Mervin Williams Movies
Though it cannot help but lapse into dogma and didactics at times, Salt of the Earth is a powerful, persuasive labor-management drama. With the exception of five actors (including future Waltons star Will Geer), the cast is comprised of non-professionals, mostly participants of the real-life strike action upon which the film is based. Set in a New Mexico mining town, the film concerns the measures taken by the largely Hispanic union to improve working and especially living conditions for the poverty-stricken workers. Remarkably prescient, given that the film was made long before the women's movement, is the fact that it is the wives who keep the strike alive while their husbands are beaten and otherwise oppressed by the owners. Not that the miners wholeheartedly accept this; one of the script's many on-target observations shows the macho workers resenting their wives' intervention. The ultimate victory over the strikebreakers (led by Geer at his most odious) comes about as much from male-female solidarity as the workers' pre-set determination. Co-produced by the International Union of Mine, Mill and Smelt Workers, Salt of the Earth was assembled under conditions of extreme duress by a group of Hollywood expatriates, all victims of the Blacklist: producer Paul Jarrico, director Herbert Biberman, screenwriter Michael Wilson and star Will Geer. "Freed" of the strictures of Hollywood pussyfooting and censorship, the film's auteurs are able to explore several subjects previously considered taboo. As a result, Salt of the Earth seems even fresher and more pertinent now than it did when given its extremely limited first release in 1954. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosaura Revueltas, Juan Chacón, (more)
- 1953
The President's Lady is an historical drama starring Charlton Heston as Andrew Jackson and Susan Hayward as his wife Rachel, Jackson marries Rachel after she divorces her unfaithful first husband (Whitfield Connor), with scandal resulting when the ex-husband refuses to finalize the divorce. Jackson climbs up the military and political ladder, but Rachel is never socially acceptable due to her "tainted" past. Nonetheless, Jackson stands staunchly beside his wife, even fighting a duel for her honor. On the eve of Jackson's presidential election, Rachel dies, but "Ol' Hickory" takes comfort in recalling a marriage that remained happy against all odds. The best sequence in The President's Lady is a comic vignette which explodes the legend of the "pipe-smoking" Rachel Jackson. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Charlton Heston, (more)
- 1952
The Kefauver Committee's ongoing investigation of organized crime spawned several "Torn from Today's Headlines!" films in the early 1950s. Republic's Hoodlum Empire concerns the efforts by gangster Joe Gray (John Russell) to get out of the rackets after WW II. Part of Gray's "reclamation" is to testify at a public hearing, prompting a series of flashbacks. Part of the fun is to guess who all the "fictional" criminals are really supposed to be: Luther Adler's character may be called "Nicky Mancini," for example, but for all intents and purposes Adler is playing Frank "Fifth Amendment" Costello. Other famous underworld personages are impersonated by Claire Trevor, Forrest Tucker and Roy Barcroft, while the steadfast Estes Kefauver counterpart is portrayed by Brian Donlevy. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Claire Trevor, (more)
- 1951
John Derek plays a Polish-American immigrant who excels in high school sports. Though no great shakes academically, Derek wins a scholarship at an exclusive Southern university. Sidney Blackmer is a wealthy alumnus who sees to it that Derek is allowed to coast in his classes so that he can play football--and help Blackmer win a series of lucrative wagers on the games. When Derek is sidelined by an injury, Blackmer loses interest, but the rich man's niece (Donna Reed) remains faithful to the boy. The cold business of subsidizing (and exploiting) college athletes is given a critical scrutiny in Saturday's Hero, though the film ends happily with Derek bearing down on his classroom work and making something of himself without relying on football. Featured in a supporting role is ex-athlete Aldo DaRe, later known as Aldo Ray. ~ Hal Erickson, All Movie Guide
- Starring:
- John Derek, Donna Reed, (more)
- 1950
