Sumner Williams Movies

Made for the car-race fanatics out there (there are plenty), Road Racers is about a driver who is booted out of the U.S. racing circuit when he's involved in a racing death that was caused by his own carelessness. He goes to Europe and dominates the race scene. When he's permitted to return to the State, he gets in a racing show-down with his biggest rival as they duel in the United States Grand Prix. ~ All Movie Guide

This is the one in which the "villain" is a huge, carnivorous praying mantis. After the titular insect has attacked several people in a remote Arctic region, Col. Joe Parkham (Craig Stevens) swings into action. Parkham and his associates, Dr. Ned Jackson (William Hopper) and Ned's assistant Margie Blake (Alix Talton), track the predatory mantis as it heads southward to Washington DC (how did it get past customs?) The green monstrosity meets its Waterloo in "Manhattan Tunnel", where it is bombarded with poison gas (a little Raid or Black Flag might have come in handy). Some of the Arctic scenes in The Deadly Mantis were clumsily culled from the 1933 drama SOS Iceberg and a handful of Air Force training films. ~ Hal Erickson, All Movie Guide

In Nicholas Ray's WWII drama, two British officers, Captain Leith (Richard Burton) and Major Brand (German character actor Curd Jürgens, who would later play Bond foe Karl Stromberg in The Spy Who Loved Me), a South African, are being considered to lead a daring raid to steal crucial documents from a Nazi stronghold in Libya. The two don't seem particularly fond of each other. Brand's wife, Jane (Ruth Roman of Strangers on a Train), arrives on the base. There's an odd awkwardness when Brand introduces her to Leith at the officers' club. It turns out the two already know each other, intimately. They were romantically involved long ago, until Leith broke it off without warning. Jane later met Brand. Leith and Jane keep their relationship a secret from Brand, but he realizes something's up when he goes out for a bit and comes back to find them dancing together. He later gets angry when his wife slips up and refers to Leith as "Jimmy." Brand and Leith are chosen to lead the mission together. Jane says goodbye to Leith, and Wilkins (Nigel Green of The Ipcress File) and some other soldiers see them together. The raid goes fairly smoothly, until Brand can't bring himself to kill a German sentry, and Leith feels compelled to step in and do it for him. Brand's resentment of Leith grows. The team steals the documents and heads out across the desert to make their escape. They're attacked by a German patrol, and after the melee, Brand arouses suspicious when he orders Leith to stay with three badly wounded soldiers while the rest of the group leaves for the rendezvous point. Bitter Victory is based on the novel by René Hardy. Jean-Luc Godard famously said of the film in his review, "Nicholas Ray is cinema." ~ Josh Ralske, All Movie Guide

One of the strangest westerns on record, Johnny Guitar has less in common with Zane Grey than it does with Sigmund Freud and Krafft-Ebbing. The title character, played by Sterling Hayden, is a guitar-strumming drifter who was once the lover of Arizona saloon-owner Vienna (Joan Crawford). Though her establishment doesn't make a dime, Vienna doesn't care because the railroad is going to come in soon, bringing a whole slew of thirsty new customers. This puts her at odds with bulldyke rancher Emma Small (Mercedes McCambridge), who doesn't want any new settlers on her land. Hating Vienna with a purple passion, Emma will do anything to drive her out of the territory...and even worse, Emma's got the law and the other ranchers on her side. Hoping to keep Emma at bay, Vienna hires Johnny Guitar, who unbeknownst to everyone else in town is a notorious gunslinger. But Johnny prefers to bide his time, waiting for Emma to strike before he makes his move. As a result, Vienna endures several life-threatening experiences, culminating with a feverish chase through the Arizona wilds with lynch-happy Emma and her minions in hot pursuit. According to most sources, the animosity between Joan Crawford and Mercedes McCambridge was quite real, added several extra dimensions to their scenes together. Director Nicholas Ray and screenwriter Philip Yordan stuff the film with so much sexual symbolism that one wonders why they left out a train going into a tunnel. Ms. Crawford's vivid red-and-blue wardrobe scheme was later appropriated by Ray for James Dean in Rebel Without a Cause--with equally stunning results. In addition to the stars, Johnny Guitar is well stocked with reliable supporting players, including Ernest Borgnine, Ben Cooper, Royal Dano (superb as a consumptive, book-reading hired gun) and Paul Fix. ~ Hal Erickson, All Movie Guide

Though Humphrey Bogart is the official star of Knock on Any Door, the film is essentially a showcase for Columbia's newest young male discovery John Derek. The first production of Bogart's Santana company, the film casts Bogart as attorney Andrew Morton. A product of the slums, Morton is persuaded to take the case of underprivileged teenager Nick Romano (Derek), who has been arrested on a murder charge. Through flashbacks, Morton demonstrates that Romano is more a victim of society than a natural-born killer. Though this defense strategy does not have the desired result on the jury thanks to the badgering of DA Kernan (George Macready), Morton does manage to arouse sympathy for the plight of those trapped by birth and circumstance in a dead-end existence. As Nick Romano, John Derek would never be better, nor would ever again play a character who struck so responsive a chord with the audience. Nick's oft-repeated credo--"Live fast, die young, and leave a good-looking corpse"--became the clarion call for a generation of disenfranchised youth. Director Nicholas Ray would later expand on themes touched upon in Knock on a Any Door in his juvenile delinquent "chef d'oeuvre" Rebel without a Cause. Viewers are advised to watch for future TV personalities Cara Williams and Si Melton in uncredited minor roles. Knock on Any Door spawned a belated sequel in 1960, Let No Man Write My Epitaph. ~ Hal Erickson, All Movie Guide

Chris (Thomas Carnahan) stumbles upon a magic lamp. He rubs the lamp, and out pops not a genie, but miles of stock film footage! Chris and the Wonderful Lamp is an ersatz feature film, cobbling together clips from several Edison Studios productions, as well as shots from a brace of nature films. It's all tied together by the narrative device of little Chris, whose acting is confined to open-mouthed doubletakes. Chris and the Wonderful Lamp served as a valuable technical exercise for future Warner Bros. director Alan (Don Juan) Crosland. ~ Hal Erickson, All Movie Guide