide

This legendarily campy sci-fi epic (shot in color and CinemaScope, and rather lavish for a sci-fi film of this period) concerns a team of astronauts (all men -- this was 1958, you know) who are drawn off course and land on the planet Venus, only to discover it's populated entirely by beautiful women! The space travelers spend a lot of time drooling over their new hosts, dressed in highly practical mini-skirts, but the Venusian queen (Laurie Mitchell) does not much care for her visitors and wants to see them executed. However, not everyone on the planet takes such a hard line against the male gender. One of the Venusians is played by Zsa Zsa Gabor in what is probably the highlight of her film career; the original story was written by Ben Hecht. The producers helped stretch their budget by borrowing costumes and props from a number of other films, including spacesuits from Forbidden Planet, a spaceship from Flight To Mars and sets from World Without End (which was set on Mars, not Venus, though the differences must have escaped the film's scientific advisors). ~ Mark Deming, All Movie Guide

Jerry Lewis' first solo effort was also his first headlong plunge into pathos. The Delicate Delinquent stars Jerry as mixed-up teenaged janitor Sidney Pythias, a nice kid on the verge of throwing in with a not-so-nice street gang. Sensing potential in Sidney, police officer Mike Damon (Darren McGavin, in role originally intended for Lewis' ex-partner Dean Martin) takes the boy under his wing. To prove that Sidney can be weaned away from bad influences, Mike arranges for the boy to become a rookie cop, with fitfully hilarious results (the best scene, involving a monolingual Japanese gentleman, is also the most politically incorrect). Martha Hyer costars as an idealistic social worker with whom Mike (and briefly, Sidney) falls in love. The film's tenuous balance between juvenile-delinquent drama and slapstick comedy is never more pronounced than in the opening scene, wherein the clumsy Sidney, carrying a bulky garbage can, stumbles into the middle of a gang rumble. Though not Jerry Lewis' best film, Delicate Delinquent was a hit, proving he could carry a picture himself; as a bonus, Jerry gets to sing the significantly titled ditty "By Myself". ~ Hal Erickson, All Movie Guide

It Came From Outer Space is one of a handful of science fiction films from the 1950s that plays as well today as it did on its original release, this despite the fact that its original 3-D elements seem to be lost. It was also the first science fiction effort of director Jack Arnold, and one of three excellent 3-D features that he made (the others were Creature From the Black Lagoon and Revenge of the Creature) during that format's short-lived history. It was also, along with The Incredible Shrinking Man, one of the two most sophisticated films he ever made in that genre. Additionally, it was Arnold's first opportunity to use the desert setting that seemed to inspire him in some of his best subsequent movies. Based on a story by Ray Bradbury, the movie starts off in a gentle, lyrical mode, almost reminiscent of Our Town, as the narrator introduces the tiny Arizona town where the action will take place. Writer John Putnam (Richard Carlson), a new arrival to the town and an amateur astronomer, is looking at the skies with his fiancée, schoolteacher Ellen Fields (Barbara Rush), when they see what looks like a huge meteor crash into the desert. Putnam and Ellen go to the site of the crash and find a huge crater. When he goes down inside, Putnam sees what is very obviously some kind of vehicle or device embedded in the ground, but before he can show it to anyone, a rock slide buries what he saw. He reports that a spacecraft of some kind is buried there and is duly ridiculed by the local press and some of his own colleagues in the astronomical community, and even Ellen has her doubts. The local sheriff, Matt Warren (Charles Drake), is downright hostile because he believes that Putnam is not only an interloper, but has also taken Ellen away from him. Putnam is at a loss as to what to do, and doing something -- or, perhaps, not doing anything -- becomes a critical matter when various townspeople start to disappear, including Ellen, to be replaced by alien "duplicates." A small but significant part of this action is told from the standpoint of the aliens, who are only glimpsed in brief flashes as they move through the desert and the underground caves where they are hiding. Putnam ultimately comes to understand that the aliens are actually benign and only need time to repair their ship and leave; but by then, the sheriff and the rest of the town have started taking his original warning seriously and their intervention threatens the lives of everyone. Reason and a peaceful approach prevail, but only just barely, and the space travelers are allowed to go on their way -- in return, they restore the real townspeople. The movie ends on a hopeful note as Putnam predicts that someday, when we're ready here on Earth, the visitors will be back to make formal, peaceful introductions. ~ Bruce Eder, All Movie Guide

June Allyson plays a band singer working in New York City; Van Johnson is the manager of a fancy apartment house where a murder is committed. The victim is Allyson's wealthy uncle, and since she can't account for her actions at the time of the crime, Our Heroine is the principal suspect. The real murderer is an expert in hypnosis, who uses this skill to manipulate Allyson's actions--and to lure the girl to her potential doom. Johnson doesn't figure things out until it's almost too late. Remains to Be Seen was based on the Broadway comedy/mystery by Howard Lindsay and Russell Crouse, which originally starred Jackie Cooper and his then-wife Janis Paige. ~ Hal Erickson, All Movie Guide

In this exciting Korean War-era actioner, two Marine combat photographers risk their lives on the front to chronicle the battles. When not behaving heroically up there, they are competing for the affection of a pretty Red Cross nurse. ~ Sandra Brennan, All Movie Guide

The perfunctorily titled Jet Job is an updated retelling of the old one about the hotshot test pilot who learns the value of being a team player. Stanley Clements stars as Joe Kovak, whose recklessness and refusal to follow orders causes no end of trouble for his superiors. Fired by boss Sam Bentley (John Litel), Joe takes a job with Bentley's competitor Oscar Collins (Tom Powers). After a suspicious jet-plane crash, Joe is grounded on Collins' say-so. In fact, it was Collins' own negligence that caused the crash, but no one will listen to Joe's side of the story. Redemption is at hand, however, and Joe clears his name during a death-defying test flight for the army. Co-starring as Joe's love interest is Elena Verdugo, several years away from her weekly chores as Consuela on TV's Marcus Welby. ~ Hal Erickson, All Movie Guide