Joe Kirkwood Jr. once more plays Ham Fisher's comic-strip creation Joe Palooka. This time around, Joe's faithful girl Ann Howe is essayed by Lois Hall, while James Gleason replaces Leon Errol in the role of Joe's manager Knobby Walsh. The story gets under way when soft-hearted pugilist Palooka witnesses a gangland rubout. Joe is all for testifying, but the police can do nothing: the body has disappeared, and all evidence has been destroyed. Even so, Joe publicly identifies the killers, leading to any number of perilous situations. The climax borrows heavily from the 1944 thriller Murder My Sweet, with a doped-up Joe suffering hallucinations in the boxing ring. Joe's pal Humphrey Pennyworth is played by Robert Coogan, a little chubbier than he was when last we saw him in Joe Palooka Meets Humphrey. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe Kirkwood, Jr., Lois Hall, (more)
Young model Jean Dexter is knocked unconscious and drowned in her own bathtub in her Manhattan apartment, and a lot of jewelry that she supposedly owned is missing. The Naked City is actually about six days in the life of New York City that coincide with the murder and the subsequent investigation by Lt. Dan Muldoon (Barry Fitzgerald) and Detective James Halloran (Don Taylor). The account of their work, and the workings of the New York City police department, is interspersed with brief vignettes about the life of the city around them, and, especially, the reaction of residents to the murder and the newspaper reports of the progress of the case. Muldoon and Halloran first must determine why she was killed, which may (or may not) have to do with how a woman with a minimal income came by the jewelry -- was it a love affair gone bad (and if so, with whom?), or something more complex and sinister? Retracing the final 18 months of the victim's life, their investigation reaches out to a mysterious "Philip Henderson" with whom she was supposedly linked romantically, and to Frank Niles (Howard Duff), who's a little too fast-and-loose with the truth when he doesn't have to be to make Muldoon comfortable; to make things more complicated, Muldoon determines that there were at least two men involved with the actual commission of the murder. The victim turns out to have led a wild life, filled with men and parties, and was tied up with several sordid figures. Their investigation carries them into the highest and lowest ends of New York's social strata to find the killer, and it turns out there are a lot of interlocking reasons why at least three men might've wanted her dead. In the process, we get glimpses of the private lives of the detectives, which was something new in movies at this time; in the midst of all of this activity, the writers set up a fascinating contrast, in adjacent scenes, between Halloran, his wife, and their young son looking toward the future, with the parents of the dead woman, looking back with bitter regret and recriminations -- no movie ever presented in more subtle fashion the contrast between the zeitgeist of the 1930s and that of the postwar era. The final chase on the Williamsburg Bridge is one of the classic pieces of suspense cinema, as the armed and desperate killer races up the walkway past children playing and adults strolling, while detectives close in on foot from behind and patrol cars come up from ahead, with crowded subways rolling past, and then into the superstructure of the bridge for a stand-off and shootout. Sharp-eyed viewers will spot future character leads Paul Ford, James Gregory, John Marley, Kathleen Freeman, and Arthur O'Connell as well as familiar faces Tom Pedi, John Randolph, Molly Picon, and Walter Burke in the supporting cast. Cinematographer William Daniels and editor Paul Weatherwax won Oscars for their work, but awards might just as easily have been presented to director Jules Dassin, writers Albert Maltz and Malvin Wald, composers Miklos Rozsa and Frank Skinner, and, most notably, to producer/narrator Mark Hellinger, who intoned the closing monologue, which opens with one of the most famous tag lines in movie history: "There are eight million stories in the Naked City." ~ Bruce Eder, All Movie Guide
- Starring:
- Barry Fitzgerald, Howard Duff, (more)
