Dave Willock Movies

Filmed in an early Technicolor process, The Runaround tells the story of Broadway dancer Mary Brian, who refuses to play the gold-digging games indulged in by her fellow chorines. Though she's sorely tempted to accept a $1000 bracelet from an elderly admirer, Brian turns down the gift when she learns that her benefactor expects a few "favors" in return. By sticking to her principles, our heroine finally lands a pure-hearted husband, wealthy Geoffrey Kerr. Comedy relief was offered by two former silent-screen favorites, Marie Prevost and Johnny Hines. A box-office loser to the tune of $160,000, The Runaround didn't fare much better in Great Britain, where it was released as Waiting for the Bride (who knows why?) ~ Hal Erickson, All Movie Guide

A remake of a 1930 Universal film, Little Accident was the third starring vehicle for androgynous juvenile star Baby Sandy. Hugh Herbert stars as Herbert Pearson, self-styled infant specialist on a big-city newspaper. When father Tabby Morgan (Ernest Truex) abandons his bundle of joy (Baby Sandy) on Pearson's desk, the latter is forced to play "papa"-and to play it with expertise-at the risk of losing his job. The slapstick consequences give way to thrills and spills when Baby Sandy finds himself (herself?) headed for a whirring laundry machine. Like its same-named predecessor, Little Accident was based on a play by Floyd Dell and Thomas Mitchell (yes, that Thomas Mitchell). ~ Hal Erickson, All Movie Guide

Legion of Lost Flyers is a typically action-packed entry in Universal's Richard Arlen-Andy Devine series (if one can call a group of thematically unconnected B-pictures a "series"). This time, heroes Loop Gillian (Arlen) and Beff Brumley (Devine) are, respectively, a pilot and mechanic for an Alaskan air freight service. The main plotline concerns Loop's efforts to absolve himself of blame for a recent plane crash in which several civilians were killed. He also finds time to romance heroine Paula (Anne Nagel), whose purpose in the picture is never clearly defined: like Mount Everest, she's simply "there." A pre-stardom Jack Carson plays the obligatory "lucky" pilot whose luck runs out, while Carson's vaudeville partner Dave Willock also plays a supporting role. Comedy-relief eskimo Edith Mills may seem offensive to today's ethnically sensitive viewers. ~ Hal Erickson, All Movie Guide

The W. Somerset Maugham play Home and Beauty was successful Americanized as Too Many Husbands (British title: My Two Husbands). Led to believe that her husband Fred MacMurray has drowned in a shipwreck, socialite Jean Arthur marries Melvyn Douglas. In time-honored Enoch Arden fashion, MacMurray turns up alive. The rest of the film finds Jean's two husbands figuratively duking it out for her affections. For a Production Code-era film, Too Many Husbands is remarkably risque, with a delicious open-ended denouement. And besides, we get to see the matchless Jean Arthur do the rhumba! In 1955, Columbia trotted out this property once more, and the result was the musical comedy Three For The Show, starring Jack Lemmon and Marge & Gower Champion. ~ Hal Erickson, All Movie Guide

W.C. Fields heads to Esoteric studios to pitch a story idea to producer Franklin Pangborn. The producer wants to make a conventional romantic musical starring Fields' niece, teen-aged soprano Gloria Jean, but "The Great Man" has other ideas. As Pangborn sits in dumbfounded silence, Fields unravels an incoherent farrago which begins with him travelling to a Russian colony in Mexico--by way of an airliner with an open observation platform. Fields dives from the plane when his precious flask of gin falls overboard; he lands safely at the mountaintop mansion of the formidable Mrs. Hemoglobin (Margaret Dumont). Playing a kissing game with Hemoglobin's beauteous daughter (Susan Miller), who has never seen a man before, Fields decides to make a quick exit when Mama wants to get in on the game too. Reunited with Gloria Jean in the Russian colony, Fields learns that Mrs. Hemoglobin is worth millions, so he climbs back up the mountain, ignoring such obstacles as a displaced African gorilla. Disposing of his rival Leon Errol, Fields is about to wed Mrs. Hemoglobin, but is talked out of it at the last moment by Gloria Jean. At this point in the narrative, producer Pangborn can stand no more. He tells Fields to take his nonsensical screenplay and vacate the premises. After a brief episode at a soda fountain ("This scene was supposed to be in a saloon, but the censors made us cut it out"), Fields drives off to new adventures with his niece--but not before a zany slapstick car-chase finale, prompted by Fields' mistaken belief that he's rushing a corpulent middle-aged lady to the maternity hospital. W. C. Fields' original screenplay for Never Give a Sucker an Even Break (written under the fanciful pseudonym of Otis Criblecoblis) made a lot more sense than what ended up on screen, but Fields' extended absences from the studio, coupled with Universal's desire to reshape the film into a vehicle for their new star Gloria Jean, necessitated a complete restructuring of the plot. While hardly Fields' best or most representative film, Sucker is an excellent example of the sort of nonsensical "nut" humor in vogue in 1941 thanks to Olsen and Johnson's Hellzapoppin'. And, occasionally, the film stands still long enough to allow W. C. Fields to mutter a priceless aside or toss off a perfectly timed double-take. ~ Hal Erickson, All Movie Guide

No relation to the Cracked Nuts he directed in 1931, this hokey sci-fi-comedy from director Edward F. Cline stars Stuart Erwin as Lawrence Trent, a country rube who wins a refrigerator-slogan contest and gets some money for his efforts. Meanwhile, mad scientist Boris Kabikoff (Mischa Auer) builds a silly-looking robot in his own image and hooks up with a New York patent attorney (William Frawley from I Love Lucy) to bilk Trent out of his prize money. Shemp Howard plays the robot as a lusty creature with a penchant for skirt-chasing and is used by black servant Chloe (Hattie Noel) to do housechores and frighten her husband Burgess (Mantan Moreland), who has a gambling problem. Una Merkel co-stars with Astrid Allwyn and Pierre Watkin. ~ Robert Firsching, All Movie Guide

One of the most schizophrenic films ever to come out of the Paramount "B" mill, The Monster and the Girl starts out as a white-slavery melodrama and ends up as a horror picture! Emerging from the fog, heroine Susan Webster (Ellen Drew) tells her woeful tale to the audience. A young innocent from The Sticks, Susan arrives in New York to seek work as an actress, but instead is tricked into a sham marriage with Larry Reed (Robert Paige). Awakening "the morning after", Susan is informed that her missing husband is not her husband, and that, as a fallen woman, there is only one avenue of livelihood open to her-as one of the "paid hostesses" in the stable of gangster Bruhl (Joseph Calleia). Learning of his sister's plight, church organist Scot Webster (Philip Reed) shows up in town to set things right, only to be framed for murder by Bruhl and his mob. After his execution, Scot's body is appropriated by mad scientist Dr. Parry (George Zucco), who hopes to transplant the dead man's brain into the body of a gorilla. Driven by impulses it can't resist, the big ape escapes from his cage to kill off all those responsible for Susan's ruin and Scot's death. Undeniably fascinating, The Monster and the Girl is also undeniably silly at times, especially in the opening scenes, in which the censor-plagued screenwriters work overtime not to overtly state that Susan Daniels has been forced into prostitution. ~ Hal Erickson, All Movie Guide

The Irving Berlin-Morrie Ryskind Broadway musical hit Louisiana Purchase came to the screen with surprisingly few emendations in 1941. Bob Hope replaces Broadway's William Gaxton in the role of innocent political flunkey Jim Taylor, set up to take the fall for wholesale graft by a group of corrupt Louisiana politicians. Taylor's friendly adversary is bumptuous U.S. senator Loganberry (Victor Moore, repeating his stage role), whose efforts at reform only end up getting him in hot water as well. Loganberry solves his own problems by marrying Mme. Bordelaise (Irene Bordoni), the temptress who'd been sent out to place him in a compromising position, forcing Taylor to straighten out the mess himself in a hilarious climactic courtroom filibuster. ("If it's good enough for James Stewart, it's good enough for me.") Some of the satirical bite of the Broadway version had to be blunted for movie-audience consumption, though Paramount managed to avoid potential lawsuits by using a device which originated in the play: an amusing opening "opera bouffe" wherein it was established beyond all doubt that Louisiana was a totally mythical state! (At one point, a bevy of chorus girls sing the "any resemblance to actual persons living or dead" disclaimer.) On a historical note, Louisiana Purchase was Bob Hope's first Technicolor appearance. ~ Hal Erickson, All Movie Guide

Lucky Jordan (Alan Ladd) is a tough but good-natured New York racketeer who tries to finagle his way out of Army service. Despite his efforts, Jordan is drafted, but soon goes AWOL, with a lovely USO worker (Helen Walker) dogging his heels. She tries to arouse Jordan's patriotism, but he is unmoved until a gang of enemy spies beat up an old lady con artist (Mabel Paige) whom Lucky regards as a surrogate mother. Using his underhanded "street smarts," Jordan rounds up the spies and agrees to complete his military servitude. Lucky Jordan was one of several wartime films in which otherwise larcenous individuals are redeemed by channelling their talents for the good of Uncle Sam. ~ Hal Erickson, All Movie Guide