John Garfield, in the best performance of his career, portrays Joe Morse, an ambitious attorney who has long since abandoned his scruples in favor of monetary reward. Morse now represents the interests of crime boss Ben Tucker (Roy Roberts), who plans to take over the numbers racket in New York. Morse has devised a way of doing this legally and above-board, with no violence: Tucker's people will bring about the collapse of the illegal numbers racket in the city, using a race track-betting scam that will bankrupt the small-time underworld numbers banks; an investigation will ensue, along with a call for a legal numbers operation in the form of a lottery, which Tucker will control through Morse's machinations. The whole plan hinges on Morse's estranged brother, Leo (Thomas Gomez), a small-time numbers banker who is to be shielded from the collapse, and who will serve as the "legitimate" front for Tucker. Leo is the flaw in the plan, however, because not only can't he stand the sight of Joe, but he is also too honest to participate in the plan -- he doesn't want his employees, all decent people just looking to earn a living, forced into the employ of real gangsters. Joe orchestrates a series of police raids that force Leo into his corner, and Joe's plan seems to be working out, but then the whole enterprise is threatened when a rival mob, run by Tucker's former Prohibition-era partner, Fico (Paul Fix), starts pressuring Leo, trying to get to Joe and Tucker. Fico and his men aren't any different from Tucker's mob, except that they're prepared to start shooting sooner to get what they want. Tucker decides to hang tough and expects everyone, including Leo, to do the same, even when Fico starts sending thugs around to frighten everyone. Soon Joe is beset by problems on three fronts -- he wants his brother out of Tucker's combination and safe; he is trying to romance Leo's bookkeeper (Beatrice Pearson), who is too nice a girl for who he is; and his own well-being is threatened by both Fico and Tucker, and a state investigator who has already tapped the phone of Joe's otherwise respectable partner. All of these threads are pulled together in the final section of the film, which is as violent and disturbing, yet poetic and graceful a resolution as any crime film of the 1940s ever delivered. Force of Evil was star-crossed almost from the start, as many of the people involved, including star John Garfield and director Abraham Polonsky (a writer making his debut behind the camera, with help from assistant director Don Weis in doing the camera set-ups and blocking), were suspect at the time for their leftist political views. Indeed, the company that made Force of Evil, Enterprise Productions, was also in trouble for the leftist leanings of its films in the midst of the Red Scare, and went out of business just as the movie was finished -- dropped by United Artists and picked up by MGM, of all studios, Force of Evil made it into theaters during Christmas week of 1948, not the ideal schedule for something as grim (albeit great) as this film was. As it turned out, it was Polonsky's last chance to direct for more than 20 years, and Garfield's last completely successful film. And a movie that should have been a triumph for all concerned ended up a cult favorite. ~ Bruce Eder, All Movie Guide
- Starring:
- John Garfield, Thomas Gomez, (more)
- 1947
Acclaimed playwright George S. Kaufman made his directorial debut with this broad political satire. Senator Melvin G. Ashton (William Powell) is a long-time congressman for whom the phrase "dumb as a log" would be fitting if one were not afraid of insulting the trees. After more than twenty years of representing his clueless constituents, Ashton decides to take a shot at the presidential race, and hires Lew Gibson (Peter Lind Hayes) is his press agent. Party topkick Dinty (Charles D. Brown) considers Ashton an utterly hopeless candidate, especially after he begins making fantastic campaign promises no one could possibly keep, but Ashton turns out to be a bit more shrewd than expected. The senator has kept a detailed journal documenting the many underhanded deals his colleagues have had their hands in over the years; all he has to do is slip the diary to a reporter and most of congress will be run out of town on a rail. This possibility seem all the more urgent when Ashton starts dating Poppy McNaughton (Ella Raines), a journalist. The Senator Was Indiscreet boasts a fine supporting cast, including Ray Collins, Allen Jenkins, Hans Conreid, and a cameo appearance from Myrna Loy. ~ Mark Deming, All Movie Guide
- Starring:
- Rodney Bell, William Powell, (more)
- 1941
The real-life marriage between Dick Powell and Joan Blondell was already on the rocks when they costarred in Model Wife. The story is "Working Girl Plot No. 6": Blondell's employer frowns upon married women working. She's married to Powell. The marriage must remain secret. The boss has a "thing" for Blondell. So does every other man. Powell fumes. Complications. Movie ends happily. And that's Model Wife, the second and last of the Powell/Blondell vehicles of the 1940s (the other film was titled, significantly, I Want a Divorce). ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Dick Powell, (more)