Very much a product of its times, Priorities on Parade was disliked by everyone but the public when it was first released in 1942. The story takes place in a wartime aircraft plant, where a group of entertainers secure jobs putting on shows for the workers during lunch and dinner breaks. The troupe's duties also include a bit of spot-welding and assembly-line work as well, leading to a variety of mildly comic complications. Naturally, all plot roads lead to a big, morale-boosting musical finale, highlighted by choreographer Jack Donahue's precision-dance routines, wherein the entertainers elect to turn down a Broadway show in favor of defense-plant work (this is a fantasy, isn't it?) The four protagonists are played by zany Jerry Colonna, handsome Johnnie Johnston, and gorgeous Ann Miller (in a blonde wig) and Betty Rhodes, while Vera Vague supplies her usual dizziness as a Rosie-the-Rivetter type. The Frank Loesser-Jules Styne-Herb Magidson score includes the hit tune "You're in Love With Somebody Else But I'm in Love With You". ~ Hal Erickson, All Movie Guide

In this, the third screen adaptation of the musical revue Sailor Beware, William Holden plays Casey Kirby, a shy sailor who through a series of misunderstandings develops a reputation as a world-class lady-killer. In order to save face, Casey has to persuade "The Countess of Swingland" (Dorothy Lamour), a popular Big Band vocalist, to give him a big kiss in public. But the Countess is no pushover and has little sympathy for sob stories, so Casey soon learns his work is cut out for him. The Countess' best friend, Bessie Dale (Betty Hutton), is a bit less shy around the menfolk and sets her sights on Casey's buddy Barney Waters (Eddie Bracken). Betty Hutton made her screen debut in this movie, and she sings the novelty number "Arthur Murray Taught Me Dancing in a Hurry." Hutton is backed by Jimmy Dorsey and his Orchestra, who also perform several other numbers, including their hit "Tangerine." ~ Mark Deming, All Movie Guide

In this screen version of the James Thurber-Elliot Nugent Broadway play of the same name, Henry Fonda stars as bespectacled, bookish college professor Tommy Turner, who puts his career on the line by insisting upon standing up for his right to free speech. Determining to read a letter written by executed anarchistic Bartolomeo Vanzetti to his classroom,Tommy not only risks dismissal and castigation by the conservative college trustees, but seriously jeopardizes his marriage to his wife Ellen (Olivia DeHavilland), who wishes that Tommy would stop making waves and start lobbying for a raise. Coinciding with all this is the arrival of former college football star Joe Ferguson (Jack Carson), who many years earlier had been Tommy's rival for Ellen's affections. Eminently successful and aggressively athletic, Joe seems to be everything that Tommy isn't, and the little professor is worried that he's going to lose Ellen to Joe after all. An all-night drinking session with equally idealistic student Michael Barnes (Herbert Anderson) convinces Tommy to stick to his principles no matter what the cost-and miracle of miracles, this resolve makes him a hero in everyone's eyes, including sweet Ellen. The Male Animal was remade in 1952 as She's Working Her Way Through College, with the liberal ideology of the original film sacrificed in favor of McCarthy-era banalities. ~ Hal Erickson, All Movie Guide

A princess finds love with a regular American Joe in this patriotic romantic comedy. A European diplomat (Charles Coburn) is named an ambassador to the U.S., and when he relocates to Washington D.C., he's accompanied by his niece, Princess Maria (Olivia de Havilland). Maria's uncle hopes that she'll meet an eligible American bachelor during her visit, since potential husbands are in short supply at home. Maria tires of her uncle's attempts at matchmaking, and when he suggests that she take a side trip to San Francisco, she leaps at the chance. However, Maria has a fear of flying, and when she's given tranquilizers to settle her nerves, she passes out in mid-flight. Maria is down for the count when bad weather forces the flight to return to Washington, and pilot Eddie O'Rourke (Robert Cummings) volunteers to put her up for the night. When Maria comes to, she's struck by Eddie's decency and charm, and it's love at first sight for them. However, Maria's uncle was hoping for someone higher up the social ladder than a pilot, and the lovebirds have an uphill battle getting him to consent to their wedding. No one seems sure if it's actually President Franklin D. Roosevelt appearing in the film's final scenes or just an impersonator, but apparently FDR's dog Fala did actually play himself. ~ Mark Deming, All Movie Guide